ÇILDIRLI ÂŞIK ŞENLIK BUNLARS CONSONANTS IN THE POEMS AND THEIR REFLECTION

Minstrels, who express their emotions and thoughts accompanied by their saz (a stringed instrument) and are the single most important representatives of the oral tradition, serve as interpreters of the people among whom they are a part of as well as reflecting their spiritual values through improvis...

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Autor principal: Özlem YILDIRIM
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Publicado: Fırat University 2019
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Acceso en línea:https://doaj.org/article/a41d251b22c342cbaefc74777a481486
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spelling oai:doaj.org-article:a41d251b22c342cbaefc74777a4814862021-11-24T09:20:37ZÇILDIRLI ÂŞIK ŞENLIK BUNLARS CONSONANTS IN THE POEMS AND THEIR REFLECTION2148-416310.9761/JASSS8007https://doaj.org/article/a41d251b22c342cbaefc74777a4814862019-08-01T00:00:00Zhttps://jasstudies.com/index.jsp?mod=tammetin&makaleadi=2001298627_13-Dr.%20%C3%96zlem%20Y%C4%B1ld%C4%B1r%C4%B1m.pdf&key=29076https://doaj.org/toc/2148-4163Minstrels, who express their emotions and thoughts accompanied by their saz (a stringed instrument) and are the single most important representatives of the oral tradition, serve as interpreters of the people among whom they are a part of as well as reflecting their spiritual values through improvised tunes and playing a significant role both as the carriers of language and culture. One of these minstrels was Âşık Şenlik of Çıldır, who held an important place within the Eastern Anatolian minstrel tradition. As a lover of his people, his tunes, which were the hallmark of the century in which he lived, were deeply themed around the social, political, and societal events of that period, and thus became etched both in the consciousness of the nation and its people alike. Most of his tunes were didactic in nature, and in addition to being rich in knowledge and meaning, they must separately be addressed in terms of reflecting the language of the people and the region he belonged to nevertheless. No minstrel cannot be thought separate from their lands, region, and the local people. Their tunes, in which they sing in improvisation with the entire body, therefore, carry the all of the dialectal richness of that region. This study examines the consonant harmonies found in poetries of the minstrel Şenlik, being a Karapapak/Terekeme Turk, which only carry tremendous resonance from the past into the present, but also hold significance from dialectal features. Upon classifying the phonetic qualities of these harmonies determined in his poems in detail, the status of these matters especially in some derivational affixes and inflections is given through various examples determined in his poetry.Özlem YILDIRIMFırat Universityarticleâşık şenlik of çıldırterekeme / karapapakpoetrydialectconsonant harmoniesSocial SciencesHSocial sciences (General)H1-99DEENFRTRJournal of Academic Social Science Studies , Vol 12, Iss 77, Pp 197-204 (2019)
institution DOAJ
collection DOAJ
language DE
EN
FR
TR
topic âşık şenlik of çıldır
terekeme / karapapak
poetry
dialect
consonant harmonies
Social Sciences
H
Social sciences (General)
H1-99
spellingShingle âşık şenlik of çıldır
terekeme / karapapak
poetry
dialect
consonant harmonies
Social Sciences
H
Social sciences (General)
H1-99
Özlem YILDIRIM
ÇILDIRLI ÂŞIK ŞENLIK BUNLARS CONSONANTS IN THE POEMS AND THEIR REFLECTION
description Minstrels, who express their emotions and thoughts accompanied by their saz (a stringed instrument) and are the single most important representatives of the oral tradition, serve as interpreters of the people among whom they are a part of as well as reflecting their spiritual values through improvised tunes and playing a significant role both as the carriers of language and culture. One of these minstrels was Âşık Şenlik of Çıldır, who held an important place within the Eastern Anatolian minstrel tradition. As a lover of his people, his tunes, which were the hallmark of the century in which he lived, were deeply themed around the social, political, and societal events of that period, and thus became etched both in the consciousness of the nation and its people alike. Most of his tunes were didactic in nature, and in addition to being rich in knowledge and meaning, they must separately be addressed in terms of reflecting the language of the people and the region he belonged to nevertheless. No minstrel cannot be thought separate from their lands, region, and the local people. Their tunes, in which they sing in improvisation with the entire body, therefore, carry the all of the dialectal richness of that region. This study examines the consonant harmonies found in poetries of the minstrel Şenlik, being a Karapapak/Terekeme Turk, which only carry tremendous resonance from the past into the present, but also hold significance from dialectal features. Upon classifying the phonetic qualities of these harmonies determined in his poems in detail, the status of these matters especially in some derivational affixes and inflections is given through various examples determined in his poetry.
format article
author Özlem YILDIRIM
author_facet Özlem YILDIRIM
author_sort Özlem YILDIRIM
title ÇILDIRLI ÂŞIK ŞENLIK BUNLARS CONSONANTS IN THE POEMS AND THEIR REFLECTION
title_short ÇILDIRLI ÂŞIK ŞENLIK BUNLARS CONSONANTS IN THE POEMS AND THEIR REFLECTION
title_full ÇILDIRLI ÂŞIK ŞENLIK BUNLARS CONSONANTS IN THE POEMS AND THEIR REFLECTION
title_fullStr ÇILDIRLI ÂŞIK ŞENLIK BUNLARS CONSONANTS IN THE POEMS AND THEIR REFLECTION
title_full_unstemmed ÇILDIRLI ÂŞIK ŞENLIK BUNLARS CONSONANTS IN THE POEMS AND THEIR REFLECTION
title_sort çildirli âşik şenlik bunlars consonants in the poems and their reflection
publisher Fırat University
publishDate 2019
url https://doaj.org/article/a41d251b22c342cbaefc74777a481486
work_keys_str_mv AT ozlemyildirim cildirliasiksenlikbunlarsconsonantsinthepoemsandtheirreflection
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