Linguostylistic Peculiarities of Episode Constructing in Cinematic Prose (on Gr. Greene’s Novel “The Quiet American”)

The question of the episode as a significant structural and compositional element of cinematic text, which is characterized by a detailed representation of the point of view of a hero, is investigated. An attempt is made to reveal the specifics of the episode structure in the works of the English-sp...

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Autores principales:	E. V. Mikhailovskaya, A. Y. Strogaleva
Formato:	article
Lenguaje:	RU
Publicado:	Tsentr nauchnykh i obrazovatelnykh proektov 2018
Materias:	literary cinematography point of view episode composition style Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/a58fd07f78f844a0a19ca4c6b37d61ed
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spelling	oai:doaj.org-article:a58fd07f78f844a0a19ca4c6b37d61ed2021-12-02T07:58:03ZLinguostylistic Peculiarities of Episode Constructing in Cinematic Prose (on Gr. Greene’s Novel “The Quiet American”)2225-756X2227-129510.24224/2227-1295-2018-4-124-133https://doaj.org/article/a58fd07f78f844a0a19ca4c6b37d61ed2018-04-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/770https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The question of the episode as a significant structural and compositional element of cinematic text, which is characterized by a detailed representation of the point of view of a hero, is investigated. An attempt is made to reveal the specifics of the episode structure in the works of the English-speaking writer of the 20th century Graham Greene, whose literary work was closely linked with the cinema. Central episode of Greene’s novel “The Quiet American” (1955) is analyzed as a material. The novelty of the research is seen in the fact that the phenomenon of the cinematography in art prose from the point of view of linguistic style is yet of relatively small degree of scrutiny. In this regard, special attention is paid to the author’s choice of language means in order to achieve the effect of cinematography. It is also noted that for Greene, reflections of the main characters are of great importance, and visual, sonic and other details related to the activities of the human senses serve as an impetus for reflection. The article presents the experience of long-term work of the authors in the field of stylistics of fiction, in particular, deeper study of Gr. Greene’s style was conducted.E. V. MikhailovskayaA. Y. StrogalevaTsentr nauchnykh i obrazovatelnykh proektovarticleliterary cinematographypoint of viewepisodecompositionstyleSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 4, Pp 124-133 (2018)
institution	DOAJ
collection	DOAJ
language	RU
topic	literary cinematography point of view episode composition style Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	literary cinematography point of view episode composition style Slavic languages. Baltic languages. Albanian languages PG1-9665 E. V. Mikhailovskaya A. Y. Strogaleva Linguostylistic Peculiarities of Episode Constructing in Cinematic Prose (on Gr. Greene’s Novel “The Quiet American”)
description	The question of the episode as a significant structural and compositional element of cinematic text, which is characterized by a detailed representation of the point of view of a hero, is investigated. An attempt is made to reveal the specifics of the episode structure in the works of the English-speaking writer of the 20th century Graham Greene, whose literary work was closely linked with the cinema. Central episode of Greene’s novel “The Quiet American” (1955) is analyzed as a material. The novelty of the research is seen in the fact that the phenomenon of the cinematography in art prose from the point of view of linguistic style is yet of relatively small degree of scrutiny. In this regard, special attention is paid to the author’s choice of language means in order to achieve the effect of cinematography. It is also noted that for Greene, reflections of the main characters are of great importance, and visual, sonic and other details related to the activities of the human senses serve as an impetus for reflection. The article presents the experience of long-term work of the authors in the field of stylistics of fiction, in particular, deeper study of Gr. Greene’s style was conducted.
format	article
author	E. V. Mikhailovskaya A. Y. Strogaleva
author_facet	E. V. Mikhailovskaya A. Y. Strogaleva
author_sort	E. V. Mikhailovskaya
title	Linguostylistic Peculiarities of Episode Constructing in Cinematic Prose (on Gr. Greene’s Novel “The Quiet American”)
title_short	Linguostylistic Peculiarities of Episode Constructing in Cinematic Prose (on Gr. Greene’s Novel “The Quiet American”)
title_full	Linguostylistic Peculiarities of Episode Constructing in Cinematic Prose (on Gr. Greene’s Novel “The Quiet American”)
title_fullStr	Linguostylistic Peculiarities of Episode Constructing in Cinematic Prose (on Gr. Greene’s Novel “The Quiet American”)
title_full_unstemmed	Linguostylistic Peculiarities of Episode Constructing in Cinematic Prose (on Gr. Greene’s Novel “The Quiet American”)
title_sort	linguostylistic peculiarities of episode constructing in cinematic prose (on gr. greene’s novel “the quiet american”)
publisher	Tsentr nauchnykh i obrazovatelnykh proektov
publishDate	2018
url	https://doaj.org/article/a58fd07f78f844a0a19ca4c6b37d61ed
work_keys_str_mv	AT evmikhailovskaya linguostylisticpeculiaritiesofepisodeconstructingincinematicproseongrgreenesnovelthequietamerican AT aystrogaleva linguostylisticpeculiaritiesofepisodeconstructingincinematicproseongrgreenesnovelthequietamerican
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Linguostylistic Peculiarities of Episode Constructing in Cinematic Prose (on Gr. Greene’s Novel “The Quiet American”)

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