Textile Textured Silver Ingots: A Technical Investigation into how these Textures came to be on some Viking Hoard Ingots
The ‘West Coast Cumbria’ hoard, discovered in 2014, is a late ninth/ early tenth-century Viking silver hoard, housed at the Beacon Museum, Whitehaven, UK. It is composed of 20 Viking silver objects: bar-shaped ingots and ornaments, in various stages of fragmentation (PAS ‘Find-ID’ LANCUM-FA14C8). On...
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oai:doaj.org-article:a659e1c4774845969b45d45249bba8f02021-12-01T14:42:33ZTextile Textured Silver Ingots: A Technical Investigation into how these Textures came to be on some Viking Hoard Ingots2212-8956https://doaj.org/article/a659e1c4774845969b45d45249bba8f02018-11-01T00:00:00Zhttps://exarc.net/ark:/88735/10370https://doaj.org/toc/2212-8956The ‘West Coast Cumbria’ hoard, discovered in 2014, is a late ninth/ early tenth-century Viking silver hoard, housed at the Beacon Museum, Whitehaven, UK. It is composed of 20 Viking silver objects: bar-shaped ingots and ornaments, in various stages of fragmentation (PAS ‘Find-ID’ LANCUM-FA14C8). One, complete ingot (museum no. 2016.162.5) bears coarse cloth-impressions on its upper surface i.e. the face that was in direct contact with the mould. How such textile imprints were acquired is somewhat of a mystery.Dave MeyersEXARCarticlesilvertextilemetallurgyclayviking ageusaMuseums. Collectors and collectingAM1-501ArchaeologyCC1-960ENEXARC Journal, Iss 2018/4 (2018) |
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silver textile metallurgy clay viking age usa Museums. Collectors and collecting AM1-501 Archaeology CC1-960 |
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silver textile metallurgy clay viking age usa Museums. Collectors and collecting AM1-501 Archaeology CC1-960 Dave Meyers Textile Textured Silver Ingots: A Technical Investigation into how these Textures came to be on some Viking Hoard Ingots |
description |
The ‘West Coast Cumbria’ hoard, discovered in 2014, is a late ninth/ early tenth-century Viking silver hoard, housed at the Beacon Museum, Whitehaven, UK. It is composed of 20 Viking silver objects: bar-shaped ingots and ornaments, in various stages of fragmentation (PAS ‘Find-ID’ LANCUM-FA14C8). One, complete ingot (museum no. 2016.162.5) bears coarse cloth-impressions on its upper surface i.e. the face that was in direct contact with the mould. How such textile imprints were acquired is somewhat of a mystery. |
format |
article |
author |
Dave Meyers |
author_facet |
Dave Meyers |
author_sort |
Dave Meyers |
title |
Textile Textured Silver Ingots: A Technical Investigation into how these Textures came to be on some Viking Hoard Ingots |
title_short |
Textile Textured Silver Ingots: A Technical Investigation into how these Textures came to be on some Viking Hoard Ingots |
title_full |
Textile Textured Silver Ingots: A Technical Investigation into how these Textures came to be on some Viking Hoard Ingots |
title_fullStr |
Textile Textured Silver Ingots: A Technical Investigation into how these Textures came to be on some Viking Hoard Ingots |
title_full_unstemmed |
Textile Textured Silver Ingots: A Technical Investigation into how these Textures came to be on some Viking Hoard Ingots |
title_sort |
textile textured silver ingots: a technical investigation into how these textures came to be on some viking hoard ingots |
publisher |
EXARC |
publishDate |
2018 |
url |
https://doaj.org/article/a659e1c4774845969b45d45249bba8f0 |
work_keys_str_mv |
AT davemeyers textiletexturedsilveringotsatechnicalinvestigationintohowthesetexturescametobeonsomevikinghoardingots |
_version_ |
1718404955280244736 |