Noches de sano esparcimiento. La censura cinematográfica en Argentina. 1955-1973.

This work aims to study film censorship in Argentina, starting on defining it as a space of negotiation and conflict based in the fight of the legitimization of determinate social customs of film, where the political and military groups perform a fundamental role that fight over the control of the s...

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Autor principal:	Fernando Ramírez Llorens
Formato:	article
Lenguaje:	EN FR PT
Publicado:	Centre de Recherches sur les Mondes Américains 2015
Materias:	censorship cinema argentine State film business catolicism Anthropology GN1-890 Latin America. Spanish America F1201-3799
Acceso en línea:	https://doaj.org/article/a931ed7075b445b5a12b9048c7a35196
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id	oai:doaj.org-article:a931ed7075b445b5a12b9048c7a35196
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spelling	oai:doaj.org-article:a931ed7075b445b5a12b9048c7a351962021-12-02T10:31:56ZNoches de sano esparcimiento. La censura cinematográfica en Argentina. 1955-1973.1626-025210.4000/nuevomundo.68565https://doaj.org/article/a931ed7075b445b5a12b9048c7a351962015-12-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/68565https://doaj.org/toc/1626-0252This work aims to study film censorship in Argentina, starting on defining it as a space of negotiation and conflict based in the fight of the legitimization of determinate social customs of film, where the political and military groups perform a fundamental role that fight over the control of the state machine, the cinematographic management, the clergy and the catholic laity. This concept of censorship assembles the polity of prohibition and promotion proposed by this actors as two complementary strategies for the achievement of the same objective: the definition of the limits of the speakable. The hypothesis that orientates the research is that the dispute for the definition of the politics of prohibition and promotion was based in the conceptions that the different actors in conflict had over the social customs of film and expressed the fights for its legitimization.Regarding cinema, the period 1955-1976 has its own historical density. The changing power alliances inside the State impede the consolidation of a system of effective politic domination; the catholic world debates between the internal tensions product of the growing role of the church as a central institution of political order and the renewing debate impulse by the Second Vatican Council; the North American cinematographic companies move in a context where the international markets are every time more important at the same time that they are confronted by the resurgence of the European cinematography, in the framework of a process of juvenilization of the mass culture. All this tensions and transformations to the interior of the State, the Catholicism and the business are in relationship with the rising of the cinematographic modernizer movement that questions the institutional foundations of films understood as a simple entertainment as well the moral canons from which the traditional Catholics struggle for a more formative cinema.Fernando Ramírez LlorensCentre de Recherches sur les Mondes AméricainsarticlecensorshipcinemaargentineStatefilm businesscatolicismAnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2015)
institution	DOAJ
collection	DOAJ
language	EN FR PT
topic	censorship cinema argentine State film business catolicism Anthropology GN1-890 Latin America. Spanish America F1201-3799
spellingShingle	censorship cinema argentine State film business catolicism Anthropology GN1-890 Latin America. Spanish America F1201-3799 Fernando Ramírez Llorens Noches de sano esparcimiento. La censura cinematográfica en Argentina. 1955-1973.
description	This work aims to study film censorship in Argentina, starting on defining it as a space of negotiation and conflict based in the fight of the legitimization of determinate social customs of film, where the political and military groups perform a fundamental role that fight over the control of the state machine, the cinematographic management, the clergy and the catholic laity. This concept of censorship assembles the polity of prohibition and promotion proposed by this actors as two complementary strategies for the achievement of the same objective: the definition of the limits of the speakable. The hypothesis that orientates the research is that the dispute for the definition of the politics of prohibition and promotion was based in the conceptions that the different actors in conflict had over the social customs of film and expressed the fights for its legitimization.Regarding cinema, the period 1955-1976 has its own historical density. The changing power alliances inside the State impede the consolidation of a system of effective politic domination; the catholic world debates between the internal tensions product of the growing role of the church as a central institution of political order and the renewing debate impulse by the Second Vatican Council; the North American cinematographic companies move in a context where the international markets are every time more important at the same time that they are confronted by the resurgence of the European cinematography, in the framework of a process of juvenilization of the mass culture. All this tensions and transformations to the interior of the State, the Catholicism and the business are in relationship with the rising of the cinematographic modernizer movement that questions the institutional foundations of films understood as a simple entertainment as well the moral canons from which the traditional Catholics struggle for a more formative cinema.
format	article
author	Fernando Ramírez Llorens
author_facet	Fernando Ramírez Llorens
author_sort	Fernando Ramírez Llorens
title	Noches de sano esparcimiento. La censura cinematográfica en Argentina. 1955-1973.
title_short	Noches de sano esparcimiento. La censura cinematográfica en Argentina. 1955-1973.
title_full	Noches de sano esparcimiento. La censura cinematográfica en Argentina. 1955-1973.
title_fullStr	Noches de sano esparcimiento. La censura cinematográfica en Argentina. 1955-1973.
title_full_unstemmed	Noches de sano esparcimiento. La censura cinematográfica en Argentina. 1955-1973.
title_sort	noches de sano esparcimiento. la censura cinematográfica en argentina. 1955-1973.
publisher	Centre de Recherches sur les Mondes Américains
publishDate	2015
url	https://doaj.org/article/a931ed7075b445b5a12b9048c7a35196
work_keys_str_mv	AT fernandoramirezllorens nochesdesanoesparcimientolacensuracinematograficaenargentina19551973
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Noches de sano esparcimiento. La censura cinematográfica en Argentina. 1955-1973.

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