Lügen die Dichter? Poetische und diskursive Er-Kenntnis

The article considers the question whether poets lie against the background of the possible difference between poetical and discursive knowledge. Starting from Plato’s thesis, namely that poets lie, the article refers to Rorty, who, in contrast to Plato and with the example of Nabokov, recognizes in...

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Autor principal:	Rainer Grübel
Formato:	article
Lenguaje:	DE EN
Publicado:	Universität Trier 2019
Materias:	poetry discourse truth lie sophos word logos being ontos method nature culture knowledge ajgi aristotle grünbein habermas heidegger nabokov nietzsche parmenides plato popper rorty solov'ev steiner stepanova poetik erkenntnis Language and Literature P
Acceso en línea:	https://doaj.org/article/a9e05e5d836949faac0cba3fdf57b096
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spelling	oai:doaj.org-article:a9e05e5d836949faac0cba3fdf57b0962021-11-22T07:31:37ZLügen die Dichter? Poetische und diskursive Er-Kenntnis10.25353/ubtr-izfk-9609-0fc92698-492X2698-4938https://doaj.org/article/a9e05e5d836949faac0cba3fdf57b0962019-09-01T00:00:00Zhttps://izfk.uni-trier.de/index.php/izfk/article/view/25https://doaj.org/toc/2698-492Xhttps://doaj.org/toc/2698-4938The article considers the question whether poets lie against the background of the possible difference between poetical and discursive knowledge. Starting from Plato’s thesis, namely that poets lie, the article refers to Rorty, who, in contrast to Plato and with the example of Nabokov, recognizes in poetry a special kind of knowledge. It is opposed to discursive knowledge, which is closely related to prose. In the second part Parmenides’ didactic poem “On Nature” is seen as an example of proposing discursive truth in poetic words. Heidegger read Parmenides’ poem as a case for the evidence of truth in non-ambiguous poetical words (cf. the example “a-letheia” – un-concealedness, truth). Popper, however, interpreted the same text very differently, namely as a critical reference to the principal ambi- guity of the word in human language and as the first known instance of the presentation of the deductive method. In this context the works of Nietzsche and Solov’ev are seen as opposed to each other, as Nietzsche in “Zarathustra” identi- fied philosophical and poetical knowledge, whereas Solov’ev in his main work kept them separate from each other. The last part of the article studies the relation of poetical and discursive knowledge in poems of Gennadij Ajgi with their closeness to the dream, of Vera Stepanova with the intriguing opening to the co- presence of the Poetical I and the Other in one and the same word and of Durs Grünbein, who exposes the ambiguity of poetical language as a means to show that even untruth can open a way to come to truth. Then the lie of poetical words can be their way to say the truth.Rainer GrübelUniversität Trierarticlepoetrydiscoursetruthliesophoswordlogosbeingontosmethodnaturecultureknowledgeajgiaristotlegrünbeinhabermasheideggernabokovnietzscheparmenidesplatopopperrortysolov'evsteinerstepanovapoetikerkenntnisLanguage and LiteraturePDEENInternationale Zeitschrift für Kulturkomparatistik, Vol 1, Pp 93-117 (2019)
institution	DOAJ
collection	DOAJ
language	DE EN
topic	poetry discourse truth lie sophos word logos being ontos method nature culture knowledge ajgi aristotle grünbein habermas heidegger nabokov nietzsche parmenides plato popper rorty solov'ev steiner stepanova poetik erkenntnis Language and Literature P
spellingShingle	poetry discourse truth lie sophos word logos being ontos method nature culture knowledge ajgi aristotle grünbein habermas heidegger nabokov nietzsche parmenides plato popper rorty solov'ev steiner stepanova poetik erkenntnis Language and Literature P Rainer Grübel Lügen die Dichter? Poetische und diskursive Er-Kenntnis
description	The article considers the question whether poets lie against the background of the possible difference between poetical and discursive knowledge. Starting from Plato’s thesis, namely that poets lie, the article refers to Rorty, who, in contrast to Plato and with the example of Nabokov, recognizes in poetry a special kind of knowledge. It is opposed to discursive knowledge, which is closely related to prose. In the second part Parmenides’ didactic poem “On Nature” is seen as an example of proposing discursive truth in poetic words. Heidegger read Parmenides’ poem as a case for the evidence of truth in non-ambiguous poetical words (cf. the example “a-letheia” – un-concealedness, truth). Popper, however, interpreted the same text very differently, namely as a critical reference to the principal ambi- guity of the word in human language and as the first known instance of the presentation of the deductive method. In this context the works of Nietzsche and Solov’ev are seen as opposed to each other, as Nietzsche in “Zarathustra” identi- fied philosophical and poetical knowledge, whereas Solov’ev in his main work kept them separate from each other. The last part of the article studies the relation of poetical and discursive knowledge in poems of Gennadij Ajgi with their closeness to the dream, of Vera Stepanova with the intriguing opening to the co- presence of the Poetical I and the Other in one and the same word and of Durs Grünbein, who exposes the ambiguity of poetical language as a means to show that even untruth can open a way to come to truth. Then the lie of poetical words can be their way to say the truth.
format	article
author	Rainer Grübel
author_facet	Rainer Grübel
author_sort	Rainer Grübel
title	Lügen die Dichter? Poetische und diskursive Er-Kenntnis
title_short	Lügen die Dichter? Poetische und diskursive Er-Kenntnis
title_full	Lügen die Dichter? Poetische und diskursive Er-Kenntnis
title_fullStr	Lügen die Dichter? Poetische und diskursive Er-Kenntnis
title_full_unstemmed	Lügen die Dichter? Poetische und diskursive Er-Kenntnis
title_sort	lügen die dichter? poetische und diskursive er-kenntnis
publisher	Universität Trier
publishDate	2019
url	https://doaj.org/article/a9e05e5d836949faac0cba3fdf57b096
work_keys_str_mv	AT rainergrubel lugendiedichterpoetischeunddiskursiveerkenntnis
_version_	1718417873942085632

Lügen die Dichter? Poetische und diskursive Er-Kenntnis

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