Lugar de memoria de las víctimas, arte y poesía en torno a la masacre de Palomitas (Salta, Argentina)
The purpose of the following article resides in the analysis of both memory and the artistic depictions concerning the Palomitas Massacre: the slaughter of political prisoners in Salta, Argentina, during the last military dictatorship (1976-1983). Three different stages of memory will be defined in...
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Centre de Recherches sur les Mondes Américains
2015
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oai:doaj.org-article:ab731105e07649d5ba22dda061a187052021-12-02T10:31:55ZLugar de memoria de las víctimas, arte y poesía en torno a la masacre de Palomitas (Salta, Argentina)1626-025210.4000/nuevomundo.67820https://doaj.org/article/ab731105e07649d5ba22dda061a187052015-03-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/67820https://doaj.org/toc/1626-0252The purpose of the following article resides in the analysis of both memory and the artistic depictions concerning the Palomitas Massacre: the slaughter of political prisoners in Salta, Argentina, during the last military dictatorship (1976-1983). Three different stages of memory will be defined in close relationship with the significance awarded to the artistic expressionism and the places of remembrance in honor of the martyrs. Through these stages, the trails of memory will be addressed through specific geographical circumstances, different cultural perspectives from the other provinces of the country and little state intervention.Guillermo Salvador MarinaroCentre de Recherches sur les Mondes Américainsarticleholocaustmemorydictatorshipregional historyAnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2015) |
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EN FR PT |
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holocaust memory dictatorship regional history Anthropology GN1-890 Latin America. Spanish America F1201-3799 |
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holocaust memory dictatorship regional history Anthropology GN1-890 Latin America. Spanish America F1201-3799 Guillermo Salvador Marinaro Lugar de memoria de las víctimas, arte y poesía en torno a la masacre de Palomitas (Salta, Argentina) |
description |
The purpose of the following article resides in the analysis of both memory and the artistic depictions concerning the Palomitas Massacre: the slaughter of political prisoners in Salta, Argentina, during the last military dictatorship (1976-1983). Three different stages of memory will be defined in close relationship with the significance awarded to the artistic expressionism and the places of remembrance in honor of the martyrs. Through these stages, the trails of memory will be addressed through specific geographical circumstances, different cultural perspectives from the other provinces of the country and little state intervention. |
format |
article |
author |
Guillermo Salvador Marinaro |
author_facet |
Guillermo Salvador Marinaro |
author_sort |
Guillermo Salvador Marinaro |
title |
Lugar de memoria de las víctimas, arte y poesía en torno a la masacre de Palomitas (Salta, Argentina) |
title_short |
Lugar de memoria de las víctimas, arte y poesía en torno a la masacre de Palomitas (Salta, Argentina) |
title_full |
Lugar de memoria de las víctimas, arte y poesía en torno a la masacre de Palomitas (Salta, Argentina) |
title_fullStr |
Lugar de memoria de las víctimas, arte y poesía en torno a la masacre de Palomitas (Salta, Argentina) |
title_full_unstemmed |
Lugar de memoria de las víctimas, arte y poesía en torno a la masacre de Palomitas (Salta, Argentina) |
title_sort |
lugar de memoria de las víctimas, arte y poesía en torno a la masacre de palomitas (salta, argentina) |
publisher |
Centre de Recherches sur les Mondes Américains |
publishDate |
2015 |
url |
https://doaj.org/article/ab731105e07649d5ba22dda061a18705 |
work_keys_str_mv |
AT guillermosalvadormarinaro lugardememoriadelasvictimasarteypoesiaentornoalamasacredepalomitassaltaargentina |
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