A STUDY ON ANTONÍN DVOŘÁK’S “GYPSY SONGS OP.55” SONG CYCLE

Gypsy Songs Op.55 lied series by one of the Romantic Period composers Antonin Dvořák (1841-1904) was analysed in this study. Antonin Dvořák, who was born in the Czech Republic, had created his own style by blending traditional Western European composition style with the Czech national music by using...

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Autores principales: Betül YARAR, Dilan CAMIZCI
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Publicado: Fırat University 2021
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Acceso en línea:https://doaj.org/article/abaa3176ec524c98a529dfa6ad5b0f87
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spelling oai:doaj.org-article:abaa3176ec524c98a529dfa6ad5b0f872021-11-24T09:20:32ZA STUDY ON ANTONÍN DVOŘÁK’S “GYPSY SONGS OP.55” SONG CYCLE2148-416310.29228/JASSS.49514https://doaj.org/article/abaa3176ec524c98a529dfa6ad5b0f872021-10-01T00:00:00Zhttps://jasstudies.com/index.jsp?mod=tammetin&makaleadi=99465b46-ce5c-458a-a817-4ee572ce5603.pdf&key=49514https://doaj.org/toc/2148-4163Gypsy Songs Op.55 lied series by one of the Romantic Period composers Antonin Dvořák (1841-1904) was analysed in this study. Antonin Dvořák, who was born in the Czech Republic, had created his own style by blending traditional Western European composition style with the Czech national music by using bohemian rhythms and national instruments. Written by the composer in 1880, "Gypsy Songs Op.55" is the most essential composition of Dvořák in the area of lied. Dvořák composed his lied series on seven poems of the Bohemian romantic poet Adolf Heyduk for the well-known former tenor in Vienna Gustav Walter to vocalize it. The lied series, which does not include the real gypsy melodies, effectively expresses the soul of Czech national music and the independent lifestyle of the Gypsies with its passionate and cheerful dance rhythms, vibrant vocal lines, and lively piano accompaniment. Firstly, the Romantic Period in which Dvořák lived is outlined, his life and music are explained, and the lied formations in the Romantic Period are conveyed in this study. Each song in the series was examined in terms of its meaning, and musical features with interpretative significance. Translations of the poems originally in German are included, and their connections with accompaniment and musical expressions are reviewed. In the research conducted with a descriptive method, the data obtained through scanning are presented and discussed in a wide range, including the text analysis of the works and vocalization features. This study aims to facilitate students and artists who want to study and learn A. Dvořák's "Gypsy Songs Op.55" Lied Series by revealing specific details that can contribute to their works as well as the literature.Betül YARARDilan CAMIZCIFırat Universityarticleantonin dvořákliedgypsy songs op.55cigánské melodieromantic periodSocial SciencesHSocial sciences (General)H1-99DEENFRTRJournal of Academic Social Science Studies , Vol 14, Iss 86, Pp 261-280 (2021)
institution DOAJ
collection DOAJ
language DE
EN
FR
TR
topic antonin dvořák
lied
gypsy songs op.55
cigánské melodie
romantic period
Social Sciences
H
Social sciences (General)
H1-99
spellingShingle antonin dvořák
lied
gypsy songs op.55
cigánské melodie
romantic period
Social Sciences
H
Social sciences (General)
H1-99
Betül YARAR
Dilan CAMIZCI
A STUDY ON ANTONÍN DVOŘÁK’S “GYPSY SONGS OP.55” SONG CYCLE
description Gypsy Songs Op.55 lied series by one of the Romantic Period composers Antonin Dvořák (1841-1904) was analysed in this study. Antonin Dvořák, who was born in the Czech Republic, had created his own style by blending traditional Western European composition style with the Czech national music by using bohemian rhythms and national instruments. Written by the composer in 1880, "Gypsy Songs Op.55" is the most essential composition of Dvořák in the area of lied. Dvořák composed his lied series on seven poems of the Bohemian romantic poet Adolf Heyduk for the well-known former tenor in Vienna Gustav Walter to vocalize it. The lied series, which does not include the real gypsy melodies, effectively expresses the soul of Czech national music and the independent lifestyle of the Gypsies with its passionate and cheerful dance rhythms, vibrant vocal lines, and lively piano accompaniment. Firstly, the Romantic Period in which Dvořák lived is outlined, his life and music are explained, and the lied formations in the Romantic Period are conveyed in this study. Each song in the series was examined in terms of its meaning, and musical features with interpretative significance. Translations of the poems originally in German are included, and their connections with accompaniment and musical expressions are reviewed. In the research conducted with a descriptive method, the data obtained through scanning are presented and discussed in a wide range, including the text analysis of the works and vocalization features. This study aims to facilitate students and artists who want to study and learn A. Dvořák's "Gypsy Songs Op.55" Lied Series by revealing specific details that can contribute to their works as well as the literature.
format article
author Betül YARAR
Dilan CAMIZCI
author_facet Betül YARAR
Dilan CAMIZCI
author_sort Betül YARAR
title A STUDY ON ANTONÍN DVOŘÁK’S “GYPSY SONGS OP.55” SONG CYCLE
title_short A STUDY ON ANTONÍN DVOŘÁK’S “GYPSY SONGS OP.55” SONG CYCLE
title_full A STUDY ON ANTONÍN DVOŘÁK’S “GYPSY SONGS OP.55” SONG CYCLE
title_fullStr A STUDY ON ANTONÍN DVOŘÁK’S “GYPSY SONGS OP.55” SONG CYCLE
title_full_unstemmed A STUDY ON ANTONÍN DVOŘÁK’S “GYPSY SONGS OP.55” SONG CYCLE
title_sort study on antonín dvořák’s “gypsy songs op.55” song cycle
publisher Fırat University
publishDate 2021
url https://doaj.org/article/abaa3176ec524c98a529dfa6ad5b0f87
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AT dilancamizci studyonantonindvoraksgypsysongsop55songcycle
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