Integrative Aspects of Non-verbal Cultural Communication in Europe. Case Study – Pantomime

This article touches on the integrative aspects of non-verbal cultural communication as exemplifi ed by diverse pantomime genres in modern Europe. The starting point being the characteristic features of this form of art, as well as its genesis and functions in the Eastern and Western parts of the gl...

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Autor principal:	Mirella Kurkowska
Formato:	article
Lenguaje:	EN
Publicado:	Center for Europe, Warsaw University 2021
Materias:	non-verbal communication cultural communication pantomime mime festivals street art festivals intercultural communication europe Political science J
Acceso en línea:	https://doaj.org/article/ac075d8c782c431dbc60fc85f78375bf
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id	oai:doaj.org-article:ac075d8c782c431dbc60fc85f78375bf
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spelling	oai:doaj.org-article:ac075d8c782c431dbc60fc85f78375bf2021-11-04T09:15:23ZIntegrative Aspects of Non-verbal Cultural Communication in Europe. Case Study – Pantomime10.33067/SE.3.2021.81428-149Xhttps://doaj.org/article/ac075d8c782c431dbc60fc85f78375bf2021-10-01T00:00:00Zhttps://www.ce.uw.edu.pl/pliki/pw/3-2021-Kurkowska.pdfhttps://doaj.org/toc/1428-149XThis article touches on the integrative aspects of non-verbal cultural communication as exemplifi ed by diverse pantomime genres in modern Europe. The starting point being the characteristic features of this form of art, as well as its genesis and functions in the Eastern and Western parts of the globe. Festivals, which have been rapidly developing in the world of pantomime and street art since the beginning of the 1970s, play an exceptional role in European cultural exchange. They are, however, generally ephemeral projects, often placed besides institutionalised mainstream culture, with no aspirations to become part of the EFA for example. Nonverbal cultural communication in Europe is still poorly integrated and yet maintains a remarkable diversity of genres and multi-colour forms. Such decentralisation is also the source of its strength manifested by its ease in reaching an incredibly diverse audience, the ability to obtain feedback from mass audiences, its expansiveness (taking up various spaces), its flexible approach in its quest for answers – but at the same time respecting the rudiments of the rich, native European tradition of popular culture. It seems that EU institutions nowadays notice the signifi cant role of this type of intercultural communication, as evidenced by, for example, the Gabriel’s statement regarding a meeting with EFA representatives on 22nd June 2021. The European Union has no harmonisation competences in the area of culture, but rather solely complementary and supporting functions with regards to Member States’ activities – one can count on EU sectoral support funds from the Creative Europe Programme. The subsidisation of festival, confrontation, and meeting movements related to non-verbal cultural exchange can take place (and does take place) through regions, local governments, or cultural institutions.Mirella KurkowskaCenter for Europe, Warsaw Universityarticlenon-verbal communicationcultural communicationpantomimemime festivalsstreet art festivalsintercultural communicationeuropePolitical scienceJENStudia Europejskie, Vol 25, Iss 3, Pp 137-155 (2021)
institution	DOAJ
collection	DOAJ
language	EN
topic	non-verbal communication cultural communication pantomime mime festivals street art festivals intercultural communication europe Political science J
spellingShingle	non-verbal communication cultural communication pantomime mime festivals street art festivals intercultural communication europe Political science J Mirella Kurkowska Integrative Aspects of Non-verbal Cultural Communication in Europe. Case Study – Pantomime
description	This article touches on the integrative aspects of non-verbal cultural communication as exemplifi ed by diverse pantomime genres in modern Europe. The starting point being the characteristic features of this form of art, as well as its genesis and functions in the Eastern and Western parts of the globe. Festivals, which have been rapidly developing in the world of pantomime and street art since the beginning of the 1970s, play an exceptional role in European cultural exchange. They are, however, generally ephemeral projects, often placed besides institutionalised mainstream culture, with no aspirations to become part of the EFA for example. Nonverbal cultural communication in Europe is still poorly integrated and yet maintains a remarkable diversity of genres and multi-colour forms. Such decentralisation is also the source of its strength manifested by its ease in reaching an incredibly diverse audience, the ability to obtain feedback from mass audiences, its expansiveness (taking up various spaces), its flexible approach in its quest for answers – but at the same time respecting the rudiments of the rich, native European tradition of popular culture. It seems that EU institutions nowadays notice the signifi cant role of this type of intercultural communication, as evidenced by, for example, the Gabriel’s statement regarding a meeting with EFA representatives on 22nd June 2021. The European Union has no harmonisation competences in the area of culture, but rather solely complementary and supporting functions with regards to Member States’ activities – one can count on EU sectoral support funds from the Creative Europe Programme. The subsidisation of festival, confrontation, and meeting movements related to non-verbal cultural exchange can take place (and does take place) through regions, local governments, or cultural institutions.
format	article
author	Mirella Kurkowska
author_facet	Mirella Kurkowska
author_sort	Mirella Kurkowska
title	Integrative Aspects of Non-verbal Cultural Communication in Europe. Case Study – Pantomime
title_short	Integrative Aspects of Non-verbal Cultural Communication in Europe. Case Study – Pantomime
title_full	Integrative Aspects of Non-verbal Cultural Communication in Europe. Case Study – Pantomime
title_fullStr	Integrative Aspects of Non-verbal Cultural Communication in Europe. Case Study – Pantomime
title_full_unstemmed	Integrative Aspects of Non-verbal Cultural Communication in Europe. Case Study – Pantomime
title_sort	integrative aspects of non-verbal cultural communication in europe. case study – pantomime
publisher	Center for Europe, Warsaw University
publishDate	2021
url	https://doaj.org/article/ac075d8c782c431dbc60fc85f78375bf
work_keys_str_mv	AT mirellakurkowska integrativeaspectsofnonverbalculturalcommunicationineuropecasestudypantomime
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Integrative Aspects of Non-verbal Cultural Communication in Europe. Case Study – Pantomime

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