Lord Byron and George Eliot: Embracing National Identity in Daniel Deronda

Byron's Hebrew Melodies, published in 1815, were written as part of his musical collaboration with the Jewish composer Isaac Nathan. Even though anti-Semitism ran rampant through England during the Romantic period, Byron's Hebrew Melodies remain his most widely respected collection. Despit...

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Autor principal: Denise Tischler Millstein
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Lenguaje:EN
Publicado: University of Edinburgh 2005
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Acceso en línea:https://doaj.org/article/ac7453a1453e4c39ae425cfd90a7a5ce
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spelling oai:doaj.org-article:ac7453a1453e4c39ae425cfd90a7a5ce2021-11-23T09:46:01ZLord Byron and George Eliot: Embracing National Identity in Daniel Deronda1749-9771https://doaj.org/article/ac7453a1453e4c39ae425cfd90a7a5ce2005-12-01T00:00:00Zhttp://www.forumjournal.org/article/view/544https://doaj.org/toc/1749-9771Byron's Hebrew Melodies, published in 1815, were written as part of his musical collaboration with the Jewish composer Isaac Nathan. Even though anti-Semitism ran rampant through England during the Romantic period, Byron's Hebrew Melodies remain his most widely respected collection. Despite anti-Semitic prejudice in England during the nineteenth-century, Byron was not the only English writer to take up the Jewish plight as his subject matter. Almost sixty years later, George Eliot would take up a similar set of themes in her novel Daniel Deronda. Significantly, Eliot's novel not only discusses the Jewish desire for a homeland in detail, it does so with numerous, specific references to Byron and his works. Eliot uses both the Jewish plot of Daniel Deronda and Byron as agents to discuss how Victorian England could revive its own national character.Denise Tischler MillsteinUniversity of EdinburgharticleFine ArtsNLanguage and LiteraturePENForum, Iss 01 (2005)
institution DOAJ
collection DOAJ
language EN
topic Fine Arts
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Language and Literature
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spellingShingle Fine Arts
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Language and Literature
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Denise Tischler Millstein
Lord Byron and George Eliot: Embracing National Identity in Daniel Deronda
description Byron's Hebrew Melodies, published in 1815, were written as part of his musical collaboration with the Jewish composer Isaac Nathan. Even though anti-Semitism ran rampant through England during the Romantic period, Byron's Hebrew Melodies remain his most widely respected collection. Despite anti-Semitic prejudice in England during the nineteenth-century, Byron was not the only English writer to take up the Jewish plight as his subject matter. Almost sixty years later, George Eliot would take up a similar set of themes in her novel Daniel Deronda. Significantly, Eliot's novel not only discusses the Jewish desire for a homeland in detail, it does so with numerous, specific references to Byron and his works. Eliot uses both the Jewish plot of Daniel Deronda and Byron as agents to discuss how Victorian England could revive its own national character.
format article
author Denise Tischler Millstein
author_facet Denise Tischler Millstein
author_sort Denise Tischler Millstein
title Lord Byron and George Eliot: Embracing National Identity in Daniel Deronda
title_short Lord Byron and George Eliot: Embracing National Identity in Daniel Deronda
title_full Lord Byron and George Eliot: Embracing National Identity in Daniel Deronda
title_fullStr Lord Byron and George Eliot: Embracing National Identity in Daniel Deronda
title_full_unstemmed Lord Byron and George Eliot: Embracing National Identity in Daniel Deronda
title_sort lord byron and george eliot: embracing national identity in daniel deronda
publisher University of Edinburgh
publishDate 2005
url https://doaj.org/article/ac7453a1453e4c39ae425cfd90a7a5ce
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