The Horse is the White of the Eye: Pioneering and the American Southwest in Twin Peaks
This paper examines imagery of the American Southwest and its history in the transmedia of David Lynch and Mark Frost’s Twin Peaks. Elements in season three and The Secret History of Twin Peaks reveal a contemporary perspective on the consequences of western expansion. A social construct, the mythos...
Guardado en:
Autor principal: | Rob E. King |
---|---|
Formato: | article |
Lenguaje: | EN |
Publicado: |
New York City College of Technology
2020
|
Materias: | |
Acceso en línea: | https://doaj.org/article/ad26e9be7fe54fa5af469e43bbc83ee6 |
Etiquetas: |
Agregar Etiqueta
Sin Etiquetas, Sea el primero en etiquetar este registro!
|
Ejemplares similares
-
Editor’s Introduction for NANO Special Issue 15: Twin Peaks: The Return
por: Matt Miller
Publicado: (2020) -
Editor’s Postscript for NANO Special Issue 15: Twin Peaks: The Return, Walter Benjamin, and Jeffrey Epstein
por: Matthew Lau
Publicado: (2020) -
Drink Full and Descend: The Horror of Twin Peaks: The Return
por: Lindsay Hallam
Publicado: (2020) -
Kafka, Lynch, and Frost—The Trial and Tribulations in Twin Peaks: The Return
por: Karla Lončar
Publicado: (2020) -
Sentiment, Mood, and Performing the Past: James Hurley's Re-enactment of “Just You” in Twin Peaks: The Return
por: Simon Hall
Publicado: (2020)