From the archives of the Spanish Academy. Freud and his "weaving"
The starting point of the rehearsal is the first great friendship that sprinkles Freud’s life and marks his path, that of Eduard Silberstein. The letters between the two friends cover a period of ten years and can be considered the minutes of a secret association, baptised by the two teenagers as &q...
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1996
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oai:doaj.org-article:ad589f0eb9b049b3a8dde17fa5b010c32021-12-05T11:05:36ZFrom the archives of the Spanish Academy. Freud and his "weaving"10.5565/rev/qdi.4601135-97302014-8828https://doaj.org/article/ad589f0eb9b049b3a8dde17fa5b010c31996-11-01T00:00:00Zhttps://revistes.uab.cat/quadernsitalia/article/view/460https://doaj.org/toc/1135-9730https://doaj.org/toc/2014-8828The starting point of the rehearsal is the first great friendship that sprinkles Freud’s life and marks his path, that of Eduard Silberstein. The letters between the two friends cover a period of ten years and can be considered the minutes of a secret association, baptised by the two teenagers as "Academia Española" (Spanish Academy). The author traces Freud's literary concerns (or temptations) that are not limited to letters only: in those years Freud wrote stories, poems, treatises and accumulated them in the "Archives" of the Spanish Academy, probably eliminated from our curiosity due to a fire to which Freud destined all his papers - so as he told Martha.Mario LavagettoSwervei de publicacions articleFreudSpanish AcademyLanguage. Linguistic theory. Comparative grammarP101-410French literature - Italian literature - Spanish literature - Portuguese literaturePQ1-3999CAENITQuaderns d'Italià, Vol 1 (1996) |
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Freud Spanish Academy Language. Linguistic theory. Comparative grammar P101-410 French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 |
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Freud Spanish Academy Language. Linguistic theory. Comparative grammar P101-410 French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 Mario Lavagetto From the archives of the Spanish Academy. Freud and his "weaving" |
description |
The starting point of the rehearsal is the first great friendship that sprinkles Freud’s life and marks his path, that of Eduard Silberstein. The letters between the two friends cover a period of ten years and can be considered the minutes of a secret association, baptised by the two teenagers as "Academia Española" (Spanish Academy). The author traces Freud's literary concerns (or temptations) that are not limited to letters only: in those years Freud wrote stories, poems, treatises and accumulated them in the "Archives" of the Spanish Academy, probably eliminated from our curiosity due to a fire to which Freud destined all his papers - so as he told Martha. |
format |
article |
author |
Mario Lavagetto |
author_facet |
Mario Lavagetto |
author_sort |
Mario Lavagetto |
title |
From the archives of the Spanish Academy. Freud and his "weaving" |
title_short |
From the archives of the Spanish Academy. Freud and his "weaving" |
title_full |
From the archives of the Spanish Academy. Freud and his "weaving" |
title_fullStr |
From the archives of the Spanish Academy. Freud and his "weaving" |
title_full_unstemmed |
From the archives of the Spanish Academy. Freud and his "weaving" |
title_sort |
from the archives of the spanish academy. freud and his "weaving" |
publisher |
Swervei de publicacions |
publishDate |
1996 |
url |
https://doaj.org/article/ad589f0eb9b049b3a8dde17fa5b010c3 |
work_keys_str_mv |
AT mariolavagetto fromthearchivesofthespanishacademyfreudandhisweaving |
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