SOCIOCULTURAL ATMOSPHERE OF THE SOVIETS BETWEEN 1960-1970

Beginning of 20th century witnessed important changes in the domains of art and culture due to the interaction between Russia and the western world. Russian artists, who took to the stage on the first quarter of the century, had a global influence with their wide range of cultural and artistic works...

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Autor principal: Terlan Mehdiyeva AZİZZADE
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Publicado: Fırat University 2019
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spelling oai:doaj.org-article:ad9d52746310427db8d2c2aea336eb742021-11-24T09:21:09ZSOCIOCULTURAL ATMOSPHERE OF THE SOVIETS BETWEEN 1960-19702148-416310.9761/jasss_154https://doaj.org/article/ad9d52746310427db8d2c2aea336eb742019-08-01T00:00:00Zhttps://jasstudies.com/index.jsp?mod=tammetin&makaleadi=1415718124_mehdiyevaazizzade_terlan_209-225_5-5_T.pdf&key=26180https://doaj.org/toc/2148-4163Beginning of 20th century witnessed important changes in the domains of art and culture due to the interaction between Russia and the western world. Russian artists, who took to the stage on the first quarter of the century, had a global influence with their wide range of cultural and artistic works. A group within these artists, known as the first generation Russian avant-gardes, left Russia after the October Revolution in 1917. Another group had to leave their home country in 1932, as a reaction to the social realism which was imposed by the government as the cultural policy. Few of them, on the other hand, compromised with the ideology by staying quiet and isolated and thus stayed in Russia. Moderation period which is one of the most interesting intervals throughout Russian history of art, took place between 1954 and 1964, under Kruşev’s rule. Moderation was “the second generation avant-gardism” in the art of the soviets and it was also called “the new art” or “art of the underground”. Following the end of moderation period, sociocultural atmosphere of the 60s and the 70s witnessed the victory of party’s bureaucracy, conservative traditions re-gaining its power in the cultural life of the country and increasing of the censorship. This period which was named as “New Stalinism”, was characterized with the deportations or exiles of the many intellectuals, writers, artists, and incidents as such. In this article, there will be special emphasis on the incidents such as Manej (1962), Pogrom - with bulldozers- (1974).Terlan Mehdiyeva AZİZZADEFırat Universityarticleussr, sociocultural atmosphere, russian avantgardes, stalinism, nonconformism, moderation, censorSocial SciencesHSocial sciences (General)H1-99DEENFRTRJournal of Academic Social Science Studies , Vol 5, Iss 12, Pp 209-225 (2019)
institution DOAJ
collection DOAJ
language DE
EN
FR
TR
topic ussr, socio
cultural atmosphere, russian avant
gardes, stalinism, non
conformism, moderation, censor
Social Sciences
H
Social sciences (General)
H1-99
spellingShingle ussr, socio
cultural atmosphere, russian avant
gardes, stalinism, non
conformism, moderation, censor
Social Sciences
H
Social sciences (General)
H1-99
Terlan Mehdiyeva AZİZZADE
SOCIOCULTURAL ATMOSPHERE OF THE SOVIETS BETWEEN 1960-1970
description Beginning of 20th century witnessed important changes in the domains of art and culture due to the interaction between Russia and the western world. Russian artists, who took to the stage on the first quarter of the century, had a global influence with their wide range of cultural and artistic works. A group within these artists, known as the first generation Russian avant-gardes, left Russia after the October Revolution in 1917. Another group had to leave their home country in 1932, as a reaction to the social realism which was imposed by the government as the cultural policy. Few of them, on the other hand, compromised with the ideology by staying quiet and isolated and thus stayed in Russia. Moderation period which is one of the most interesting intervals throughout Russian history of art, took place between 1954 and 1964, under Kruşev’s rule. Moderation was “the second generation avant-gardism” in the art of the soviets and it was also called “the new art” or “art of the underground”. Following the end of moderation period, sociocultural atmosphere of the 60s and the 70s witnessed the victory of party’s bureaucracy, conservative traditions re-gaining its power in the cultural life of the country and increasing of the censorship. This period which was named as “New Stalinism”, was characterized with the deportations or exiles of the many intellectuals, writers, artists, and incidents as such. In this article, there will be special emphasis on the incidents such as Manej (1962), Pogrom - with bulldozers- (1974).
format article
author Terlan Mehdiyeva AZİZZADE
author_facet Terlan Mehdiyeva AZİZZADE
author_sort Terlan Mehdiyeva AZİZZADE
title SOCIOCULTURAL ATMOSPHERE OF THE SOVIETS BETWEEN 1960-1970
title_short SOCIOCULTURAL ATMOSPHERE OF THE SOVIETS BETWEEN 1960-1970
title_full SOCIOCULTURAL ATMOSPHERE OF THE SOVIETS BETWEEN 1960-1970
title_fullStr SOCIOCULTURAL ATMOSPHERE OF THE SOVIETS BETWEEN 1960-1970
title_full_unstemmed SOCIOCULTURAL ATMOSPHERE OF THE SOVIETS BETWEEN 1960-1970
title_sort sociocultural atmosphere of the soviets between 1960-1970
publisher Fırat University
publishDate 2019
url https://doaj.org/article/ad9d52746310427db8d2c2aea336eb74
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