Expressive timing facilitates the neural processing of phrase boundaries in music: evidence from event-related potentials.

The organization of sound into meaningful units is fundamental to the processing of auditory information such as speech and music. In expressive music performance, structural units or phrases may become particularly distinguishable through subtle timing variations highlighting musical phrase boundar...

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Autores principales: Eva Istók, Anders Friberg, Minna Huotilainen, Mari Tervaniemi
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Publicado: Public Library of Science (PLoS) 2013
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Acceso en línea:https://doaj.org/article/ada4fdeb77824a04b173cba4b3885f01
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spelling oai:doaj.org-article:ada4fdeb77824a04b173cba4b3885f012021-11-18T07:59:27ZExpressive timing facilitates the neural processing of phrase boundaries in music: evidence from event-related potentials.1932-620310.1371/journal.pone.0055150https://doaj.org/article/ada4fdeb77824a04b173cba4b3885f012013-01-01T00:00:00Zhttps://www.ncbi.nlm.nih.gov/pmc/articles/pmid/23383088/pdf/?tool=EBIhttps://doaj.org/toc/1932-6203The organization of sound into meaningful units is fundamental to the processing of auditory information such as speech and music. In expressive music performance, structural units or phrases may become particularly distinguishable through subtle timing variations highlighting musical phrase boundaries. As such, expressive timing may support the successful parsing of otherwise continuous musical material. By means of the event-related potential technique (ERP), we investigated whether expressive timing modulates the neural processing of musical phrases. Musicians and laymen listened to short atonal scale-like melodies that were presented either isochronously (deadpan) or with expressive timing cues emphasizing the melodies' two-phrase structure. Melodies were presented in an active and a passive condition. Expressive timing facilitated the processing of phrase boundaries as indicated by decreased N2b amplitude and enhanced P3a amplitude for target phrase boundaries and larger P2 amplitude for non-target boundaries. When timing cues were lacking, task demands increased especially for laymen as reflected by reduced P3a amplitude. In line, the N2b occurred earlier for musicians in both conditions indicating general faster target detection compared to laymen. Importantly, the elicitation of a P3a-like response to phrase boundaries marked by a pitch leap during passive exposure suggests that expressive timing information is automatically encoded and may lead to an involuntary allocation of attention towards significant events within a melody. We conclude that subtle timing variations in music performance prepare the listener for musical key events by directing and guiding attention towards their occurrences. That is, expressive timing facilitates the structuring and parsing of continuous musical material even when the auditory input is unattended.Eva IstókAnders FribergMinna HuotilainenMari TervaniemiPublic Library of Science (PLoS)articleMedicineRScienceQENPLoS ONE, Vol 8, Iss 1, p e55150 (2013)
institution DOAJ
collection DOAJ
language EN
topic Medicine
R
Science
Q
spellingShingle Medicine
R
Science
Q
Eva Istók
Anders Friberg
Minna Huotilainen
Mari Tervaniemi
Expressive timing facilitates the neural processing of phrase boundaries in music: evidence from event-related potentials.
description The organization of sound into meaningful units is fundamental to the processing of auditory information such as speech and music. In expressive music performance, structural units or phrases may become particularly distinguishable through subtle timing variations highlighting musical phrase boundaries. As such, expressive timing may support the successful parsing of otherwise continuous musical material. By means of the event-related potential technique (ERP), we investigated whether expressive timing modulates the neural processing of musical phrases. Musicians and laymen listened to short atonal scale-like melodies that were presented either isochronously (deadpan) or with expressive timing cues emphasizing the melodies' two-phrase structure. Melodies were presented in an active and a passive condition. Expressive timing facilitated the processing of phrase boundaries as indicated by decreased N2b amplitude and enhanced P3a amplitude for target phrase boundaries and larger P2 amplitude for non-target boundaries. When timing cues were lacking, task demands increased especially for laymen as reflected by reduced P3a amplitude. In line, the N2b occurred earlier for musicians in both conditions indicating general faster target detection compared to laymen. Importantly, the elicitation of a P3a-like response to phrase boundaries marked by a pitch leap during passive exposure suggests that expressive timing information is automatically encoded and may lead to an involuntary allocation of attention towards significant events within a melody. We conclude that subtle timing variations in music performance prepare the listener for musical key events by directing and guiding attention towards their occurrences. That is, expressive timing facilitates the structuring and parsing of continuous musical material even when the auditory input is unattended.
format article
author Eva Istók
Anders Friberg
Minna Huotilainen
Mari Tervaniemi
author_facet Eva Istók
Anders Friberg
Minna Huotilainen
Mari Tervaniemi
author_sort Eva Istók
title Expressive timing facilitates the neural processing of phrase boundaries in music: evidence from event-related potentials.
title_short Expressive timing facilitates the neural processing of phrase boundaries in music: evidence from event-related potentials.
title_full Expressive timing facilitates the neural processing of phrase boundaries in music: evidence from event-related potentials.
title_fullStr Expressive timing facilitates the neural processing of phrase boundaries in music: evidence from event-related potentials.
title_full_unstemmed Expressive timing facilitates the neural processing of phrase boundaries in music: evidence from event-related potentials.
title_sort expressive timing facilitates the neural processing of phrase boundaries in music: evidence from event-related potentials.
publisher Public Library of Science (PLoS)
publishDate 2013
url https://doaj.org/article/ada4fdeb77824a04b173cba4b3885f01
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