Multi-Genre Strategies of “Walking with Pushkin” by A. Terts (A. Sinyavsky)
Based on the material of the book “Walking with Pushkin” by Abram Terts (Andrey Sinyavsky), the goal is to determine the main narrative strategies that the writer implemented. The authors demonstrate that along with the genre definitions of “novel”, “novella”, “essay”, the narrative is mediated by t...
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| Autores principales: | , |
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| Formato: | article |
| Lenguaje: | RU |
| Publicado: |
Tsentr nauchnykh i obrazovatelnykh proektov
2021
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| Materias: | |
| Acceso en línea: | https://doaj.org/article/ae38c1f744ac404b9f0d6a61bc4492f5 |
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| Sumario: | Based on the material of the book “Walking with Pushkin” by Abram Terts (Andrey Sinyavsky), the goal is to determine the main narrative strategies that the writer implemented. The authors demonstrate that along with the genre definitions of “novel”, “novella”, “essay”, the narrative is mediated by the techniques of “philological prose” and scientific discourse. It is shown that markers of scientific discursively narrative SinyavskyTerts in “Walking with Pushkin” is the number of characteristic features: composite partitioning, the extension of the goals and objectives of the analysis, the coverage of the history of the problem, selection of research methodology, the definition of the novelty of the work, the establishment of perspectives, providing structural integrity, respect of chronology in understanding material, the use of the bibliographic apparatus, etc. According to the authors, the experience of Sinyavsky, a research scientist, who defended the dissertation at MSU, working in world literature of the Academy of Sciences of the USSR, who read lectures at Moscow state University and the Moscow art theatre Studio, influenced the nature of the material in the “Walking.” and served as canon of structural research. It is established that a “free” manner of presentation of scientific observations is expressive means of focusing attention on the most pressing issues of domestic scientists to update the relationship of history and modernity (his understanding of own creativity, manifestation of the principle of “pure art”, the semantics of the principle of freedom within the literature of socialist realism, etc.). |
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