El documental histórico en los primeros años de la transición. Permiso para pensar (E. Meilij, 1989), un caso atípico

The production of documentary films on politics was significant during the Alfonsín Government. At that time films that dealt with past political events cast a view of ample scope in order to cover deeds quite distant in time with the aim of reaching a conciliatory discourse vis á vis party lines. T...

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Autor principal:	Marta Noemí Rosa Casale
Formato:	article
Lenguaje:	EN FR PT
Publicado:	Centre de Recherches sur les Mondes Américains 2013
Materias:	Argentina Juan Domingo Perón cinema dictatorship political propaganda Anthropology GN1-890 Latin America. Spanish America F1201-3799
Acceso en línea:	https://doaj.org/article/ae81097613b64c759bb290adeab7704d
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id	oai:doaj.org-article:ae81097613b64c759bb290adeab7704d
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spelling	oai:doaj.org-article:ae81097613b64c759bb290adeab7704d2021-12-02T10:32:32ZEl documental histórico en los primeros años de la transición. Permiso para pensar (E. Meilij, 1989), un caso atípico1626-025210.4000/nuevomundo.65722https://doaj.org/article/ae81097613b64c759bb290adeab7704d2013-10-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/65722https://doaj.org/toc/1626-0252The production of documentary films on politics was significant during the Alfonsín Government. At that time films that dealt with past political events cast a view of ample scope in order to cover deeds quite distant in time with the aim of reaching a conciliatory discourse vis á vis party lines. Their impact allows for the conclusion of a relatively important influence on the electorate at the time of the ballot. In this respect, Permission to think, the first and only film work of Eduardo Meilij, law practitioner, is an exception both with regard to its style and ideological conception: it radically departs from most of the production at that time. The film focuses on the years of the First Peronist government concentrating on the figures and characters of both Juan Domingo and Eva Perón from a pressumed “objective” point of view based on official propaganda documents of the times. Nevertheless, from the start it is clear that the film projects a critical and absolutely negative view about its central characters. This paper aims at discussing and answering this seeming paradox in detail.Marta Noemí Rosa CasaleCentre de Recherches sur les Mondes AméricainsarticleArgentinaJuan Domingo Peróncinemadictatorshippolitical propagandaAnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2013)
institution	DOAJ
collection	DOAJ
language	EN FR PT
topic	Argentina Juan Domingo Perón cinema dictatorship political propaganda Anthropology GN1-890 Latin America. Spanish America F1201-3799
spellingShingle	Argentina Juan Domingo Perón cinema dictatorship political propaganda Anthropology GN1-890 Latin America. Spanish America F1201-3799 Marta Noemí Rosa Casale El documental histórico en los primeros años de la transición. Permiso para pensar (E. Meilij, 1989), un caso atípico
description	The production of documentary films on politics was significant during the Alfonsín Government. At that time films that dealt with past political events cast a view of ample scope in order to cover deeds quite distant in time with the aim of reaching a conciliatory discourse vis á vis party lines. Their impact allows for the conclusion of a relatively important influence on the electorate at the time of the ballot. In this respect, Permission to think, the first and only film work of Eduardo Meilij, law practitioner, is an exception both with regard to its style and ideological conception: it radically departs from most of the production at that time. The film focuses on the years of the First Peronist government concentrating on the figures and characters of both Juan Domingo and Eva Perón from a pressumed “objective” point of view based on official propaganda documents of the times. Nevertheless, from the start it is clear that the film projects a critical and absolutely negative view about its central characters. This paper aims at discussing and answering this seeming paradox in detail.
format	article
author	Marta Noemí Rosa Casale
author_facet	Marta Noemí Rosa Casale
author_sort	Marta Noemí Rosa Casale
title	El documental histórico en los primeros años de la transición. Permiso para pensar (E. Meilij, 1989), un caso atípico
title_short	El documental histórico en los primeros años de la transición. Permiso para pensar (E. Meilij, 1989), un caso atípico
title_full	El documental histórico en los primeros años de la transición. Permiso para pensar (E. Meilij, 1989), un caso atípico
title_fullStr	El documental histórico en los primeros años de la transición. Permiso para pensar (E. Meilij, 1989), un caso atípico
title_full_unstemmed	El documental histórico en los primeros años de la transición. Permiso para pensar (E. Meilij, 1989), un caso atípico
title_sort	el documental histórico en los primeros años de la transición. permiso para pensar (e. meilij, 1989), un caso atípico
publisher	Centre de Recherches sur les Mondes Américains
publishDate	2013
url	https://doaj.org/article/ae81097613b64c759bb290adeab7704d
work_keys_str_mv	AT martanoemirosacasale eldocumentalhistoricoenlosprimerosanosdelatransicionpermisoparapensaremeilij1989uncasoatipico
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El documental histórico en los primeros años de la transición. Permiso para pensar (E. Meilij, 1989), un caso atípico

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