The Motif of Singing in “The Meek One”
The article traces the connection between F.M. Dostoevsky’s works and the Gnostic worldview with reference to the general acquaintance of the 19th century readers with Gnostic sources, through the example of “The Meek One”. This paper is an attempt to interpret the story’s climax (the protagonist’s...
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Russian Academy of Sciences. A.M. Gorky Institute of World Literature
2019
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| Acceso en línea: | https://doaj.org/article/af3fc574f01a4cd5b0b9f9515a4e7d26 |
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oai:doaj.org-article:af3fc574f01a4cd5b0b9f9515a4e7d262021-11-25T08:03:23ZThe Motif of Singing in “The Meek One”10.22455/2619-0311-2019-3-130-1412619-03112712-8512https://doaj.org/article/af3fc574f01a4cd5b0b9f9515a4e7d262019-09-01T00:00:00Zhttp://dostmirkult.ru/images/DOST_2019-37-int-A-131-142.pdfhttps://doaj.org/toc/2619-0311https://doaj.org/toc/2712-8512The article traces the connection between F.M. Dostoevsky’s works and the Gnostic worldview with reference to the general acquaintance of the 19th century readers with Gnostic sources, through the example of “The Meek One”. This paper is an attempt to interpret the story’s climax (the protagonist’s singing and suicide) through the prism of the treatise Pistis Sophia that entered scientific circulation in the end of the 18th century and became one of the most talked-about samples of the early mystic literature.Valentina S. SergeevaRussian Academy of Sciences. A.M. Gorky Institute of World Literaturearticledostoevsky“the meek one”gnosticspistis sophiamystic literatureSlavic languages. Baltic languages. Albanian languagesPG1-9665ENRUДостоевский и мировая культура: Филологический журнал, Iss 3, Pp 130-141 (2019) |
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DOAJ |
| collection |
DOAJ |
| language |
EN RU |
| topic |
dostoevsky “the meek one” gnostics pistis sophia mystic literature Slavic languages. Baltic languages. Albanian languages PG1-9665 |
| spellingShingle |
dostoevsky “the meek one” gnostics pistis sophia mystic literature Slavic languages. Baltic languages. Albanian languages PG1-9665 Valentina S. Sergeeva The Motif of Singing in “The Meek One” |
| description |
The article traces the connection between F.M. Dostoevsky’s works and the Gnostic worldview with reference to the general acquaintance of the 19th century readers with Gnostic sources, through the example of “The Meek One”. This paper is an attempt to interpret the story’s climax (the protagonist’s singing and suicide) through the prism of the treatise Pistis Sophia that entered scientific circulation in the end of the 18th century and became one of the most talked-about samples of the early mystic literature. |
| format |
article |
| author |
Valentina S. Sergeeva |
| author_facet |
Valentina S. Sergeeva |
| author_sort |
Valentina S. Sergeeva |
| title |
The Motif of Singing in “The Meek One” |
| title_short |
The Motif of Singing in “The Meek One” |
| title_full |
The Motif of Singing in “The Meek One” |
| title_fullStr |
The Motif of Singing in “The Meek One” |
| title_full_unstemmed |
The Motif of Singing in “The Meek One” |
| title_sort |
motif of singing in “the meek one” |
| publisher |
Russian Academy of Sciences. A.M. Gorky Institute of World Literature |
| publishDate |
2019 |
| url |
https://doaj.org/article/af3fc574f01a4cd5b0b9f9515a4e7d26 |
| work_keys_str_mv |
AT valentinassergeeva themotifofsinginginthemeekone AT valentinassergeeva motifofsinginginthemeekone |
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