Theatrical interpretation of a literary work from the standpoint of semiotic creativity

The study presents the results of linguosemiotic analysis of sign correlations between the play “The Elder Son” by Vampilov and 22 theatrical performances based on it (The International on-line Festival “The Elder Son — 55”, November, 2020). The play and its multimodal interpretations are viewed as...

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Autor principal:	Elena G. Loginova
Formato:	article
Lenguaje:	EN RU
Publicado:	Immanuel Kant Baltic Federal University 2021
Materias:	the poetics of heterogeneous discursive space semiotic creativity semiotic resonance pragma-dialogue Philology. Linguistics P1-1091
Acceso en línea:	https://doaj.org/article/af6eef9824fd4306bb8ce2f7b68d4ad7
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id	oai:doaj.org-article:af6eef9824fd4306bb8ce2f7b68d4ad7
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spelling	oai:doaj.org-article:af6eef9824fd4306bb8ce2f7b68d4ad72021-11-23T10:04:14ZTheatrical interpretation of a literary work from the standpoint of semiotic creativity10.5922/2225-5346-2021-3-82225-53462686-8989https://doaj.org/article/af6eef9824fd4306bb8ce2f7b68d4ad72021-08-01T00:00:00Zhttps://journals.kantiana.ru/slovo/4913/30147/https://doaj.org/toc/2225-5346https://doaj.org/toc/2686-8989The study presents the results of linguosemiotic analysis of sign correlations between the play “The Elder Son” by Vampilov and 22 theatrical performances based on it (The International on-line Festival “The Elder Son — 55”, November, 2020). The play and its multimodal interpretations are viewed as parts of a unique communicative space. These parts may be specified as the original communicative situation and the ‘derivatives’ characterized by semiotic creativity of their authors — the playwright and the directors. The concept of semiotic resonance is used as a tool that can help to deepen the analysis of the meaning construction in the heterogeneous discourse of drama. Semiotic resonance is understood as the correlations of recurrently used signs accompanied by the amplification of meaning and emergence of new semantic projections. The investigation of the play — theatrical performance transformations made it possible to identify the specific levels of semiotic creativity, which correspond to the degree of pragmatic identity of the original content and its modulations. The author singled out the level of pragmatic equivalence and the level of pragmatic modulation, which account for different pragmatic effects produced and illustrated the realization of the poetic function of a sign in a multimodal discourse.Elena G. LoginovaImmanuel Kant Baltic Federal Universityarticlethe poetics of heterogeneous discursive spacesemiotic creativitysemiotic resonancepragma-dialoguePhilology. LinguisticsP1-1091ENRUСлово.ру: балтийский акцент , Vol 12, Iss 3, Pp 125-141 (2021)
institution	DOAJ
collection	DOAJ
language	EN RU
topic	the poetics of heterogeneous discursive space semiotic creativity semiotic resonance pragma-dialogue Philology. Linguistics P1-1091
spellingShingle	the poetics of heterogeneous discursive space semiotic creativity semiotic resonance pragma-dialogue Philology. Linguistics P1-1091 Elena G. Loginova Theatrical interpretation of a literary work from the standpoint of semiotic creativity
description	The study presents the results of linguosemiotic analysis of sign correlations between the play “The Elder Son” by Vampilov and 22 theatrical performances based on it (The International on-line Festival “The Elder Son — 55”, November, 2020). The play and its multimodal interpretations are viewed as parts of a unique communicative space. These parts may be specified as the original communicative situation and the ‘derivatives’ characterized by semiotic creativity of their authors — the playwright and the directors. The concept of semiotic resonance is used as a tool that can help to deepen the analysis of the meaning construction in the heterogeneous discourse of drama. Semiotic resonance is understood as the correlations of recurrently used signs accompanied by the amplification of meaning and emergence of new semantic projections. The investigation of the play — theatrical performance transformations made it possible to identify the specific levels of semiotic creativity, which correspond to the degree of pragmatic identity of the original content and its modulations. The author singled out the level of pragmatic equivalence and the level of pragmatic modulation, which account for different pragmatic effects produced and illustrated the realization of the poetic function of a sign in a multimodal discourse.
format	article
author	Elena G. Loginova
author_facet	Elena G. Loginova
author_sort	Elena G. Loginova
title	Theatrical interpretation of a literary work from the standpoint of semiotic creativity
title_short	Theatrical interpretation of a literary work from the standpoint of semiotic creativity
title_full	Theatrical interpretation of a literary work from the standpoint of semiotic creativity
title_fullStr	Theatrical interpretation of a literary work from the standpoint of semiotic creativity
title_full_unstemmed	Theatrical interpretation of a literary work from the standpoint of semiotic creativity
title_sort	theatrical interpretation of a literary work from the standpoint of semiotic creativity
publisher	Immanuel Kant Baltic Federal University
publishDate	2021
url	https://doaj.org/article/af6eef9824fd4306bb8ce2f7b68d4ad7
work_keys_str_mv	AT elenagloginova theatricalinterpretationofaliteraryworkfromthestandpointofsemioticcreativity
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Theatrical interpretation of a literary work from the standpoint of semiotic creativity

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