RELATION BETWEEN TURKISH CINEMA AND TURKISH TV SERIES

The period between 1960 and 1975 was the most characteristic period of Turkish cinema in terms of structural, technical, aesthetic, economic, intellectual and audience relations. This fruitful period is called the Golden Age of Turkish cinema. This period, which is characteristic of Turkish cinema a...

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Autor principal:	Arif Can GÜNGÖR
Formato:	article
Lenguaje:	DE EN FR TR
Publicado:	Fırat University 2021
Materias:	cinema turkish movie turkish cinema serial television audience Social Sciences H Social sciences (General) H1-99
Acceso en línea:	https://doaj.org/article/af7fd3c12fdf43339c8bd7754b4f9703
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spelling	oai:doaj.org-article:af7fd3c12fdf43339c8bd7754b4f97032021-11-24T09:20:32ZRELATION BETWEEN TURKISH CINEMA AND TURKISH TV SERIES2148-416310.29228/JASSS.48746https://doaj.org/article/af7fd3c12fdf43339c8bd7754b4f97032021-10-01T00:00:00Zhttps://jasstudies.com/index.jsp?mod=tammetin&makaleadi=fd4c6b1a-64f4-459b-b19c-b8ed41d303a5.pdf&key=48746https://doaj.org/toc/2148-4163The period between 1960 and 1975 was the most characteristic period of Turkish cinema in terms of structural, technical, aesthetic, economic, intellectual and audience relations. This fruitful period is called the Golden Age of Turkish cinema. This period, which is characteristic of Turkish cinema and Turkish audience, has a decisive importance both in studies on Turkish cinema and in researches on television series. In the first parts of this article, the "audience-centered" production structure of Turkish cinema in the period 1960-1975 and the effect of this structure on the content of the films are presented. Then, its impact on the production and narrative of domestic serials in television channels since 1975; production is discussed in the context of the audience relationship and the reflection of this relationship on the content. Literature review method was used in the research and written sources related to the subject were used. As a result of the analysis, it has been determined that there are similarities and contrasts between Turkish TV series and Turkish cinema between 1960-1975. The similarities are the traits arising from the traditional culture and cruise tradition that are in the common consciousness of the audience. It has been determined that the differences are due to the social, cultural, technical and aesthetic change experienced in our country after 1980, creating a new audience model. Especially the contents formed in the context of " consumption culture" have become the most important motif in domestic TV series. Nevertheless, the tradition of navigating the Turkish people's deep life culture, oriental, traditional anonymous way of expression and mentality will show its reflection in the most foreign ways in the future. Arif Can GÜNGÖRFırat Universityarticlecinematurkish movieturkish cinemaserialtelevisionaudienceSocial SciencesHSocial sciences (General)H1-99DEENFRTRJournal of Academic Social Science Studies , Vol 14, Iss 86, Pp 357-372 (2021)
institution	DOAJ
collection	DOAJ
language	DE EN FR TR
topic	cinema turkish movie turkish cinema serial television audience Social Sciences H Social sciences (General) H1-99
spellingShingle	cinema turkish movie turkish cinema serial television audience Social Sciences H Social sciences (General) H1-99 Arif Can GÜNGÖR RELATION BETWEEN TURKISH CINEMA AND TURKISH TV SERIES
description	The period between 1960 and 1975 was the most characteristic period of Turkish cinema in terms of structural, technical, aesthetic, economic, intellectual and audience relations. This fruitful period is called the Golden Age of Turkish cinema. This period, which is characteristic of Turkish cinema and Turkish audience, has a decisive importance both in studies on Turkish cinema and in researches on television series. In the first parts of this article, the "audience-centered" production structure of Turkish cinema in the period 1960-1975 and the effect of this structure on the content of the films are presented. Then, its impact on the production and narrative of domestic serials in television channels since 1975; production is discussed in the context of the audience relationship and the reflection of this relationship on the content. Literature review method was used in the research and written sources related to the subject were used. As a result of the analysis, it has been determined that there are similarities and contrasts between Turkish TV series and Turkish cinema between 1960-1975. The similarities are the traits arising from the traditional culture and cruise tradition that are in the common consciousness of the audience. It has been determined that the differences are due to the social, cultural, technical and aesthetic change experienced in our country after 1980, creating a new audience model. Especially the contents formed in the context of " consumption culture" have become the most important motif in domestic TV series. Nevertheless, the tradition of navigating the Turkish people's deep life culture, oriental, traditional anonymous way of expression and mentality will show its reflection in the most foreign ways in the future.
format	article
author	Arif Can GÜNGÖR
author_facet	Arif Can GÜNGÖR
author_sort	Arif Can GÜNGÖR
title	RELATION BETWEEN TURKISH CINEMA AND TURKISH TV SERIES
title_short	RELATION BETWEEN TURKISH CINEMA AND TURKISH TV SERIES
title_full	RELATION BETWEEN TURKISH CINEMA AND TURKISH TV SERIES
title_fullStr	RELATION BETWEEN TURKISH CINEMA AND TURKISH TV SERIES
title_full_unstemmed	RELATION BETWEEN TURKISH CINEMA AND TURKISH TV SERIES
title_sort	relation between turkish cinema and turkish tv series
publisher	Fırat University
publishDate	2021
url	https://doaj.org/article/af7fd3c12fdf43339c8bd7754b4f9703
work_keys_str_mv	AT arifcangungor relationbetweenturkishcinemaandturkishtvseries
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RELATION BETWEEN TURKISH CINEMA AND TURKISH TV SERIES

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