Limites e intersecções do estético com o político no filme Janela indiscreta, de Alfred Hitchcock, e no conto "Sessão das quatro", de Roberto Drummond

We analyze the short-story “Sessão das quatro”, by Brazilian writer Roberto Drummond, and the movie Rear Window, by Alfred Hitchcock. We discuss the language of narratives, focusing some points of borders and intersections between aesthetical and political elements in the construction and representa...

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Autor principal:	Wanderlan da Silva Alves
Formato:	article
Lenguaje:	ES PT
Publicado:	Universidade de Brasília 2012
Materias:	alfred hitchcock roberto drummond literature and movie narrative and politic French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999
Acceso en línea:	https://doaj.org/article/af8cd5eb67e249f087a8679465cd7e59
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spelling	oai:doaj.org-article:af8cd5eb67e249f087a8679465cd7e592021-11-11T15:52:07ZLimites e intersecções do estético com o político no filme Janela indiscreta, de Alfred Hitchcock, e no conto "Sessão das quatro", de Roberto Drummond1518-01582316-4018https://doaj.org/article/af8cd5eb67e249f087a8679465cd7e592012-01-01T00:00:00Zhttp://www.redalyc.org/articulo.oa?id=323127333009https://doaj.org/toc/1518-0158https://doaj.org/toc/2316-4018We analyze the short-story “Sessão das quatro”, by Brazilian writer Roberto Drummond, and the movie Rear Window, by Alfred Hitchcock. We discuss the language of narratives, focusing some points of borders and intersections between aesthetical and political elements in the construction and representation of forms of power. The characters of these narratives are inserted in the lands where the idea of public or private space is diffuse, the freedom is besieged, and the violence forms some structural elements of the reality. Then, the creation of alternative places for the enunciation gives to characters some possibilities for a critical action in that space where the concepts of law and ethic constitute the exception.Wanderlan da Silva AlvesUniversidade de Brasíliaarticlealfred hitchcockroberto drummondliterature and movienarrative and politicFrench literature - Italian literature - Spanish literature - Portuguese literaturePQ1-3999ESPTEstudos de Literatura Brasileira Contemporânea, Iss 39, Pp 151-179 (2012)
institution	DOAJ
collection	DOAJ
language	ES PT
topic	alfred hitchcock roberto drummond literature and movie narrative and politic French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999
spellingShingle	alfred hitchcock roberto drummond literature and movie narrative and politic French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 Wanderlan da Silva Alves Limites e intersecções do estético com o político no filme Janela indiscreta, de Alfred Hitchcock, e no conto "Sessão das quatro", de Roberto Drummond
description	We analyze the short-story “Sessão das quatro”, by Brazilian writer Roberto Drummond, and the movie Rear Window, by Alfred Hitchcock. We discuss the language of narratives, focusing some points of borders and intersections between aesthetical and political elements in the construction and representation of forms of power. The characters of these narratives are inserted in the lands where the idea of public or private space is diffuse, the freedom is besieged, and the violence forms some structural elements of the reality. Then, the creation of alternative places for the enunciation gives to characters some possibilities for a critical action in that space where the concepts of law and ethic constitute the exception.
format	article
author	Wanderlan da Silva Alves
author_facet	Wanderlan da Silva Alves
author_sort	Wanderlan da Silva Alves
title	Limites e intersecções do estético com o político no filme Janela indiscreta, de Alfred Hitchcock, e no conto "Sessão das quatro", de Roberto Drummond
title_short	Limites e intersecções do estético com o político no filme Janela indiscreta, de Alfred Hitchcock, e no conto "Sessão das quatro", de Roberto Drummond
title_full	Limites e intersecções do estético com o político no filme Janela indiscreta, de Alfred Hitchcock, e no conto "Sessão das quatro", de Roberto Drummond
title_fullStr	Limites e intersecções do estético com o político no filme Janela indiscreta, de Alfred Hitchcock, e no conto "Sessão das quatro", de Roberto Drummond
title_full_unstemmed	Limites e intersecções do estético com o político no filme Janela indiscreta, de Alfred Hitchcock, e no conto "Sessão das quatro", de Roberto Drummond
title_sort	limites e intersecções do estético com o político no filme janela indiscreta, de alfred hitchcock, e no conto "sessão das quatro", de roberto drummond
publisher	Universidade de Brasília
publishDate	2012
url	https://doaj.org/article/af8cd5eb67e249f087a8679465cd7e59
work_keys_str_mv	AT wanderlandasilvaalves limiteseinterseccoesdoesteticocomopoliticonofilmejanelaindiscretadealfredhitchcockenocontosessaodasquatroderobertodrummond
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Limites e intersecções do estético com o político no filme Janela indiscreta, de Alfred Hitchcock, e no conto "Sessão das quatro", de Roberto Drummond

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