Roman Engraved Gems in the National Archaeological Museum in Lisbon
The article presents the collection of Roman engraved gems in the National Museum of Archaeology, in Lisbon. Although a small cabinet, it contains a wide variety of themes and motifs. Among the intaglios, the nicolos deserve to be especially highlighted for their quantity when compared with the oth...
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Ksiegarnia Akademicka Publishing
2018
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oai:doaj.org-article:afbe5685f1f24805b632f9eb5ee15e422021-11-27T13:19:06ZRoman Engraved Gems in the National Archaeological Museum in Lisbon10.12797/SAAC.21.2017.21.091899-15482449-867Xhttps://doaj.org/article/afbe5685f1f24805b632f9eb5ee15e422018-07-01T00:00:00Zhttps://journals.akademicka.pl/saac/article/view/41https://doaj.org/toc/1899-1548https://doaj.org/toc/2449-867X The article presents the collection of Roman engraved gems in the National Museum of Archaeology, in Lisbon. Although a small cabinet, it contains a wide variety of themes and motifs. Among the intaglios, the nicolos deserve to be especially highlighted for their quantity when compared with the others, thus strenghtening the evidence for the existence of a regional quartz industry in the city of Ammaia, which particularly specialized in the manufacture of nicolo gemstones. The themes match those existing throughout the Empire, but some items deserve special attention: Eros removing a thorn from a lion’s paw (no. 3); three Satyrs performing a sacrifice (no. 1); the wounded warrior (no. 31); the ‘prodigy scene’ (no. 36); Faustulus, the Capitoline Wolf and the twins (no. 37); a possible portrait of Cleopatra (no. 42); the Jewish symbols (no. 70) and the magical amulet (no. 72). Graça CravinhoKsiegarnia Akademicka PublishingarticleAmmaiaCleopatraintagliocameonicoloetched carnelianAncient historyD51-90History of the artsNX440-632ENFRStudies in Ancient Art and Civilization, Vol 21, Iss 21 (2018) |
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EN FR |
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Ammaia Cleopatra intaglio cameo nicolo etched carnelian Ancient history D51-90 History of the arts NX440-632 |
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Ammaia Cleopatra intaglio cameo nicolo etched carnelian Ancient history D51-90 History of the arts NX440-632 Graça Cravinho Roman Engraved Gems in the National Archaeological Museum in Lisbon |
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The article presents the collection of Roman engraved gems in the National Museum of Archaeology, in Lisbon. Although a small cabinet, it contains a wide variety of themes and motifs. Among the intaglios, the nicolos deserve to be especially highlighted for their quantity when compared with the others, thus strenghtening the evidence for the existence of a regional quartz industry in the city of Ammaia, which particularly specialized in the manufacture of nicolo gemstones. The themes match those existing throughout the Empire, but some items deserve special attention: Eros removing a thorn from a lion’s paw (no. 3); three Satyrs performing a sacrifice (no. 1); the wounded warrior (no. 31); the ‘prodigy scene’ (no. 36); Faustulus, the Capitoline Wolf and the twins (no. 37); a possible portrait of Cleopatra (no. 42); the Jewish symbols (no. 70) and the magical amulet (no. 72).
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format |
article |
author |
Graça Cravinho |
author_facet |
Graça Cravinho |
author_sort |
Graça Cravinho |
title |
Roman Engraved Gems in the National Archaeological Museum in Lisbon |
title_short |
Roman Engraved Gems in the National Archaeological Museum in Lisbon |
title_full |
Roman Engraved Gems in the National Archaeological Museum in Lisbon |
title_fullStr |
Roman Engraved Gems in the National Archaeological Museum in Lisbon |
title_full_unstemmed |
Roman Engraved Gems in the National Archaeological Museum in Lisbon |
title_sort |
roman engraved gems in the national archaeological museum in lisbon |
publisher |
Ksiegarnia Akademicka Publishing |
publishDate |
2018 |
url |
https://doaj.org/article/afbe5685f1f24805b632f9eb5ee15e42 |
work_keys_str_mv |
AT gracacravinho romanengravedgemsinthenationalarchaeologicalmuseuminlisbon |
_version_ |
1718408524193595392 |