De la ópera al circo: emergencia y constitución de un nuevo circuito artístico en Buenos Aires hacia mediados del siglo XIX

The functions of the opera were the most successful shows during the entire decade of 1820 in the city of Buenos Aires. Nevertheless the impulse of the public opinion, the provincial political power and the artistic companies, the experience of the opera buffa lasted little more than five years. How...

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Autor principal:	Guillermina Guillamon
Formato:	article
Lenguaje:	EN FR PT
Publicado:	Centre de Recherches sur les Mondes Américains 2019
Materias:	shows and amusements urban artistic circuit Buenos Aires 19th century Anthropology GN1-890 Latin America. Spanish America F1201-3799
Acceso en línea:	https://doaj.org/article/b0cc2332c13d45899fb55c768090c623
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id	oai:doaj.org-article:b0cc2332c13d45899fb55c768090c623
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spelling	oai:doaj.org-article:b0cc2332c13d45899fb55c768090c6232021-12-02T10:35:03ZDe la ópera al circo: emergencia y constitución de un nuevo circuito artístico en Buenos Aires hacia mediados del siglo XIX1626-025210.4000/nuevomundo.76745https://doaj.org/article/b0cc2332c13d45899fb55c768090c6232019-10-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/76745https://doaj.org/toc/1626-0252The functions of the opera were the most successful shows during the entire decade of 1820 in the city of Buenos Aires. Nevertheless the impulse of the public opinion, the provincial political power and the artistic companies, the experience of the opera buffa lasted little more than five years. However, the decline of the opera did not take place in the absence of shows or spaces prepared for that purpose. In this sense, this work aims to make a first approximation to the different amusements and shows developed in the city of Buenos Aires between the 1830s and 1840s. For this reason, the aim is to rebuild the urban circuit of production and reception of shows and diversions – circuses, equestrian practices, pantomimic dances, strength and agility tests, automatons, panoramas, magic lanterns, optical cabinets – while outlining the relationships, appropriations and tensions that arose between those activities.Guillermina GuillamonCentre de Recherches sur les Mondes Américainsarticleshows and amusementsurban artistic circuitBuenos Aires19th centuryAnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2019)
institution	DOAJ
collection	DOAJ
language	EN FR PT
topic	shows and amusements urban artistic circuit Buenos Aires 19th century Anthropology GN1-890 Latin America. Spanish America F1201-3799
spellingShingle	shows and amusements urban artistic circuit Buenos Aires 19th century Anthropology GN1-890 Latin America. Spanish America F1201-3799 Guillermina Guillamon De la ópera al circo: emergencia y constitución de un nuevo circuito artístico en Buenos Aires hacia mediados del siglo XIX
description	The functions of the opera were the most successful shows during the entire decade of 1820 in the city of Buenos Aires. Nevertheless the impulse of the public opinion, the provincial political power and the artistic companies, the experience of the opera buffa lasted little more than five years. However, the decline of the opera did not take place in the absence of shows or spaces prepared for that purpose. In this sense, this work aims to make a first approximation to the different amusements and shows developed in the city of Buenos Aires between the 1830s and 1840s. For this reason, the aim is to rebuild the urban circuit of production and reception of shows and diversions – circuses, equestrian practices, pantomimic dances, strength and agility tests, automatons, panoramas, magic lanterns, optical cabinets – while outlining the relationships, appropriations and tensions that arose between those activities.
format	article
author	Guillermina Guillamon
author_facet	Guillermina Guillamon
author_sort	Guillermina Guillamon
title	De la ópera al circo: emergencia y constitución de un nuevo circuito artístico en Buenos Aires hacia mediados del siglo XIX
title_short	De la ópera al circo: emergencia y constitución de un nuevo circuito artístico en Buenos Aires hacia mediados del siglo XIX
title_full	De la ópera al circo: emergencia y constitución de un nuevo circuito artístico en Buenos Aires hacia mediados del siglo XIX
title_fullStr	De la ópera al circo: emergencia y constitución de un nuevo circuito artístico en Buenos Aires hacia mediados del siglo XIX
title_full_unstemmed	De la ópera al circo: emergencia y constitución de un nuevo circuito artístico en Buenos Aires hacia mediados del siglo XIX
title_sort	de la ópera al circo: emergencia y constitución de un nuevo circuito artístico en buenos aires hacia mediados del siglo xix
publisher	Centre de Recherches sur les Mondes Américains
publishDate	2019
url	https://doaj.org/article/b0cc2332c13d45899fb55c768090c623
work_keys_str_mv	AT guillerminaguillamon delaoperaalcircoemergenciayconstituciondeunnuevocircuitoartisticoenbuenosaireshaciamediadosdelsigloxix
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De la ópera al circo: emergencia y constitución de un nuevo circuito artístico en Buenos Aires hacia mediados del siglo XIX

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