Promenades sensibles à performer

This article stretches on cartographies and scores and their aesthetic, epistemological and experimental dimensions. Using american landscaper Lawrence Halprin 1960th work, this reflection investigates art, social science and urban planning. For the FDR Memorial project (Washington D.C) in 1975, Law...

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Autores principales: Mathilde Christmann , Élise Olmedo , Mathias Poisson
Formato: article
Lenguaje:FR
Publicado: Éditions en environnement VertigO 2018
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Acceso en línea:https://doaj.org/article/b11c9e824ce840bcb403fae753b25d08
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spelling oai:doaj.org-article:b11c9e824ce840bcb403fae753b25d082021-12-02T10:01:51ZPromenades sensibles à performer1492-844210.4000/vertigo.22851https://doaj.org/article/b11c9e824ce840bcb403fae753b25d082018-12-01T00:00:00Zhttp://journals.openedition.org/vertigo/22851https://doaj.org/toc/1492-8442This article stretches on cartographies and scores and their aesthetic, epistemological and experimental dimensions. Using american landscaper Lawrence Halprin 1960th work, this reflection investigates art, social science and urban planning. For the FDR Memorial project (Washington D.C) in 1975, Lawrence Halprin used cartography and score to visualize and enhance the sensory experience of the visitor in the future monument. The protocol of « maps-scores » (« cartes-partitions » in french) is thought as a navigation tool. It articulates descriptions of spatial experiments (« descriptive cartography ») and the possibility of experiences to come (prescriptive score); this tool refers to a process which traces the experience at the same time as it guides the exploration. The primary attention to in situ experience and his writing process invites to question interdisciplinarity approaches on landscape. Artistic point of view and geographical point of view are linked to question the porosity of the landscape as a living medium. With the walk as a common and shared condition of experience, with the « maps-scores » as a research tool, we aim to question the passing from the sensibility to the writing, from the living condition to what have been experienced, and therefore experiment this process which question the sensory dimension of architectural conception.Mathilde Christmann Élise Olmedo Mathias PoissonÉditions en environnement VertigOarticlelandscapewalkscoresensibility mappingexperimentationFranklin Delano Roosevelt Memorial (Washington D.CEnvironmental sciencesGE1-350FRVertigO, Vol 18, Iss 3 (2018)
institution DOAJ
collection DOAJ
language FR
topic landscape
walk
score
sensibility mapping
experimentation
Franklin Delano Roosevelt Memorial (Washington D.C
Environmental sciences
GE1-350
spellingShingle landscape
walk
score
sensibility mapping
experimentation
Franklin Delano Roosevelt Memorial (Washington D.C
Environmental sciences
GE1-350
Mathilde Christmann 
Élise Olmedo 
Mathias Poisson
Promenades sensibles à performer
description This article stretches on cartographies and scores and their aesthetic, epistemological and experimental dimensions. Using american landscaper Lawrence Halprin 1960th work, this reflection investigates art, social science and urban planning. For the FDR Memorial project (Washington D.C) in 1975, Lawrence Halprin used cartography and score to visualize and enhance the sensory experience of the visitor in the future monument. The protocol of « maps-scores » (« cartes-partitions » in french) is thought as a navigation tool. It articulates descriptions of spatial experiments (« descriptive cartography ») and the possibility of experiences to come (prescriptive score); this tool refers to a process which traces the experience at the same time as it guides the exploration. The primary attention to in situ experience and his writing process invites to question interdisciplinarity approaches on landscape. Artistic point of view and geographical point of view are linked to question the porosity of the landscape as a living medium. With the walk as a common and shared condition of experience, with the « maps-scores » as a research tool, we aim to question the passing from the sensibility to the writing, from the living condition to what have been experienced, and therefore experiment this process which question the sensory dimension of architectural conception.
format article
author Mathilde Christmann 
Élise Olmedo 
Mathias Poisson
author_facet Mathilde Christmann 
Élise Olmedo 
Mathias Poisson
author_sort Mathilde Christmann 
title Promenades sensibles à performer
title_short Promenades sensibles à performer
title_full Promenades sensibles à performer
title_fullStr Promenades sensibles à performer
title_full_unstemmed Promenades sensibles à performer
title_sort promenades sensibles à performer
publisher Éditions en environnement VertigO
publishDate 2018
url https://doaj.org/article/b11c9e824ce840bcb403fae753b25d08
work_keys_str_mv AT mathildechristmann promenadessensiblesaperformer
AT eliseolmedo promenadessensiblesaperformer
AT mathiaspoisson promenadessensiblesaperformer
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