Celebrating Cultural Hybridity Through Storytelling: Othello as a Borderlands Character in Caryl Phillips’ The Nature of Blood
This paper provides a new approach to Othello’s story in Caryl Phillips’ polyphonic novel The Nature of Blood (1997). The fictional Othello finds himself at the crossroads between different cultures and is struggling to define his identity. Making use of Gloria Anzaldúa’s borderlands theory as expo...
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| Formato: | article |
| Lenguaje: | EN |
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Universidad de Valladolid
2021
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| Acceso en línea: | https://doaj.org/article/b190de7963264243847e37c6eadf6ffb |
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| Sumario: | This paper provides a new approach to Othello’s story in Caryl Phillips’ polyphonic novel The Nature of Blood (1997). The fictional Othello finds himself at the crossroads between different cultures and is struggling to define his identity. Making use of Gloria Anzaldúa’s borderlands theory as exposed in her work Borderlands/La Frontera (1987), this study explores Phillips’ Othello as a borderlands character. Accordingly, it is the purpose of this paper to demonstrate that, as a borderlands character-narrator, Othello succeeds in bringing together the two hitherto conflicting cultures that he knows (Africa and Venice) through storytelling. Indeed, his narrative proves a transborder testimony that contributes to creating a debate forum where cultural hybridity is celebrated.um where cultural hybridity is celebrated.
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