Invasivmedizin und komplementäre Erkenntnis in der Gegenwartslyrik
How do Germanophone contemporary writers conceive of their poetry in relation to their proper lives and experiences? Comparing two cycles of poems from the beginning of the years 2000 dealing with invasive medical treatments their empirical authors supposedly have undergone themselves – Ulrike Draes...
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Universität Trier
2019
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oai:doaj.org-article:b2077d0c59ba4b84918ecd2691d2d06d2021-11-22T08:04:14ZInvasivmedizin und komplementäre Erkenntnis in der Gegenwartslyrik10.25353/ubtr-izfk-4713-07952698-492X2698-4938https://doaj.org/article/b2077d0c59ba4b84918ecd2691d2d06d2019-09-01T00:00:00Zhttps://izfk.uni-trier.de/index.php/izfk/article/view/35https://doaj.org/toc/2698-492Xhttps://doaj.org/toc/2698-4938How do Germanophone contemporary writers conceive of their poetry in relation to their proper lives and experiences? Comparing two cycles of poems from the beginning of the years 2000 dealing with invasive medical treatments their empirical authors supposedly have undergone themselves – Ulrike Draesner’s „bläuliche sphinx (metal)“ on a missed abortion and Thomas Kling’s „Gesang von der Bronchoskopie“ on a biopsy of the lungs –, this paper explores how poetic language is used to shape and to offer experiences that are staged as escaping entire translation into linguistic propositions, thus claiming a kind of ‘complementary knowledge’ that is conceived as exclusively conveyed, or rather generated, by poetry.Sonja KlimekUniversität Trierarticlelife writingautobiographical lyric poetryliterary self-fashioningpoetry on medical interventionscontemporary german poetrypoetikerkenntnisbläuliche sphinxLanguage and LiteraturePDEENInternationale Zeitschrift für Kulturkomparatistik, Vol 1, Pp 363-382 (2019) |
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life writing autobiographical lyric poetry literary self-fashioning poetry on medical interventions contemporary german poetry poetik erkenntnis bläuliche sphinx Language and Literature P |
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life writing autobiographical lyric poetry literary self-fashioning poetry on medical interventions contemporary german poetry poetik erkenntnis bläuliche sphinx Language and Literature P Sonja Klimek Invasivmedizin und komplementäre Erkenntnis in der Gegenwartslyrik |
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How do Germanophone contemporary writers conceive of their poetry in relation to their proper lives and experiences? Comparing two cycles of poems from the beginning of the years 2000 dealing with invasive medical treatments their empirical authors supposedly have undergone themselves – Ulrike Draesner’s „bläuliche sphinx (metal)“ on a missed abortion and Thomas Kling’s „Gesang von der Bronchoskopie“ on a biopsy of the lungs –, this paper explores how poetic language is used to shape and to offer experiences that are staged as escaping entire translation into linguistic propositions, thus claiming a kind of ‘complementary knowledge’ that is conceived as exclusively conveyed, or rather generated, by poetry. |
format |
article |
author |
Sonja Klimek |
author_facet |
Sonja Klimek |
author_sort |
Sonja Klimek |
title |
Invasivmedizin und komplementäre Erkenntnis in der Gegenwartslyrik |
title_short |
Invasivmedizin und komplementäre Erkenntnis in der Gegenwartslyrik |
title_full |
Invasivmedizin und komplementäre Erkenntnis in der Gegenwartslyrik |
title_fullStr |
Invasivmedizin und komplementäre Erkenntnis in der Gegenwartslyrik |
title_full_unstemmed |
Invasivmedizin und komplementäre Erkenntnis in der Gegenwartslyrik |
title_sort |
invasivmedizin und komplementäre erkenntnis in der gegenwartslyrik |
publisher |
Universität Trier |
publishDate |
2019 |
url |
https://doaj.org/article/b2077d0c59ba4b84918ecd2691d2d06d |
work_keys_str_mv |
AT sonjaklimek invasivmedizinundkomplementareerkenntnisindergegenwartslyrik |
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1718417815012114432 |