Invasivmedizin und komplementäre Erkenntnis in der Gegenwartslyrik

How do Germanophone contemporary writers conceive of their poetry in relation to their proper lives and experiences? Comparing two cycles of poems from the beginning of the years 2000 dealing with invasive medical treatments their empirical authors supposedly have undergone themselves – Ulrike Draes...

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Autor principal: Sonja Klimek
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EN
Publicado: Universität Trier 2019
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Acceso en línea:https://doaj.org/article/b2077d0c59ba4b84918ecd2691d2d06d
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spelling oai:doaj.org-article:b2077d0c59ba4b84918ecd2691d2d06d2021-11-22T08:04:14ZInvasivmedizin und komplementäre Erkenntnis in der Gegenwartslyrik10.25353/ubtr-izfk-4713-07952698-492X2698-4938https://doaj.org/article/b2077d0c59ba4b84918ecd2691d2d06d2019-09-01T00:00:00Zhttps://izfk.uni-trier.de/index.php/izfk/article/view/35https://doaj.org/toc/2698-492Xhttps://doaj.org/toc/2698-4938How do Germanophone contemporary writers conceive of their poetry in relation to their proper lives and experiences? Comparing two cycles of poems from the beginning of the years 2000 dealing with invasive medical treatments their empirical authors supposedly have undergone themselves – Ulrike Draesner’s „bläuliche sphinx (metal)“ on a missed abortion and Thomas Kling’s „Gesang von der Bronchoskopie“ on a biopsy of the lungs –, this paper explores how poetic language is used to shape and to offer experiences that are staged as escaping entire translation into linguistic propositions, thus claiming a kind of ‘complementary knowledge’ that is conceived as exclusively conveyed, or rather generated, by poetry.Sonja KlimekUniversität Trierarticlelife writingautobiographical lyric poetryliterary self-fashioningpoetry on medical interventionscontemporary german poetrypoetikerkenntnisbläuliche sphinxLanguage and LiteraturePDEENInternationale Zeitschrift für Kulturkomparatistik, Vol 1, Pp 363-382 (2019)
institution DOAJ
collection DOAJ
language DE
EN
topic life writing
autobiographical lyric poetry
literary self-fashioning
poetry on medical interventions
contemporary german poetry
poetik
erkenntnis
bläuliche sphinx
Language and Literature
P
spellingShingle life writing
autobiographical lyric poetry
literary self-fashioning
poetry on medical interventions
contemporary german poetry
poetik
erkenntnis
bläuliche sphinx
Language and Literature
P
Sonja Klimek
Invasivmedizin und komplementäre Erkenntnis in der Gegenwartslyrik
description How do Germanophone contemporary writers conceive of their poetry in relation to their proper lives and experiences? Comparing two cycles of poems from the beginning of the years 2000 dealing with invasive medical treatments their empirical authors supposedly have undergone themselves – Ulrike Draesner’s „bläuliche sphinx (metal)“ on a missed abortion and Thomas Kling’s „Gesang von der Bronchoskopie“ on a biopsy of the lungs –, this paper explores how poetic language is used to shape and to offer experiences that are staged as escaping entire translation into linguistic propositions, thus claiming a kind of ‘complementary knowledge’ that is conceived as exclusively conveyed, or rather generated, by poetry.
format article
author Sonja Klimek
author_facet Sonja Klimek
author_sort Sonja Klimek
title Invasivmedizin und komplementäre Erkenntnis in der Gegenwartslyrik
title_short Invasivmedizin und komplementäre Erkenntnis in der Gegenwartslyrik
title_full Invasivmedizin und komplementäre Erkenntnis in der Gegenwartslyrik
title_fullStr Invasivmedizin und komplementäre Erkenntnis in der Gegenwartslyrik
title_full_unstemmed Invasivmedizin und komplementäre Erkenntnis in der Gegenwartslyrik
title_sort invasivmedizin und komplementäre erkenntnis in der gegenwartslyrik
publisher Universität Trier
publishDate 2019
url https://doaj.org/article/b2077d0c59ba4b84918ecd2691d2d06d
work_keys_str_mv AT sonjaklimek invasivmedizinundkomplementareerkenntnisindergegenwartslyrik
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