Brechende Wellen, gebrochene Sprache. Die Natur in der Lyrik Jean Kriers

Despite its predominantly maritime subjects, the work of the German-speaking Luxembourgish poet Jean Krier presents itself from its debut (“Breton Islands,” 1994) as a deconstruction of classical nature poetry. Jean Krier’s poems thus stand in a tradition that goes back to Schiller and extends to th...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Jürgen Ritte
Formato: article
Lenguaje:DE
EN
Publicado: Universität Trier 2021
Materias:
P
Acceso en línea:https://doaj.org/article/b25dde3c00a940ea935a26c32265cfa1
Etiquetas: Agregar Etiqueta
Sin Etiquetas, Sea el primero en etiquetar este registro!
Descripción
Sumario:Despite its predominantly maritime subjects, the work of the German-speaking Luxembourgish poet Jean Krier presents itself from its debut (“Breton Islands,” 1994) as a deconstruction of classical nature poetry. Jean Krier’s poems thus stand in a tradition that goes back to Schiller and extends to the aesthetic theory of Theodor W. Adorno in ratifying the state of man’s separation from nature. Krier’s aesthetic procedure is based on the deconstruction of linguistic material that is subjected to states of play (mots-valises, homophonies, polyphonies, word lists, etc.). His poetry thus becomes a modern form of literary criticism in which disparate flotsam and junk-language reflect each other.