Brechende Wellen, gebrochene Sprache. Die Natur in der Lyrik Jean Kriers

Despite its predominantly maritime subjects, the work of the German-speaking Luxembourgish poet Jean Krier presents itself from its debut (“Breton Islands,” 1994) as a deconstruction of classical nature poetry. Jean Krier’s poems thus stand in a tradition that goes back to Schiller and extends to th...

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Auteur principal:	Jürgen Ritte
Format:	article
Langue:	DE EN
Publié:	Universität Trier 2021
Sujets:	jean krier 20th century german-language poetry nature poetry deconstruction language skepticism Language and Literature P
Accès en ligne:	https://doaj.org/article/b25dde3c00a940ea935a26c32265cfa1
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id	oai:doaj.org-article:b25dde3c00a940ea935a26c32265cfa1
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spelling	oai:doaj.org-article:b25dde3c00a940ea935a26c32265cfa12021-11-12T09:05:14ZBrechende Wellen, gebrochene Sprache. Die Natur in der Lyrik Jean Kriers10.25353/ubtr-izfk-4cea-d5512698-492X2698-4938https://doaj.org/article/b25dde3c00a940ea935a26c32265cfa12021-08-01T00:00:00Zhttps://izfk.uni-trier.de/index.php/izfk/article/view/Die%20Natur%20in%20der%20Lyrik%20Jean%20Kriershttps://doaj.org/toc/2698-492Xhttps://doaj.org/toc/2698-4938Despite its predominantly maritime subjects, the work of the German-speaking Luxembourgish poet Jean Krier presents itself from its debut (“Breton Islands,” 1994) as a deconstruction of classical nature poetry. Jean Krier’s poems thus stand in a tradition that goes back to Schiller and extends to the aesthetic theory of Theodor W. Adorno in ratifying the state of man’s separation from nature. Krier’s aesthetic procedure is based on the deconstruction of linguistic material that is subjected to states of play (mots-valises, homophonies, polyphonies, word lists, etc.). His poetry thus becomes a modern form of literary criticism in which disparate flotsam and junk-language reflect each other.Jürgen RitteUniversität Trierarticlejean krier20th century german-language poetrynature poetrydeconstructionlanguage skepticismLanguage and LiteraturePDEENInternationale Zeitschrift für Kulturkomparatistik, Vol 4, Pp 145-156 (2021)
institution	DOAJ
collection	DOAJ
language	DE EN
topic	jean krier 20th century german-language poetry nature poetry deconstruction language skepticism Language and Literature P
spellingShingle	jean krier 20th century german-language poetry nature poetry deconstruction language skepticism Language and Literature P Jürgen Ritte Brechende Wellen, gebrochene Sprache. Die Natur in der Lyrik Jean Kriers
description	Despite its predominantly maritime subjects, the work of the German-speaking Luxembourgish poet Jean Krier presents itself from its debut (“Breton Islands,” 1994) as a deconstruction of classical nature poetry. Jean Krier’s poems thus stand in a tradition that goes back to Schiller and extends to the aesthetic theory of Theodor W. Adorno in ratifying the state of man’s separation from nature. Krier’s aesthetic procedure is based on the deconstruction of linguistic material that is subjected to states of play (mots-valises, homophonies, polyphonies, word lists, etc.). His poetry thus becomes a modern form of literary criticism in which disparate flotsam and junk-language reflect each other.
format	article
author	Jürgen Ritte
author_facet	Jürgen Ritte
author_sort	Jürgen Ritte
title	Brechende Wellen, gebrochene Sprache. Die Natur in der Lyrik Jean Kriers
title_short	Brechende Wellen, gebrochene Sprache. Die Natur in der Lyrik Jean Kriers
title_full	Brechende Wellen, gebrochene Sprache. Die Natur in der Lyrik Jean Kriers
title_fullStr	Brechende Wellen, gebrochene Sprache. Die Natur in der Lyrik Jean Kriers
title_full_unstemmed	Brechende Wellen, gebrochene Sprache. Die Natur in der Lyrik Jean Kriers
title_sort	brechende wellen, gebrochene sprache. die natur in der lyrik jean kriers
publisher	Universität Trier
publishDate	2021
url	https://doaj.org/article/b25dde3c00a940ea935a26c32265cfa1
work_keys_str_mv	AT jurgenritte brechendewellengebrochenesprachedienaturinderlyrikjeankriers
_version_	1718431073560428544

Brechende Wellen, gebrochene Sprache. Die Natur in der Lyrik Jean Kriers

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