Brechende Wellen, gebrochene Sprache. Die Natur in der Lyrik Jean Kriers

Despite its predominantly maritime subjects, the work of the German-speaking Luxembourgish poet Jean Krier presents itself from its debut (“Breton Islands,” 1994) as a deconstruction of classical nature poetry. Jean Krier’s poems thus stand in a tradition that goes back to Schiller and extends to th...

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Autor principal: Jürgen Ritte
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Publicado: Universität Trier 2021
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Acceso en línea:https://doaj.org/article/b25dde3c00a940ea935a26c32265cfa1
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spelling oai:doaj.org-article:b25dde3c00a940ea935a26c32265cfa12021-11-12T09:05:14ZBrechende Wellen, gebrochene Sprache. Die Natur in der Lyrik Jean Kriers10.25353/ubtr-izfk-4cea-d5512698-492X2698-4938https://doaj.org/article/b25dde3c00a940ea935a26c32265cfa12021-08-01T00:00:00Zhttps://izfk.uni-trier.de/index.php/izfk/article/view/Die%20Natur%20in%20der%20Lyrik%20Jean%20Kriershttps://doaj.org/toc/2698-492Xhttps://doaj.org/toc/2698-4938Despite its predominantly maritime subjects, the work of the German-speaking Luxembourgish poet Jean Krier presents itself from its debut (“Breton Islands,” 1994) as a deconstruction of classical nature poetry. Jean Krier’s poems thus stand in a tradition that goes back to Schiller and extends to the aesthetic theory of Theodor W. Adorno in ratifying the state of man’s separation from nature. Krier’s aesthetic procedure is based on the deconstruction of linguistic material that is subjected to states of play (mots-valises, homophonies, polyphonies, word lists, etc.). His poetry thus becomes a modern form of literary criticism in which disparate flotsam and junk-language reflect each other.Jürgen RitteUniversität Trierarticlejean krier20th century german-language poetrynature poetrydeconstructionlanguage skepticismLanguage and LiteraturePDEENInternationale Zeitschrift für Kulturkomparatistik, Vol 4, Pp 145-156 (2021)
institution DOAJ
collection DOAJ
language DE
EN
topic jean krier
20th century german-language poetry
nature poetry
deconstruction
language skepticism
Language and Literature
P
spellingShingle jean krier
20th century german-language poetry
nature poetry
deconstruction
language skepticism
Language and Literature
P
Jürgen Ritte
Brechende Wellen, gebrochene Sprache. Die Natur in der Lyrik Jean Kriers
description Despite its predominantly maritime subjects, the work of the German-speaking Luxembourgish poet Jean Krier presents itself from its debut (“Breton Islands,” 1994) as a deconstruction of classical nature poetry. Jean Krier’s poems thus stand in a tradition that goes back to Schiller and extends to the aesthetic theory of Theodor W. Adorno in ratifying the state of man’s separation from nature. Krier’s aesthetic procedure is based on the deconstruction of linguistic material that is subjected to states of play (mots-valises, homophonies, polyphonies, word lists, etc.). His poetry thus becomes a modern form of literary criticism in which disparate flotsam and junk-language reflect each other.
format article
author Jürgen Ritte
author_facet Jürgen Ritte
author_sort Jürgen Ritte
title Brechende Wellen, gebrochene Sprache. Die Natur in der Lyrik Jean Kriers
title_short Brechende Wellen, gebrochene Sprache. Die Natur in der Lyrik Jean Kriers
title_full Brechende Wellen, gebrochene Sprache. Die Natur in der Lyrik Jean Kriers
title_fullStr Brechende Wellen, gebrochene Sprache. Die Natur in der Lyrik Jean Kriers
title_full_unstemmed Brechende Wellen, gebrochene Sprache. Die Natur in der Lyrik Jean Kriers
title_sort brechende wellen, gebrochene sprache. die natur in der lyrik jean kriers
publisher Universität Trier
publishDate 2021
url https://doaj.org/article/b25dde3c00a940ea935a26c32265cfa1
work_keys_str_mv AT jurgenritte brechendewellengebrochenesprachedienaturinderlyrikjeankriers
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