Engführungen. Celans etho-poetisches Schreiben „nach“ (und als Teil) der Natur. Ein Essay

This article investigates the relation between nature, ethics, and poetics in the work of Paul Celan, using „Engführung“ [“Stretto”] as a starting point. The readings from Celan’s library testify to his careful rethinking of what “reality” means. Applying the terminology and research of geology, ph...

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Autor principal:	Camilla Miglio
Formato:	article
Lenguaje:	DE EN
Publicado:	Universität Trier 2021
Materias:	relational patterns in natural sciences and poetics geo-poetics ethico poetics poetry of nature and contemporary quantum physics morphology celan mandelstam Language and Literature P
Acceso en línea:	https://doaj.org/article/b2c08d0d0753425caed94bcce6bae2c8
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spelling	oai:doaj.org-article:b2c08d0d0753425caed94bcce6bae2c82021-11-12T08:26:39ZEngführungen. Celans etho-poetisches Schreiben „nach“ (und als Teil) der Natur. Ein Essay 10.25353/ubtr-izfk-b518-db1b2698-492X2698-4938https://doaj.org/article/b2c08d0d0753425caed94bcce6bae2c82021-08-01T00:00:00Zhttps://izfk.uni-trier.de/index.php/izfk/article/view/Celans%20etho-poetisches%20Schreiben%20nach%20und%20als%20Teil%20der%20Naturhttps://doaj.org/toc/2698-492Xhttps://doaj.org/toc/2698-4938This article investigates the relation between nature, ethics, and poetics in the work of Paul Celan, using „Engführung“ [“Stretto”] as a starting point. The readings from Celan’s library testify to his careful rethinking of what “reality” means. Applying the terminology and research of geology, physics, and, in particular, quantum mechanics, opens up an interpretative horizon for Celan’s poetry that can be configured according to the laws of entanglement as well as the form of a multidimensional ‚Raumgitter‘. The human and ethical elements of intentionality and being-in-the-world are not obliterated but rather subordinated to the natural itself. Celan goes beyond the idea of a subject-observer of the world-as-object and offers us a perspective in which language, as well as humanity and intentionality (poetic and otherwise), is merely one cosmic manifestation – part of nature itself. Language, like nature, shows different and changing states of being. It can be metamorphic but also sedimentary; conglomerate but also fluid like the elements present in nature. It is not a metaphorical analogy but a changing material state. It is non-local, dynamic, and provisional, like the relationality of quantum aggregations. Writing ‚nach der Natur‘ is, for Celan, who makes the knowledge and vocabulary of the natural sciences his own, to recover this metamorphic, provisional dimension of language – inside and outside time, probabilistic, invisible at a macroscopic level. By writing in and as nature in this way, poetry resists the destruction of what “happened” [geschehen] at the camps in the most devastating way.Camilla MiglioUniversität Trierarticlerelational patterns in natural sciences and poeticsgeo-poeticsethico poeticspoetry of nature and contemporary quantum physicsmorphologycelanmandelstamLanguage and LiteraturePDEENInternationale Zeitschrift für Kulturkomparatistik, Vol 4, Pp 31-77 (2021)
institution	DOAJ
collection	DOAJ
language	DE EN
topic	relational patterns in natural sciences and poetics geo-poetics ethico poetics poetry of nature and contemporary quantum physics morphology celan mandelstam Language and Literature P
spellingShingle	relational patterns in natural sciences and poetics geo-poetics ethico poetics poetry of nature and contemporary quantum physics morphology celan mandelstam Language and Literature P Camilla Miglio Engführungen. Celans etho-poetisches Schreiben „nach“ (und als Teil) der Natur. Ein Essay
description	This article investigates the relation between nature, ethics, and poetics in the work of Paul Celan, using „Engführung“ [“Stretto”] as a starting point. The readings from Celan’s library testify to his careful rethinking of what “reality” means. Applying the terminology and research of geology, physics, and, in particular, quantum mechanics, opens up an interpretative horizon for Celan’s poetry that can be configured according to the laws of entanglement as well as the form of a multidimensional ‚Raumgitter‘. The human and ethical elements of intentionality and being-in-the-world are not obliterated but rather subordinated to the natural itself. Celan goes beyond the idea of a subject-observer of the world-as-object and offers us a perspective in which language, as well as humanity and intentionality (poetic and otherwise), is merely one cosmic manifestation – part of nature itself. Language, like nature, shows different and changing states of being. It can be metamorphic but also sedimentary; conglomerate but also fluid like the elements present in nature. It is not a metaphorical analogy but a changing material state. It is non-local, dynamic, and provisional, like the relationality of quantum aggregations. Writing ‚nach der Natur‘ is, for Celan, who makes the knowledge and vocabulary of the natural sciences his own, to recover this metamorphic, provisional dimension of language – inside and outside time, probabilistic, invisible at a macroscopic level. By writing in and as nature in this way, poetry resists the destruction of what “happened” [geschehen] at the camps in the most devastating way.
format	article
author	Camilla Miglio
author_facet	Camilla Miglio
author_sort	Camilla Miglio
title	Engführungen. Celans etho-poetisches Schreiben „nach“ (und als Teil) der Natur. Ein Essay
title_short	Engführungen. Celans etho-poetisches Schreiben „nach“ (und als Teil) der Natur. Ein Essay
title_full	Engführungen. Celans etho-poetisches Schreiben „nach“ (und als Teil) der Natur. Ein Essay
title_fullStr	Engführungen. Celans etho-poetisches Schreiben „nach“ (und als Teil) der Natur. Ein Essay
title_full_unstemmed	Engführungen. Celans etho-poetisches Schreiben „nach“ (und als Teil) der Natur. Ein Essay
title_sort	engführungen. celans etho-poetisches schreiben „nach“ (und als teil) der natur. ein essay
publisher	Universität Trier
publishDate	2021
url	https://doaj.org/article/b2c08d0d0753425caed94bcce6bae2c8
work_keys_str_mv	AT camillamiglio engfuhrungencelansethopoetischesschreibennachundalsteildernatureinessay
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Engführungen. Celans etho-poetisches Schreiben „nach“ (und als Teil) der Natur. Ein Essay

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