Les ogo banya des Dogon
Ogo banya are lidded ornate containers made from wood (especially Khaya senegalensis). There are only few items, about fifty in the world. Despite the low number of reported ogo banya, they have always been considered as an iconic work of art from the Dogon and widely admired for their beauty. In 19...
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oai:doaj.org-article:b322754086c1408fa531f58111a58b6c2021-12-02T10:48:08ZLes ogo banya des Dogon2431-204510.4000/aaa.235https://doaj.org/article/b322754086c1408fa531f58111a58b6c2014-09-01T00:00:00Zhttp://journals.openedition.org/aaa/235https://doaj.org/toc/2431-2045Ogo banya are lidded ornate containers made from wood (especially Khaya senegalensis). There are only few items, about fifty in the world. Despite the low number of reported ogo banya, they have always been considered as an iconic work of art from the Dogon and widely admired for their beauty. In 1905, lieutenant Louis Desplagnes did some investigations into the French Sudan and characterized them as ‘Art’. Their function is not well known because no visual document shows those items in usual context. Ogo banya are studied through their find contexts, their iconography and their physical attributes in order to find out the most likely use among the assumptions made by Western authors.Mathilde BurattiOpenEditionarticleDogonlidded vesseliconographyfunctionArchaeologyCC1-960History of the artsNX440-632ENFRAfrique Archéologie Arts, Vol 10, Pp 61-75 (2014) |
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Dogon lidded vessel iconography function Archaeology CC1-960 History of the arts NX440-632 |
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Dogon lidded vessel iconography function Archaeology CC1-960 History of the arts NX440-632 Mathilde Buratti Les ogo banya des Dogon |
description |
Ogo banya are lidded ornate containers made from wood (especially Khaya senegalensis). There are only few items, about fifty in the world. Despite the low number of reported ogo banya, they have always been considered as an iconic work of art from the Dogon and widely admired for their beauty. In 1905, lieutenant Louis Desplagnes did some investigations into the French Sudan and characterized them as ‘Art’. Their function is not well known because no visual document shows those items in usual context. Ogo banya are studied through their find contexts, their iconography and their physical attributes in order to find out the most likely use among the assumptions made by Western authors. |
format |
article |
author |
Mathilde Buratti |
author_facet |
Mathilde Buratti |
author_sort |
Mathilde Buratti |
title |
Les ogo banya des Dogon |
title_short |
Les ogo banya des Dogon |
title_full |
Les ogo banya des Dogon |
title_fullStr |
Les ogo banya des Dogon |
title_full_unstemmed |
Les ogo banya des Dogon |
title_sort |
les ogo banya des dogon |
publisher |
OpenEdition |
publishDate |
2014 |
url |
https://doaj.org/article/b322754086c1408fa531f58111a58b6c |
work_keys_str_mv |
AT mathildeburatti lesogobanyadesdogon |
_version_ |
1718396669472538624 |