POLITICAL DISCOURSE IN MUSIC AND ANATOLIAN ROCK IN TURKEY: THE CASE OF “CEM KARACA AND BARIŞ MANÇO” (1960-1980)

Rock music has become a popular genre reaching masses by gaining widespread popularity both in America and the international scene. In the world, this type of music has mediated the massification of forms of political discourse in the so-called years of change, 1960s, where various issues were openl...

Descripción completa

Guardado en:

Detalles Bibliográficos
Autor principal:	Fatma GÜRSES
Formato:	article
Lenguaje:	DE EN FR TR
Publicado:	Fırat University 2019
Materias:	anatolian rock discourse politics cem karaca baris manco Social Sciences H Social sciences (General) H1-99
Acceso en línea:	https://doaj.org/article/b6c0936a1e164124ac6dc00d050b129c
Etiquetas:	Agregar Etiqueta Sin Etiquetas, Sea el primero en etiquetar este registro!

id	oai:doaj.org-article:b6c0936a1e164124ac6dc00d050b129c
record_format	dspace
spelling	oai:doaj.org-article:b6c0936a1e164124ac6dc00d050b129c2021-11-24T09:20:46ZPOLITICAL DISCOURSE IN MUSIC AND ANATOLIAN ROCK IN TURKEY: THE CASE OF “CEM KARACA AND BARIŞ MANÇO” (1960-1980)2148-416310.9761/JASSS7030https://doaj.org/article/b6c0936a1e164124ac6dc00d050b129c2019-08-01T00:00:00Zhttps://jasstudies.com/index.jsp?mod=tammetin&makaleadi=1066677633_21-Do%C3%A7.%20Dr.%20Fatma%20G%C3%BCrses.pdf&key=28289https://doaj.org/toc/2148-4163Rock music has become a popular genre reaching masses by gaining widespread popularity both in America and the international scene. In the world, this type of music has mediated the massification of forms of political discourse in the so-called years of change, 1960s, where various issues were openly discussed, citizens eagerly participated in these discussions, and music trends and youth movements became prevalent. Influenced by this change and libertarian movement in the world, this period in Turkey has become the period where the citizen was perceived as a public-political subject, penetration of foreign music to the country was accelerated, and citizens found space to express themselves. With the military coup of September 12, 1980, this libertarian atmosphere was interrupted in Turkey and radical changes were implemented in the political system. This study will attempt to examine forms of representations of the political dynamics between the years 1960-1980 by Cem Karaca and Barış Manço, the representatives of the musical milieu called Anatolian rock in Turkey, influenced by international rock music that brought criticism to the world order. Using the works of these two musicians as base, the central aim of the study is to reveal with which discursive elements the Anatolian rock music in Turkey has secured political elements, and by incorporating what and excluding which did they structure this discourse. For this purpose, the historical background of the political and social events in the process from 1960 to 1980 will first be set forth. In the next stage, Anatolian rock songs between the years in mention will be examined with the analysis of discourse in the context of the themes produced and then the findings obtained will be evaluated.Fatma GÜRSESFırat Universityarticleanatolian rockdiscoursepoliticscem karacabaris mancoSocial SciencesHSocial sciences (General)H1-99DEENFRTRJournal of Academic Social Science Studies , Vol 10, Iss 56, Pp 325-350 (2019)
institution	DOAJ
collection	DOAJ
language	DE EN FR TR
topic	anatolian rock discourse politics cem karaca baris manco Social Sciences H Social sciences (General) H1-99
spellingShingle	anatolian rock discourse politics cem karaca baris manco Social Sciences H Social sciences (General) H1-99 Fatma GÜRSES POLITICAL DISCOURSE IN MUSIC AND ANATOLIAN ROCK IN TURKEY: THE CASE OF “CEM KARACA AND BARIŞ MANÇO” (1960-1980)
description	Rock music has become a popular genre reaching masses by gaining widespread popularity both in America and the international scene. In the world, this type of music has mediated the massification of forms of political discourse in the so-called years of change, 1960s, where various issues were openly discussed, citizens eagerly participated in these discussions, and music trends and youth movements became prevalent. Influenced by this change and libertarian movement in the world, this period in Turkey has become the period where the citizen was perceived as a public-political subject, penetration of foreign music to the country was accelerated, and citizens found space to express themselves. With the military coup of September 12, 1980, this libertarian atmosphere was interrupted in Turkey and radical changes were implemented in the political system. This study will attempt to examine forms of representations of the political dynamics between the years 1960-1980 by Cem Karaca and Barış Manço, the representatives of the musical milieu called Anatolian rock in Turkey, influenced by international rock music that brought criticism to the world order. Using the works of these two musicians as base, the central aim of the study is to reveal with which discursive elements the Anatolian rock music in Turkey has secured political elements, and by incorporating what and excluding which did they structure this discourse. For this purpose, the historical background of the political and social events in the process from 1960 to 1980 will first be set forth. In the next stage, Anatolian rock songs between the years in mention will be examined with the analysis of discourse in the context of the themes produced and then the findings obtained will be evaluated.
format	article
author	Fatma GÜRSES
author_facet	Fatma GÜRSES
author_sort	Fatma GÜRSES
title	POLITICAL DISCOURSE IN MUSIC AND ANATOLIAN ROCK IN TURKEY: THE CASE OF “CEM KARACA AND BARIŞ MANÇO” (1960-1980)
title_short	POLITICAL DISCOURSE IN MUSIC AND ANATOLIAN ROCK IN TURKEY: THE CASE OF “CEM KARACA AND BARIŞ MANÇO” (1960-1980)
title_full	POLITICAL DISCOURSE IN MUSIC AND ANATOLIAN ROCK IN TURKEY: THE CASE OF “CEM KARACA AND BARIŞ MANÇO” (1960-1980)
title_fullStr	POLITICAL DISCOURSE IN MUSIC AND ANATOLIAN ROCK IN TURKEY: THE CASE OF “CEM KARACA AND BARIŞ MANÇO” (1960-1980)
title_full_unstemmed	POLITICAL DISCOURSE IN MUSIC AND ANATOLIAN ROCK IN TURKEY: THE CASE OF “CEM KARACA AND BARIŞ MANÇO” (1960-1980)
title_sort	political discourse in music and anatolian rock in turkey: the case of “cem karaca and bariş manço” (1960-1980)
publisher	Fırat University
publishDate	2019
url	https://doaj.org/article/b6c0936a1e164124ac6dc00d050b129c
work_keys_str_mv	AT fatmagurses politicaldiscourseinmusicandanatolianrockinturkeythecaseofcemkaracaandbarismanco19601980
_version_	1718415567788965888

POLITICAL DISCOURSE IN MUSIC AND ANATOLIAN ROCK IN TURKEY: THE CASE OF “CEM KARACA AND BARIŞ MANÇO” (1960-1980)

Ejemplares similares