Indiens sur scènes, étrangers captivés ? Mise en spectacle de la culture et secret

This session draws on patrimonialisation cases which depend upon the support of a visual spectacle, either live or on film, and which thus implicitly define culture as a set of visual practices susceptible to observation. This definition, and the demand that Amerindians perform for foreigners that i...

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Autores principales:	Philippe Erikson, Chloé Nahum-Claudel, Cédric Yvinec
Formato:	article
Lenguaje:	EN FR PT
Publicado:	Centre de Recherches sur les Mondes Américains 2017
Materias:	amerindians spectacle ritual performance secrecy audience Anthropology GN1-890 Latin America. Spanish America F1201-3799
Acceso en línea:	https://doaj.org/article/b77f6b3aa215403297aa984c7adad520
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id	oai:doaj.org-article:b77f6b3aa215403297aa984c7adad520
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spelling	oai:doaj.org-article:b77f6b3aa215403297aa984c7adad5202021-12-02T10:32:59ZIndiens sur scènes, étrangers captivés ? Mise en spectacle de la culture et secret1626-025210.4000/nuevomundo.70119https://doaj.org/article/b77f6b3aa215403297aa984c7adad5202017-02-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/70119https://doaj.org/toc/1626-0252This session draws on patrimonialisation cases which depend upon the support of a visual spectacle, either live or on film, and which thus implicitly define culture as a set of visual practices susceptible to observation. This definition, and the demand that Amerindians perform for foreigners that it implies, is evidenced from the sixteenth century onward. However the practices chosen for the purposes of performance are diverse, from traditional practices (songs, dances, rituals etc.) inserted into a foreign performance context (film or theatre) to foreign practices adopted and reinterpreted by Amerindians (Miss contests). In each case, we examine the different audiences that the staging of culture aims to reach and the type of relations that are established with spectators (who may be participants or not). Finally, we are interested in the domains that these spectacles leave in the shadow, upholding – either intentionally or not – different forms of secrecy.Philippe EriksonChloé Nahum-ClaudelCédric YvinecCentre de Recherches sur les Mondes AméricainsarticleamerindiansspectacleritualperformancesecrecyaudienceAnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2017)
institution	DOAJ
collection	DOAJ
language	EN FR PT
topic	amerindians spectacle ritual performance secrecy audience Anthropology GN1-890 Latin America. Spanish America F1201-3799
spellingShingle	amerindians spectacle ritual performance secrecy audience Anthropology GN1-890 Latin America. Spanish America F1201-3799 Philippe Erikson Chloé Nahum-Claudel Cédric Yvinec Indiens sur scènes, étrangers captivés ? Mise en spectacle de la culture et secret
description	This session draws on patrimonialisation cases which depend upon the support of a visual spectacle, either live or on film, and which thus implicitly define culture as a set of visual practices susceptible to observation. This definition, and the demand that Amerindians perform for foreigners that it implies, is evidenced from the sixteenth century onward. However the practices chosen for the purposes of performance are diverse, from traditional practices (songs, dances, rituals etc.) inserted into a foreign performance context (film or theatre) to foreign practices adopted and reinterpreted by Amerindians (Miss contests). In each case, we examine the different audiences that the staging of culture aims to reach and the type of relations that are established with spectators (who may be participants or not). Finally, we are interested in the domains that these spectacles leave in the shadow, upholding – either intentionally or not – different forms of secrecy.
format	article
author	Philippe Erikson Chloé Nahum-Claudel Cédric Yvinec
author_facet	Philippe Erikson Chloé Nahum-Claudel Cédric Yvinec
author_sort	Philippe Erikson
title	Indiens sur scènes, étrangers captivés ? Mise en spectacle de la culture et secret
title_short	Indiens sur scènes, étrangers captivés ? Mise en spectacle de la culture et secret
title_full	Indiens sur scènes, étrangers captivés ? Mise en spectacle de la culture et secret
title_fullStr	Indiens sur scènes, étrangers captivés ? Mise en spectacle de la culture et secret
title_full_unstemmed	Indiens sur scènes, étrangers captivés ? Mise en spectacle de la culture et secret
title_sort	indiens sur scènes, étrangers captivés ? mise en spectacle de la culture et secret
publisher	Centre de Recherches sur les Mondes Américains
publishDate	2017
url	https://doaj.org/article/b77f6b3aa215403297aa984c7adad520
work_keys_str_mv	AT philippeerikson indienssurscenesetrangerscaptivesmiseenspectacledelacultureetsecret AT chloenahumclaudel indienssurscenesetrangerscaptivesmiseenspectacledelacultureetsecret AT cedricyvinec indienssurscenesetrangerscaptivesmiseenspectacledelacultureetsecret
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Indiens sur scènes, étrangers captivés ? Mise en spectacle de la culture et secret

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