San Adriano a San Demetrio Corone. Studio analitico degli affreschi pittorici a confronto di analoghe opere meridionali

The work focuses on one of the major monuments related to the monasticism of southern Italy, the church of San Adriano in San Demetrio Corone in the province of Cosenza, an ethno-anthropological arbí«reshí« jewel. The study is based on the cycle of frescoes that occupy the sub-arches and the walls...

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Autores principales: Felicia Villella, Antonio Marchianò
Formato: article
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IT
Publicado: mediaGEO soc. coop. 2019
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Acceso en línea:https://doaj.org/article/b7ab990eddb340e7acc68162b1b6b5b0
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spelling oai:doaj.org-article:b7ab990eddb340e7acc68162b1b6b5b02021-11-09T18:13:59ZSan Adriano a San Demetrio Corone. Studio analitico degli affreschi pittorici a confronto di analoghe opere meridionali10.48258/arc.v9i4.16162037-24852384-9428https://doaj.org/article/b7ab990eddb340e7acc68162b1b6b5b02019-03-01T00:00:00Zhttps://www.mediageo.it/ojs/index.php/archeomatica/article/view/1616https://doaj.org/toc/2037-2485https://doaj.org/toc/2384-9428 The work focuses on one of the major monuments related to the monasticism of southern Italy, the church of San Adriano in San Demetrio Corone in the province of Cosenza, an ethno-anthropological arbí«reshí« jewel. The study is based on the cycle of frescoes that occupy the sub-arches and the walls of the minor naves inside the church, dated between the twelfth and thirteenth centuries, which in addition to representing an important narrative complex, it refers to similar works in the major ecclesiastical buildings of the south, including Calabria. In Calabria, in fact, we find terms of comparisons in the church of the Spedale of Scalea, in the church of Panaghia of Rossano, in the Cattolica of Stilo and in the church of the Campo of San Andrea Apostolo dello Jonio. The elaborate wants to demonstrate how these representations show, although they present a different date, a technical similarity with analogous frescoes of the Norman period present in Sicily, in particular similarities with those present in the Palatine Chapel of Palermo and the Duomo of Cefalù and Monreale. In support of this thesis, we propose the image analysis of some portions of the pictorial works supported by a careful historical-artistic study, with the aim to create a union between non-invasive and theoretical-executive diagnostic investigations. The section that we want to investigate concerns the actual status of the asset and will highlight a summary of the paintings in order to provide a general overall status, that it aims to be the starting point for a more in-depth future analysis of the whole complex considered Felicia VillellaAntonio MarchianòmediaGEO soc. coop.articleCiclo di affreschiconservazionerestauroedifici storico-monumentaliArchaeologyCC1-960ENITArcheomatica, Vol 9, Iss 4 (2019)
institution DOAJ
collection DOAJ
language EN
IT
topic Ciclo di affreschi
conservazione
restauro
edifici storico-monumentali
Archaeology
CC1-960
spellingShingle Ciclo di affreschi
conservazione
restauro
edifici storico-monumentali
Archaeology
CC1-960
Felicia Villella
Antonio Marchianò
San Adriano a San Demetrio Corone. Studio analitico degli affreschi pittorici a confronto di analoghe opere meridionali
description The work focuses on one of the major monuments related to the monasticism of southern Italy, the church of San Adriano in San Demetrio Corone in the province of Cosenza, an ethno-anthropological arbí«reshí« jewel. The study is based on the cycle of frescoes that occupy the sub-arches and the walls of the minor naves inside the church, dated between the twelfth and thirteenth centuries, which in addition to representing an important narrative complex, it refers to similar works in the major ecclesiastical buildings of the south, including Calabria. In Calabria, in fact, we find terms of comparisons in the church of the Spedale of Scalea, in the church of Panaghia of Rossano, in the Cattolica of Stilo and in the church of the Campo of San Andrea Apostolo dello Jonio. The elaborate wants to demonstrate how these representations show, although they present a different date, a technical similarity with analogous frescoes of the Norman period present in Sicily, in particular similarities with those present in the Palatine Chapel of Palermo and the Duomo of Cefalù and Monreale. In support of this thesis, we propose the image analysis of some portions of the pictorial works supported by a careful historical-artistic study, with the aim to create a union between non-invasive and theoretical-executive diagnostic investigations. The section that we want to investigate concerns the actual status of the asset and will highlight a summary of the paintings in order to provide a general overall status, that it aims to be the starting point for a more in-depth future analysis of the whole complex considered
format article
author Felicia Villella
Antonio Marchianò
author_facet Felicia Villella
Antonio Marchianò
author_sort Felicia Villella
title San Adriano a San Demetrio Corone. Studio analitico degli affreschi pittorici a confronto di analoghe opere meridionali
title_short San Adriano a San Demetrio Corone. Studio analitico degli affreschi pittorici a confronto di analoghe opere meridionali
title_full San Adriano a San Demetrio Corone. Studio analitico degli affreschi pittorici a confronto di analoghe opere meridionali
title_fullStr San Adriano a San Demetrio Corone. Studio analitico degli affreschi pittorici a confronto di analoghe opere meridionali
title_full_unstemmed San Adriano a San Demetrio Corone. Studio analitico degli affreschi pittorici a confronto di analoghe opere meridionali
title_sort san adriano a san demetrio corone. studio analitico degli affreschi pittorici a confronto di analoghe opere meridionali
publisher mediaGEO soc. coop.
publishDate 2019
url https://doaj.org/article/b7ab990eddb340e7acc68162b1b6b5b0
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