Plays on Plot of Tamerlane and Bayazet on Russian Stage of Late 17<sup>th</sup> — Early 18<sup>th</sup> Centuries: Northern European Sources

The article is devoted to the little-studied Northern European sources of Russian plays on the plot about Tamerlane and Bayazet of the late 17th — early 18th centuries. The material was the play “Temir-Aksakovo Action” in 1675, a not preserved version of the play of the early 18th century “The...

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Autor principal:	M. V. Kaplun
Formato:	article
Lenguaje:	RU
Publicado:	Tsentr nauchnykh i obrazovatelnykh proektov 2021
Materias:	play about tamerlane and bayazet russian drama german drama english drama the court theater 17th-18th centuries baroque drama northern european sources Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/b7c034e494dd4af197130df6b9848454
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spelling	oai:doaj.org-article:b7c034e494dd4af197130df6b98484542021-12-02T07:58:14ZPlays on Plot of Tamerlane and Bayazet on Russian Stage of Late 17<sup>th</sup> — Early 18<sup>th</sup> Centuries: Northern European Sources2225-756X2227-129510.24224/2227-1295-2021-6-207-224https://doaj.org/article/b7c034e494dd4af197130df6b98484542021-06-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/2801https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The article is devoted to the little-studied Northern European sources of Russian plays on the plot about Tamerlane and Bayazet of the late 17th — early 18th centuries. The material was the play “Temir-Aksakovo Action” in 1675, a not preserved version of the play of the early 18th century “The Clear History of Tamerlane, the Tatar Khan how he defeated Saltan of Tursk Bayazet”, plays from the repertoire of “English comedians” of the 17th century, plays by the German playwright Andreas Gryphius and the English playwright Nicholas Roe. It is shown that the interludes of the play “Temir-Aksakovo Action” could be taken from the little-known play “The Comedy of Tamerlane”, staged in Nuremberg in 1667. Analysis of the play by German playwright Andreas Gryphius “The Armenian Leo” in 1656 makes it possible to talk about general formulas in constructing the theme of the overthrow of tyranny, the baroque theme of the mutability of life in the German and Russian drama of the 17th century. The play “The Clear History of Tamerlane ...”, staged at the court of Peter I in the 1700s, has been brought into consideration. Particular attention is paid to the analysis of the typological commonality of the Russian play with the play by the English playwright Nicholas Rowe “Tamerlane” in 1701, containing real historical allusions to the present.M. V. KaplunTsentr nauchnykh i obrazovatelnykh proektovarticleplay about tamerlane and bayazetrussian dramagerman dramaenglish dramathe court theater17th-18th centuriesbaroque dramanorthern european sourcesSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 6, Pp 207-224 (2021)
institution	DOAJ
collection	DOAJ
language	RU
topic	play about tamerlane and bayazet russian drama german drama english drama the court theater 17th-18th centuries baroque drama northern european sources Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	play about tamerlane and bayazet russian drama german drama english drama the court theater 17th-18th centuries baroque drama northern european sources Slavic languages. Baltic languages. Albanian languages PG1-9665 M. V. Kaplun Plays on Plot of Tamerlane and Bayazet on Russian Stage of Late 17<sup>th</sup> — Early 18<sup>th</sup> Centuries: Northern European Sources
description	The article is devoted to the little-studied Northern European sources of Russian plays on the plot about Tamerlane and Bayazet of the late 17th — early 18th centuries. The material was the play “Temir-Aksakovo Action” in 1675, a not preserved version of the play of the early 18th century “The Clear History of Tamerlane, the Tatar Khan how he defeated Saltan of Tursk Bayazet”, plays from the repertoire of “English comedians” of the 17th century, plays by the German playwright Andreas Gryphius and the English playwright Nicholas Roe. It is shown that the interludes of the play “Temir-Aksakovo Action” could be taken from the little-known play “The Comedy of Tamerlane”, staged in Nuremberg in 1667. Analysis of the play by German playwright Andreas Gryphius “The Armenian Leo” in 1656 makes it possible to talk about general formulas in constructing the theme of the overthrow of tyranny, the baroque theme of the mutability of life in the German and Russian drama of the 17th century. The play “The Clear History of Tamerlane ...”, staged at the court of Peter I in the 1700s, has been brought into consideration. Particular attention is paid to the analysis of the typological commonality of the Russian play with the play by the English playwright Nicholas Rowe “Tamerlane” in 1701, containing real historical allusions to the present.
format	article
author	M. V. Kaplun
author_facet	M. V. Kaplun
author_sort	M. V. Kaplun
title	Plays on Plot of Tamerlane and Bayazet on Russian Stage of Late 17<sup>th</sup> — Early 18<sup>th</sup> Centuries: Northern European Sources
title_short	Plays on Plot of Tamerlane and Bayazet on Russian Stage of Late 17<sup>th</sup> — Early 18<sup>th</sup> Centuries: Northern European Sources
title_full	Plays on Plot of Tamerlane and Bayazet on Russian Stage of Late 17<sup>th</sup> — Early 18<sup>th</sup> Centuries: Northern European Sources
title_fullStr	Plays on Plot of Tamerlane and Bayazet on Russian Stage of Late 17<sup>th</sup> — Early 18<sup>th</sup> Centuries: Northern European Sources
title_full_unstemmed	Plays on Plot of Tamerlane and Bayazet on Russian Stage of Late 17<sup>th</sup> — Early 18<sup>th</sup> Centuries: Northern European Sources
title_sort	plays on plot of tamerlane and bayazet on russian stage of late 17<sup>th</sup> — early 18<sup>th</sup> centuries: northern european sources
publisher	Tsentr nauchnykh i obrazovatelnykh proektov
publishDate	2021
url	https://doaj.org/article/b7c034e494dd4af197130df6b9848454
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Plays on Plot of Tamerlane and Bayazet on Russian Stage of Late 17<sup>th</sup> — Early 18<sup>th</sup> Centuries: Northern European Sources

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