A poética cantada: investigação das habilidades do repentista nordestino
The poetical joust, or cantoria, is a poetic and musical art common in Northeast Brazil and is characterized by strophe improvisation, that is, by its making in the very moment of presentation. It is always sung in pairs of poets who, while improvising, dialogue with each other and with the public....
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Universidade de Brasília
2010
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oai:doaj.org-article:b7d053d9efb6445c81e67aacd15f1aae2021-11-11T15:52:07ZA poética cantada: investigação das habilidades do repentista nordestino1518-01582316-4018https://doaj.org/article/b7d053d9efb6445c81e67aacd15f1aae2010-01-01T00:00:00Zhttp://www.redalyc.org/articulo.oa?id=323127099012https://doaj.org/toc/1518-0158https://doaj.org/toc/2316-4018The poetical joust, or cantoria, is a poetic and musical art common in Northeast Brazil and is characterized by strophe improvisation, that is, by its making in the very moment of presentation. It is always sung in pairs of poets who, while improvising, dialogue with each other and with the public. They also place themselves in relationship with incorporated esthetic models, with poetic rules, melodic and harmonic patterns, the rhythmic patterns of this poetry, the usual themes and so on, departing from which they must create original texts. While improvising, the singer guides himself by these esthetic models, among which I highlight as the main practical foundation of improvised poetry the poetic rhythm incorporated by these poets.João Miguel Manzolillo SautchukUniversidade de Brasíliaarticlecantoriarhythmimprovised poetryFrench literature - Italian literature - Spanish literature - Portuguese literaturePQ1-3999ESPTEstudos de Literatura Brasileira Contemporânea, Iss 35, Pp 167-182 (2010) |
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cantoria rhythm improvised poetry French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 João Miguel Manzolillo Sautchuk A poética cantada: investigação das habilidades do repentista nordestino |
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The poetical joust, or cantoria, is a poetic and musical art common in Northeast Brazil and is characterized by strophe improvisation, that is, by its making in the very moment of presentation. It is always sung in pairs of poets who, while improvising, dialogue with each other and with the public. They also place themselves in relationship with incorporated esthetic models, with poetic rules, melodic and harmonic patterns, the rhythmic patterns of this poetry, the usual themes and so on, departing from which they must create original texts. While improvising, the singer guides himself by these esthetic models, among which I highlight as the main practical foundation of improvised poetry the poetic rhythm incorporated by these poets. |
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article |
author |
João Miguel Manzolillo Sautchuk |
author_facet |
João Miguel Manzolillo Sautchuk |
author_sort |
João Miguel Manzolillo Sautchuk |
title |
A poética cantada: investigação das habilidades do repentista nordestino |
title_short |
A poética cantada: investigação das habilidades do repentista nordestino |
title_full |
A poética cantada: investigação das habilidades do repentista nordestino |
title_fullStr |
A poética cantada: investigação das habilidades do repentista nordestino |
title_full_unstemmed |
A poética cantada: investigação das habilidades do repentista nordestino |
title_sort |
poética cantada: investigação das habilidades do repentista nordestino |
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Universidade de Brasília |
publishDate |
2010 |
url |
https://doaj.org/article/b7d053d9efb6445c81e67aacd15f1aae |
work_keys_str_mv |
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