AUTHENTICITY FOR GRAPHIC DESIGNER

The traces of authenticity have been observed in the field of art since antiquity. It is known that antique ceramic artists have named their works by writing their names on them. Similarly, renaissance artists have increased their personal recognition by signing their works. With the names and the s...

Descripción completa

Guardado en:

Detalles Bibliográficos
Autor principal:	Fuat AKDENİZLİ
Formato:	article
Lenguaje:	DE EN FR TR
Publicado:	Fırat University 2019
Materias:	graphic design graphic designer authenticity first things first cranbrock academy Social Sciences H Social sciences (General) H1-99
Acceso en línea:	https://doaj.org/article/b853c8d7d2d148d2b3d6db8498a01887
Etiquetas:	Agregar Etiqueta Sin Etiquetas, Sea el primero en etiquetar este registro!

id	oai:doaj.org-article:b853c8d7d2d148d2b3d6db8498a01887
record_format	dspace
spelling	oai:doaj.org-article:b853c8d7d2d148d2b3d6db8498a018872021-11-24T09:20:40ZAUTHENTICITY FOR GRAPHIC DESIGNER2148-416310.9761/JASSS7602https://doaj.org/article/b853c8d7d2d148d2b3d6db8498a018872019-08-01T00:00:00Zhttps://jasstudies.com/index.jsp?mod=tammetin&makaleadi=1274453357_13-Do%C3%A7.%20Fuat%20Akdenizli.pdf&key=28764https://doaj.org/toc/2148-4163The traces of authenticity have been observed in the field of art since antiquity. It is known that antique ceramic artists have named their works by writing their names on them. Similarly, renaissance artists have increased their personal recognition by signing their works. With the names and the signatures written on the artistic work, not only the work of art but also the artist's' himself have gained individuality and authenticity. In this context, one can talk about two kinds of authenticity, one is related to the work of art and the other is related to artist's' himself. In the field of graphic design, the situation is more complicated. Graphic designers often do not sign their works. The work of design is not unique, there are many copies. The name of the graphic designer is almost invisible. The inability of the graphic designer's existence as an authentic personality in the market creates a feeling of worthlessness. The working conditions that prevented the graphic designer from being authentic can be traced back to the beginning of Industrial Revolution age. The visibility of the artists started to increase with "Arts and Crafts”, and then continued with "First Things First" and "Do It Yourself”, which can be interpreted as efforts to ensure authenticity for graphic designers. In this article, the social position of the graphic designer as an individual was centered rather than the authenticity of his works. The contradiction between the expectations of today's graphic designer and the market conditions will be explained in a historical order and with its reasons. Within the social context, the possibilities of developing an authentic attitude for the graphic designer will be questioned in terms of Berman's definition. The steps that can be taken to develop an authentic identity will be discussed through the examples of designers and their explanations on this subject. This article is intended to provide a perspective on graphic designers' authenticity and to provide a source for researchers working on the field.Fuat AKDENİZLİFırat Universityarticlegraphic designgraphic designerauthenticityfirst things firstcranbrock academySocial SciencesHSocial sciences (General)H1-99DEENFRTRJournal of Academic Social Science Studies , Vol 11, Iss 69, Pp 151-160 (2019)
institution	DOAJ
collection	DOAJ
language	DE EN FR TR
topic	graphic design graphic designer authenticity first things first cranbrock academy Social Sciences H Social sciences (General) H1-99
spellingShingle	graphic design graphic designer authenticity first things first cranbrock academy Social Sciences H Social sciences (General) H1-99 Fuat AKDENİZLİ AUTHENTICITY FOR GRAPHIC DESIGNER
description	The traces of authenticity have been observed in the field of art since antiquity. It is known that antique ceramic artists have named their works by writing their names on them. Similarly, renaissance artists have increased their personal recognition by signing their works. With the names and the signatures written on the artistic work, not only the work of art but also the artist's' himself have gained individuality and authenticity. In this context, one can talk about two kinds of authenticity, one is related to the work of art and the other is related to artist's' himself. In the field of graphic design, the situation is more complicated. Graphic designers often do not sign their works. The work of design is not unique, there are many copies. The name of the graphic designer is almost invisible. The inability of the graphic designer's existence as an authentic personality in the market creates a feeling of worthlessness. The working conditions that prevented the graphic designer from being authentic can be traced back to the beginning of Industrial Revolution age. The visibility of the artists started to increase with "Arts and Crafts”, and then continued with "First Things First" and "Do It Yourself”, which can be interpreted as efforts to ensure authenticity for graphic designers. In this article, the social position of the graphic designer as an individual was centered rather than the authenticity of his works. The contradiction between the expectations of today's graphic designer and the market conditions will be explained in a historical order and with its reasons. Within the social context, the possibilities of developing an authentic attitude for the graphic designer will be questioned in terms of Berman's definition. The steps that can be taken to develop an authentic identity will be discussed through the examples of designers and their explanations on this subject. This article is intended to provide a perspective on graphic designers' authenticity and to provide a source for researchers working on the field.
format	article
author	Fuat AKDENİZLİ
author_facet	Fuat AKDENİZLİ
author_sort	Fuat AKDENİZLİ
title	AUTHENTICITY FOR GRAPHIC DESIGNER
title_short	AUTHENTICITY FOR GRAPHIC DESIGNER
title_full	AUTHENTICITY FOR GRAPHIC DESIGNER
title_fullStr	AUTHENTICITY FOR GRAPHIC DESIGNER
title_full_unstemmed	AUTHENTICITY FOR GRAPHIC DESIGNER
title_sort	authenticity for graphic designer
publisher	Fırat University
publishDate	2019
url	https://doaj.org/article/b853c8d7d2d148d2b3d6db8498a01887
work_keys_str_mv	AT fuatakdenizli authenticityforgraphicdesigner
_version_	1718415633192845312

AUTHENTICITY FOR GRAPHIC DESIGNER

Ejemplares similares