Mercados musicais-dançantes e periferias: trajetórias individuais e de circuitos de diversão em Salvador e Maceió
From the trajectories of two characters – one from a musical scene – in Salvador and another from Maceió, I explore the course of differentiating their positions and, thus, I design aspects of the expansion of musical entertainment circuits in the “peripheries” of these cities. I highlight two probl...
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Universidade do Vale do Rio dos Sinos (UNISINOS)
2017
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oai:doaj.org-article:b85dc5170f4c4606be03c4c7ec651ca12021-11-11T15:42:01ZMercados musicais-dançantes e periferias: trajetórias individuais e de circuitos de diversão em Salvador e Maceió2177-6229https://doaj.org/article/b85dc5170f4c4606be03c4c7ec651ca12017-01-01T00:00:00Zhttp://www.redalyc.org/articulo.oa?id=93851195010https://doaj.org/toc/2177-6229From the trajectories of two characters – one from a musical scene – in Salvador and another from Maceió, I explore the course of differentiating their positions and, thus, I design aspects of the expansion of musical entertainment circuits in the “peripheries” of these cities. I highlight two problems: (i) the interpenetrations between repertoires of symbols and the functional differentiation of religious and diversion markets; and (ii) the relation between cultural agents and enterprises marked by power logics typical of illicit and highly criminalized markets in the space construction of symbolic struggles in the “peripheries”.Fernando de Jesus RodriguesUniversidade do Vale do Rio dos Sinos (UNISINOS)articlecultural marketsperipheriestrajectoriesSocial SciencesHSocial sciences (General)H1-99PTCiências Sociais Unisinos, Vol 53, Iss 1, Pp 86-99 (2017) |
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cultural markets peripheries trajectories Social Sciences H Social sciences (General) H1-99 |
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cultural markets peripheries trajectories Social Sciences H Social sciences (General) H1-99 Fernando de Jesus Rodrigues Mercados musicais-dançantes e periferias: trajetórias individuais e de circuitos de diversão em Salvador e Maceió |
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From the trajectories of two characters – one from a musical scene – in Salvador and another from Maceió, I explore the course of differentiating their positions and, thus, I design aspects of the expansion of musical entertainment circuits in the “peripheries” of these cities. I highlight two problems: (i) the interpenetrations between repertoires of symbols and the functional differentiation of religious and diversion markets; and (ii) the relation between cultural agents and enterprises marked by power logics typical of illicit and highly criminalized markets in the space construction of symbolic struggles in the “peripheries”. |
format |
article |
author |
Fernando de Jesus Rodrigues |
author_facet |
Fernando de Jesus Rodrigues |
author_sort |
Fernando de Jesus Rodrigues |
title |
Mercados musicais-dançantes e periferias: trajetórias individuais e de circuitos de diversão em Salvador e Maceió |
title_short |
Mercados musicais-dançantes e periferias: trajetórias individuais e de circuitos de diversão em Salvador e Maceió |
title_full |
Mercados musicais-dançantes e periferias: trajetórias individuais e de circuitos de diversão em Salvador e Maceió |
title_fullStr |
Mercados musicais-dançantes e periferias: trajetórias individuais e de circuitos de diversão em Salvador e Maceió |
title_full_unstemmed |
Mercados musicais-dançantes e periferias: trajetórias individuais e de circuitos de diversão em Salvador e Maceió |
title_sort |
mercados musicais-dançantes e periferias: trajetórias individuais e de circuitos de diversão em salvador e maceió |
publisher |
Universidade do Vale do Rio dos Sinos (UNISINOS) |
publishDate |
2017 |
url |
https://doaj.org/article/b85dc5170f4c4606be03c4c7ec651ca1 |
work_keys_str_mv |
AT fernandodejesusrodrigues mercadosmusicaisdancanteseperiferiastrajetoriasindividuaisedecircuitosdediversaoemsalvadoremaceio |
_version_ |
1718434111410929664 |