PUPUH KEKENDANGAN SEBAGAI IDENTITAS SEMAR PAGULINGAN SAIH LIMA PELIATAN

Semar Pagulingan Saih Lima (SPSL) is one kind of Balinese gamelan ensamble that still exist until now. In the village of Peliatan, there are three SPSL ensembles owned by Banjar Teges Kanginan, Tirta Sari group, and by individual. The SPSL repertoires in Peliatan were taught by three well-known arti...

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Autor principal:	I Gde Made Indra Sadguna
Formato:	article
Lenguaje:	ID
Publicado:	Institut Seni Indonesia Surakarta 2016
Materias:	Fine Arts N
Acceso en línea:	https://doaj.org/article/ba20a26d8cf9472e8f1bb1b262474502
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spelling	oai:doaj.org-article:ba20a26d8cf9472e8f1bb1b2624745022021-11-26T03:25:50ZPUPUH KEKENDANGAN SEBAGAI IDENTITAS SEMAR PAGULINGAN SAIH LIMA PELIATAN1412-41812685-287X10.33153/dewaruci.v7i1.971https://doaj.org/article/ba20a26d8cf9472e8f1bb1b2624745022016-01-01T00:00:00Zhttps://jurnal.isi-ska.ac.id/index.php/dewaruci/article/view/971https://doaj.org/toc/1412-4181https://doaj.org/toc/2685-287XSemar Pagulingan Saih Lima (SPSL) is one kind of Balinese gamelan ensamble that still exist until now. In the village of Peliatan, there are three SPSL ensembles owned by Banjar Teges Kanginan, Tirta Sari group, and by individual. The SPSL repertoires in Peliatan were taught by three well-known artists such as I Nyoman Lotring, I Made Lebah, and I Made Gerindem. The gamelan SPSL in Peliatan is well-known because of internal and external factors. The internal factors are the gamelan itself, the tuning system, musical techniques, the members musical ability, and the music repertoars. The external factor is caused by the strong and wide networking in the local, national, and international areas. From this research, there are 11 kinds of pupuh kekendangan and seven angsels that are found. The 11 kinds of pupuh kekendangan are: pupuh kendang wangsit, kekilitan, sesimbaran, Asta Windu, ecet-ecetan, ngunda, ngelog, gemulung, ngetog malpal, dan pupuh kekendangan pekaad. Meanwhile the seven angsels which are found are: angsel genep, angsel numpuk, angsel penyalit, angsel ngantet, angsel ngetog, angsel narik, dan angsel kado. The pupuh kekendangan and angsels are used within the petegak and dance of the SPSL repertoires and becomes an important factor as the idenity within the SPSL in Peliatan. Â Keywords: Semar Pagulingan Saih Lima, style, pupuh kekendangan, angselÂI Gde Made Indra SadgunaInstitut Seni Indonesia SurakartaarticleFine ArtsNIDDewa Ruci: Jurnal Pengkajian dan Penciptaan Seni, Vol 7, Iss 1 (2016)
institution	DOAJ
collection	DOAJ
language	ID
topic	Fine Arts N
spellingShingle	Fine Arts N I Gde Made Indra Sadguna PUPUH KEKENDANGAN SEBAGAI IDENTITAS SEMAR PAGULINGAN SAIH LIMA PELIATAN
description	Semar Pagulingan Saih Lima (SPSL) is one kind of Balinese gamelan ensamble that still exist until now. In the village of Peliatan, there are three SPSL ensembles owned by Banjar Teges Kanginan, Tirta Sari group, and by individual. The SPSL repertoires in Peliatan were taught by three well-known artists such as I Nyoman Lotring, I Made Lebah, and I Made Gerindem. The gamelan SPSL in Peliatan is well-known because of internal and external factors. The internal factors are the gamelan itself, the tuning system, musical techniques, the members musical ability, and the music repertoars. The external factor is caused by the strong and wide networking in the local, national, and international areas. From this research, there are 11 kinds of pupuh kekendangan and seven angsels that are found. The 11 kinds of pupuh kekendangan are: pupuh kendang wangsit, kekilitan, sesimbaran, Asta Windu, ecet-ecetan, ngunda, ngelog, gemulung, ngetog malpal, dan pupuh kekendangan pekaad. Meanwhile the seven angsels which are found are: angsel genep, angsel numpuk, angsel penyalit, angsel ngantet, angsel ngetog, angsel narik, dan angsel kado. The pupuh kekendangan and angsels are used within the petegak and dance of the SPSL repertoires and becomes an important factor as the idenity within the SPSL in Peliatan. Â Keywords: Semar Pagulingan Saih Lima, style, pupuh kekendangan, angselÂ
format	article
author	I Gde Made Indra Sadguna
author_facet	I Gde Made Indra Sadguna
author_sort	I Gde Made Indra Sadguna
title	PUPUH KEKENDANGAN SEBAGAI IDENTITAS SEMAR PAGULINGAN SAIH LIMA PELIATAN
title_short	PUPUH KEKENDANGAN SEBAGAI IDENTITAS SEMAR PAGULINGAN SAIH LIMA PELIATAN
title_full	PUPUH KEKENDANGAN SEBAGAI IDENTITAS SEMAR PAGULINGAN SAIH LIMA PELIATAN
title_fullStr	PUPUH KEKENDANGAN SEBAGAI IDENTITAS SEMAR PAGULINGAN SAIH LIMA PELIATAN
title_full_unstemmed	PUPUH KEKENDANGAN SEBAGAI IDENTITAS SEMAR PAGULINGAN SAIH LIMA PELIATAN
title_sort	pupuh kekendangan sebagai identitas semar pagulingan saih lima peliatan
publisher	Institut Seni Indonesia Surakarta
publishDate	2016
url	https://doaj.org/article/ba20a26d8cf9472e8f1bb1b262474502
work_keys_str_mv	AT igdemadeindrasadguna pupuhkekendangansebagaiidentitassemarpagulingansaihlimapeliatan
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PUPUH KEKENDANGAN SEBAGAI IDENTITAS SEMAR PAGULINGAN SAIH LIMA PELIATAN

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