La notion de génération et les rapports de domination dans l’écriture d’une histoire de l’art au Yémen

The notion of jîl (generation) as it emerges in published and unpublished texts of Yemeni visual artists offers a unique opportunity to question how art history is built in Yemen. By studying how artists illustrate, document, and inform a partially written art history in these documents, this articl...

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Autor principal:	Anahi Alviso-Marino
Formato:	article
Lenguaje:	EN FR
Publicado:	Université de Provence 2017
Materias:	Visual arts Yemen generation domination History of Africa DT1-3415 Social sciences (General) H1-99
Acceso en línea:	https://doaj.org/article/bbced212605e4bacb9a430bce0926f49
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id	oai:doaj.org-article:bbced212605e4bacb9a430bce0926f49
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spelling	oai:doaj.org-article:bbced212605e4bacb9a430bce0926f492021-12-02T10:06:23ZLa notion de génération et les rapports de domination dans l’écriture d’une histoire de l’art au Yémen0997-13272105-227110.4000/remmm.10113https://doaj.org/article/bbced212605e4bacb9a430bce0926f492017-12-01T00:00:00Zhttp://journals.openedition.org/remmm/10113https://doaj.org/toc/0997-1327https://doaj.org/toc/2105-2271The notion of jîl (generation) as it emerges in published and unpublished texts of Yemeni visual artists offers a unique opportunity to question how art history is built in Yemen. By studying how artists illustrate, document, and inform a partially written art history in these documents, this article analyzes this material, linking the process of individual objectification with the hierarchies and relations of domination that structure the socio-professional networks of artists. The first half of this article is dedicated to explaining a certain number of methodological questions that underlie the research and writing of art history in Yemen. The second part focuses on a collection of writings analyzing the notion of generation by studying and questioning the ways in which relations of domination are embedded into these sources. This approach aims to illustrate how the hierarchies that texts attempt to establish are observed in practice and how artists subsequently perform and reproduce them.Anahi Alviso-MarinoUniversité de ProvencearticleVisual artsYemengenerationdominationHistory of AfricaDT1-3415Social sciences (General)H1-99ENFRRevue des Mondes Musulmans et de la Méditerranée, Vol 142, p Vol. 142 (2017)
institution	DOAJ
collection	DOAJ
language	EN FR
topic	Visual arts Yemen generation domination History of Africa DT1-3415 Social sciences (General) H1-99
spellingShingle	Visual arts Yemen generation domination History of Africa DT1-3415 Social sciences (General) H1-99 Anahi Alviso-Marino La notion de génération et les rapports de domination dans l’écriture d’une histoire de l’art au Yémen
description	The notion of jîl (generation) as it emerges in published and unpublished texts of Yemeni visual artists offers a unique opportunity to question how art history is built in Yemen. By studying how artists illustrate, document, and inform a partially written art history in these documents, this article analyzes this material, linking the process of individual objectification with the hierarchies and relations of domination that structure the socio-professional networks of artists. The first half of this article is dedicated to explaining a certain number of methodological questions that underlie the research and writing of art history in Yemen. The second part focuses on a collection of writings analyzing the notion of generation by studying and questioning the ways in which relations of domination are embedded into these sources. This approach aims to illustrate how the hierarchies that texts attempt to establish are observed in practice and how artists subsequently perform and reproduce them.
format	article
author	Anahi Alviso-Marino
author_facet	Anahi Alviso-Marino
author_sort	Anahi Alviso-Marino
title	La notion de génération et les rapports de domination dans l’écriture d’une histoire de l’art au Yémen
title_short	La notion de génération et les rapports de domination dans l’écriture d’une histoire de l’art au Yémen
title_full	La notion de génération et les rapports de domination dans l’écriture d’une histoire de l’art au Yémen
title_fullStr	La notion de génération et les rapports de domination dans l’écriture d’une histoire de l’art au Yémen
title_full_unstemmed	La notion de génération et les rapports de domination dans l’écriture d’une histoire de l’art au Yémen
title_sort	la notion de génération et les rapports de domination dans l’écriture d’une histoire de l’art au yémen
publisher	Université de Provence
publishDate	2017
url	https://doaj.org/article/bbced212605e4bacb9a430bce0926f49
work_keys_str_mv	AT anahialvisomarino lanotiondegenerationetlesrapportsdedominationdanslecrituredunehistoiredelartauyemen
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La notion de génération et les rapports de domination dans l’écriture d’une histoire de l’art au Yémen

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