Regards sur la ligne. La frontière Mexique-États-Unis à travers l’objectif d’Elsa Medina et de Francisco Mata Rosas.

Based on the work of two Mexican photographers who started out as photojournalists in the nineteen-eighties, notably at La Jornada, this article questions the look directed at a border that has undergone great changes over the last 40 years. Elsa Medina was La Jornada’s correspondent in Tijuana towa...

Descripción completa

Guardado en:

Detalles Bibliográficos
Autor principal:	Marion Gautreau
Formato:	article
Lenguaje:	EN FR
Publicado:	Institut des Amériques 2021
Materias:	Wall US-Mexico Border Elsa Medina Francisco Mata Rosas Latin America. Spanish America F1201-3799 Social sciences (General) H1-99
Acceso en línea:	https://doaj.org/article/bc06a72243a146e0b97b799b96be5113
Etiquetas:	Agregar Etiqueta Sin Etiquetas, Sea el primero en etiquetar este registro!

id	oai:doaj.org-article:bc06a72243a146e0b97b799b96be5113
record_format	dspace
spelling	oai:doaj.org-article:bc06a72243a146e0b97b799b96be51132021-12-02T10:12:42ZRegards sur la ligne. La frontière Mexique-États-Unis à travers l’objectif d’Elsa Medina et de Francisco Mata Rosas.1950-570110.4000/ideas.11942https://doaj.org/article/bc06a72243a146e0b97b799b96be51132021-10-01T00:00:00Zhttp://journals.openedition.org/ideas/11942https://doaj.org/toc/1950-5701Based on the work of two Mexican photographers who started out as photojournalists in the nineteen-eighties, notably at La Jornada, this article questions the look directed at a border that has undergone great changes over the last 40 years. Elsa Medina was La Jornada’s correspondent in Tijuana towards the end of the 1990s. She photographed the Mexican North-West border for some twenty years, during her frequent trips to this border town. She pictures a line that has become vertical with time, through various US administrations that have built miles and miles of wall along the border. A few years ago, Francisco Mata Rosas undertook a long-term project entitled “La línea”, centered on the physical and human geography of this space, from West to East. He extended this project by taking photographs using cameras mounted on drones, highlighting the immensity of the physical scar that separated both countries today.Marion GautreauInstitut des AmériquesarticleWallUS-Mexico BorderElsa MedinaFrancisco Mata RosasLatin America. Spanish AmericaF1201-3799Social sciences (General)H1-99ENFRIdeAs : Idées d’Amériques, Vol 18 (2021)
institution	DOAJ
collection	DOAJ
language	EN FR
topic	Wall US-Mexico Border Elsa Medina Francisco Mata Rosas Latin America. Spanish America F1201-3799 Social sciences (General) H1-99
spellingShingle	Wall US-Mexico Border Elsa Medina Francisco Mata Rosas Latin America. Spanish America F1201-3799 Social sciences (General) H1-99 Marion Gautreau Regards sur la ligne. La frontière Mexique-États-Unis à travers l’objectif d’Elsa Medina et de Francisco Mata Rosas.
description	Based on the work of two Mexican photographers who started out as photojournalists in the nineteen-eighties, notably at La Jornada, this article questions the look directed at a border that has undergone great changes over the last 40 years. Elsa Medina was La Jornada’s correspondent in Tijuana towards the end of the 1990s. She photographed the Mexican North-West border for some twenty years, during her frequent trips to this border town. She pictures a line that has become vertical with time, through various US administrations that have built miles and miles of wall along the border. A few years ago, Francisco Mata Rosas undertook a long-term project entitled “La línea”, centered on the physical and human geography of this space, from West to East. He extended this project by taking photographs using cameras mounted on drones, highlighting the immensity of the physical scar that separated both countries today.
format	article
author	Marion Gautreau
author_facet	Marion Gautreau
author_sort	Marion Gautreau
title	Regards sur la ligne. La frontière Mexique-États-Unis à travers l’objectif d’Elsa Medina et de Francisco Mata Rosas.
title_short	Regards sur la ligne. La frontière Mexique-États-Unis à travers l’objectif d’Elsa Medina et de Francisco Mata Rosas.
title_full	Regards sur la ligne. La frontière Mexique-États-Unis à travers l’objectif d’Elsa Medina et de Francisco Mata Rosas.
title_fullStr	Regards sur la ligne. La frontière Mexique-États-Unis à travers l’objectif d’Elsa Medina et de Francisco Mata Rosas.
title_full_unstemmed	Regards sur la ligne. La frontière Mexique-États-Unis à travers l’objectif d’Elsa Medina et de Francisco Mata Rosas.
title_sort	regards sur la ligne. la frontière mexique-états-unis à travers l’objectif d’elsa medina et de francisco mata rosas.
publisher	Institut des Amériques
publishDate	2021
url	https://doaj.org/article/bc06a72243a146e0b97b799b96be5113
work_keys_str_mv	AT mariongautreau regardssurlalignelafrontieremexiqueetatsunisatraverslobjectifdelsamedinaetdefranciscomatarosas
_version_	1718397531169226752

Regards sur la ligne. La frontière Mexique-États-Unis à travers l’objectif d’Elsa Medina et de Francisco Mata Rosas.

Ejemplares similares