Lacanian Implications of Departures in Zemeckis’s Beowulf from Beowulf, the Old English Epic
Although Robert Zemeckis’s film Beowulf (2007) is a re-writing of the Old English epic Beowulf with a shifting of perspective, certain details in the film can only be understood by referring to the poem. That is, a better understanding of the film is tied closely to an awareness of certain narrative...
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| Formato: | article |
| Lenguaje: | EN |
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Lodz University Press
2021
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| Acceso en línea: | https://doaj.org/article/bc3ef4a4755748529b4401b922d62863 |
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