Festivals de cinéma dans le monde arabe
While the two major “historical” film festivals in the Arab World - Cartago and Cairo -, have been declining, other film festivals have emerged in the area since 2000. Leading the way is Morocco, in spite of the contrast between the glamorous Marrakech festival and a swarm of minor events. In the Em...
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Université de Provence
2013
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oai:doaj.org-article:bc488b4b688b49748bac9970af0f56a32021-12-02T10:06:54ZFestivals de cinéma dans le monde arabe0997-13272105-227110.4000/remmm.8184https://doaj.org/article/bc488b4b688b49748bac9970af0f56a32013-12-01T00:00:00Zhttp://journals.openedition.org/remmm/8184https://doaj.org/toc/0997-1327https://doaj.org/toc/2105-2271While the two major “historical” film festivals in the Arab World - Cartago and Cairo -, have been declining, other film festivals have emerged in the area since 2000. Leading the way is Morocco, in spite of the contrast between the glamorous Marrakech festival and a swarm of minor events. In the Emirates, the large number of festivals reflects a self promotion strategy rather than a cultural development policy. As they compete between themselves, they become less attractive. In other countries, there is a feeling of dispersion due to a wide range of situations. Yet, the proliferation of festivals (around one hundred in the region) ends up creating a global effect, beyond individual goals, means and limits. Though enshrined in local or national roots, the festival phenomenon engenders on a wider scale generational, and financial networks, expertise procedure, interrelational process, and geographical thematic connections as well as connections between other arts and medias.Jean-Michel FrodonUniversité de ProvencearticleFestivaleventnetworkpublic policyprestigecommunicationHistory of AfricaDT1-3415Social sciences (General)H1-99ENFRRevue des Mondes Musulmans et de la Méditerranée, Vol 134, Pp 29-39 (2013) |
| institution |
DOAJ |
| collection |
DOAJ |
| language |
EN FR |
| topic |
Festival event network public policy prestige communication History of Africa DT1-3415 Social sciences (General) H1-99 |
| spellingShingle |
Festival event network public policy prestige communication History of Africa DT1-3415 Social sciences (General) H1-99 Jean-Michel Frodon Festivals de cinéma dans le monde arabe |
| description |
While the two major “historical” film festivals in the Arab World - Cartago and Cairo -, have been declining, other film festivals have emerged in the area since 2000. Leading the way is Morocco, in spite of the contrast between the glamorous Marrakech festival and a swarm of minor events. In the Emirates, the large number of festivals reflects a self promotion strategy rather than a cultural development policy. As they compete between themselves, they become less attractive. In other countries, there is a feeling of dispersion due to a wide range of situations. Yet, the proliferation of festivals (around one hundred in the region) ends up creating a global effect, beyond individual goals, means and limits. Though enshrined in local or national roots, the festival phenomenon engenders on a wider scale generational, and financial networks, expertise procedure, interrelational process, and geographical thematic connections as well as connections between other arts and medias. |
| format |
article |
| author |
Jean-Michel Frodon |
| author_facet |
Jean-Michel Frodon |
| author_sort |
Jean-Michel Frodon |
| title |
Festivals de cinéma dans le monde arabe |
| title_short |
Festivals de cinéma dans le monde arabe |
| title_full |
Festivals de cinéma dans le monde arabe |
| title_fullStr |
Festivals de cinéma dans le monde arabe |
| title_full_unstemmed |
Festivals de cinéma dans le monde arabe |
| title_sort |
festivals de cinéma dans le monde arabe |
| publisher |
Université de Provence |
| publishDate |
2013 |
| url |
https://doaj.org/article/bc488b4b688b49748bac9970af0f56a3 |
| work_keys_str_mv |
AT jeanmichelfrodon festivalsdecinemadanslemondearabe |
| _version_ |
1718397653019000832 |