Héros, sauveur, homme du peuple ? La création et contestation des premiers masques théâtraux de Bonaparte sous le Directoire

Combining archival research, reviews in the press, and scholarship on the Napoleonic legend, this article analyses five waves of plays that were linked to Bonaparte from 1797 to the coup of 18 Brumaire to give the first proper study of the creation and contestation of Bonaparte’s theatrical masks du...

Descripción completa

Guardado en:

Detalles Bibliográficos
Autor principal:	Clare Siviter
Formato:	article
Lenguaje:	FR
Publicado:	Seminario di filologia francese 2021
Materias:	Napoleon Directory theatre censorship propaganda French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999
Acceso en línea:	https://doaj.org/article/bcde2d5e3a484b6e8953ec1777a612d7
Etiquetas:	Agregar Etiqueta Sin Etiquetas, Sea el primero en etiquetar este registro!

id	oai:doaj.org-article:bcde2d5e3a484b6e8953ec1777a612d7
record_format	dspace
spelling	oai:doaj.org-article:bcde2d5e3a484b6e8953ec1777a612d72021-12-02T10:08:36ZHéros, sauveur, homme du peuple ? La création et contestation des premiers masques théâtraux de Bonaparte sous le Directoire2240-745610.4000/rief.8568https://doaj.org/article/bcde2d5e3a484b6e8953ec1777a612d72021-11-01T00:00:00Zhttp://journals.openedition.org/rief/8568https://doaj.org/toc/2240-7456Combining archival research, reviews in the press, and scholarship on the Napoleonic legend, this article analyses five waves of plays that were linked to Bonaparte from 1797 to the coup of 18 Brumaire to give the first proper study of the creation and contestation of Bonaparte’s theatrical masks during this transformative period. In so doing, it shows the how circumstantial plays slotted Bonaparte into a longer theatrical heritage; the development of his association in the theatre with the Italian and Egyptian campaigns, associations that would be emphasized during the Consulate and Empire, and then after Napoleon’s fall in 1815 for the Napoleonic legend; and how these theatrical masks were feared and tailored by the state, a practice that also continued well beyond 18 Brumaire and well into the nineteenth century.Clare SiviterSeminario di filologia francesearticleNapoleonDirectorytheatrecensorshippropagandaFrench literature - Italian literature - Spanish literature - Portuguese literaturePQ1-3999FRRevue Italienne d'Etudes Françaises, Vol 11 (2021)
institution	DOAJ
collection	DOAJ
language	FR
topic	Napoleon Directory theatre censorship propaganda French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999
spellingShingle	Napoleon Directory theatre censorship propaganda French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 Clare Siviter Héros, sauveur, homme du peuple ? La création et contestation des premiers masques théâtraux de Bonaparte sous le Directoire
description	Combining archival research, reviews in the press, and scholarship on the Napoleonic legend, this article analyses five waves of plays that were linked to Bonaparte from 1797 to the coup of 18 Brumaire to give the first proper study of the creation and contestation of Bonaparte’s theatrical masks during this transformative period. In so doing, it shows the how circumstantial plays slotted Bonaparte into a longer theatrical heritage; the development of his association in the theatre with the Italian and Egyptian campaigns, associations that would be emphasized during the Consulate and Empire, and then after Napoleon’s fall in 1815 for the Napoleonic legend; and how these theatrical masks were feared and tailored by the state, a practice that also continued well beyond 18 Brumaire and well into the nineteenth century.
format	article
author	Clare Siviter
author_facet	Clare Siviter
author_sort	Clare Siviter
title	Héros, sauveur, homme du peuple ? La création et contestation des premiers masques théâtraux de Bonaparte sous le Directoire
title_short	Héros, sauveur, homme du peuple ? La création et contestation des premiers masques théâtraux de Bonaparte sous le Directoire
title_full	Héros, sauveur, homme du peuple ? La création et contestation des premiers masques théâtraux de Bonaparte sous le Directoire
title_fullStr	Héros, sauveur, homme du peuple ? La création et contestation des premiers masques théâtraux de Bonaparte sous le Directoire
title_full_unstemmed	Héros, sauveur, homme du peuple ? La création et contestation des premiers masques théâtraux de Bonaparte sous le Directoire
title_sort	héros, sauveur, homme du peuple ? la création et contestation des premiers masques théâtraux de bonaparte sous le directoire
publisher	Seminario di filologia francese
publishDate	2021
url	https://doaj.org/article/bcde2d5e3a484b6e8953ec1777a612d7
work_keys_str_mv	AT claresiviter herossauveurhommedupeuplelacreationetcontestationdespremiersmasquestheatrauxdebonapartesousledirectoire
_version_	1718397596015263744

Héros, sauveur, homme du peuple ? La création et contestation des premiers masques théâtraux de Bonaparte sous le Directoire

Ejemplares similares