Aporte a las memorias desde las experiencias de dos documentales subjetivos santafesinos

The Argentinian documentary film shows in its production the irruption of the director through the body, voice or a delegate actor, the presence of subjectivity that started to be observed in many pieces all over the country and also from different origins. These documentaries construct memories fro...

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Autor principal:	Lidia G. Acuña
Formato:	article
Lenguaje:	EN FR PT
Publicado:	Centre de Recherches sur les Mondes Américains 2012
Materias:	autobiography cinéma documentary memory Santa Fe Anthropology GN1-890 Latin America. Spanish America F1201-3799
Acceso en línea:	https://doaj.org/article/bd63ed49cebc4e8787e77aee4e4e7f50
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id	oai:doaj.org-article:bd63ed49cebc4e8787e77aee4e4e7f50
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spelling	oai:doaj.org-article:bd63ed49cebc4e8787e77aee4e4e7f502021-12-02T10:38:33ZAporte a las memorias desde las experiencias de dos documentales subjetivos santafesinos1626-025210.4000/nuevomundo.62588https://doaj.org/article/bd63ed49cebc4e8787e77aee4e4e7f502012-01-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/62588https://doaj.org/toc/1626-0252The Argentinian documentary film shows in its production the irruption of the director through the body, voice or a delegate actor, the presence of subjectivity that started to be observed in many pieces all over the country and also from different origins. These documentaries construct memories from new representations that enrich the autobiographical genre. These characteristics or different variations, in which the author subjectivity can be seen, will be approached through the analysis of two productions from Santa Fe: Un tal Ragone (deconstruyendo a pa), (Vanesa Ragone, 2002) y Madres con ruedas (Mario Piazza y Mónica Chirife, 2006). Thus, in our article, from the point of view of Cultural Studies, we find harmony and counterpoints between these productions, which show different ways of questioning and construing stories. These provide individual memories that become collective through the documentaries. These approaches have resulted in a broad utilization of different representation strategies for a task that in essence proves to be similar: recovery and reformulation of identity and history shifted from the public or private debate.Lidia G. AcuñaCentre de Recherches sur les Mondes AméricainsarticleautobiographycinémadocumentarymemorySanta FeAnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2012)
institution	DOAJ
collection	DOAJ
language	EN FR PT
topic	autobiography cinéma documentary memory Santa Fe Anthropology GN1-890 Latin America. Spanish America F1201-3799
spellingShingle	autobiography cinéma documentary memory Santa Fe Anthropology GN1-890 Latin America. Spanish America F1201-3799 Lidia G. Acuña Aporte a las memorias desde las experiencias de dos documentales subjetivos santafesinos
description	The Argentinian documentary film shows in its production the irruption of the director through the body, voice or a delegate actor, the presence of subjectivity that started to be observed in many pieces all over the country and also from different origins. These documentaries construct memories from new representations that enrich the autobiographical genre. These characteristics or different variations, in which the author subjectivity can be seen, will be approached through the analysis of two productions from Santa Fe: Un tal Ragone (deconstruyendo a pa), (Vanesa Ragone, 2002) y Madres con ruedas (Mario Piazza y Mónica Chirife, 2006). Thus, in our article, from the point of view of Cultural Studies, we find harmony and counterpoints between these productions, which show different ways of questioning and construing stories. These provide individual memories that become collective through the documentaries. These approaches have resulted in a broad utilization of different representation strategies for a task that in essence proves to be similar: recovery and reformulation of identity and history shifted from the public or private debate.
format	article
author	Lidia G. Acuña
author_facet	Lidia G. Acuña
author_sort	Lidia G. Acuña
title	Aporte a las memorias desde las experiencias de dos documentales subjetivos santafesinos
title_short	Aporte a las memorias desde las experiencias de dos documentales subjetivos santafesinos
title_full	Aporte a las memorias desde las experiencias de dos documentales subjetivos santafesinos
title_fullStr	Aporte a las memorias desde las experiencias de dos documentales subjetivos santafesinos
title_full_unstemmed	Aporte a las memorias desde las experiencias de dos documentales subjetivos santafesinos
title_sort	aporte a las memorias desde las experiencias de dos documentales subjetivos santafesinos
publisher	Centre de Recherches sur les Mondes Américains
publishDate	2012
url	https://doaj.org/article/bd63ed49cebc4e8787e77aee4e4e7f50
work_keys_str_mv	AT lidiagacuna aportealasmemoriasdesdelasexperienciasdedosdocumentalessubjetivossantafesinos
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Aporte a las memorias desde las experiencias de dos documentales subjetivos santafesinos

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