“Scottish Question” and Its New Cultural Meanings in “Culture Capitalism” by Alasdair Gray

An interpretation of the story “Culture Capitalism”, placed in the authoritative anthology “Every Short Story: from 1951 to 2012” of the classic of Scottish literature Alasdair Gray, in the context of the original interpretation by the patriotic writer of the “Scottish question «is offered in the ar...

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Autor principal:	E. A. Martynenko
Formato:	article
Lenguaje:	RU
Publicado:	Tsentr nauchnykh i obrazovatelnykh proektov 2021
Materias:	cultural capitalism postcolonialism national allegories scottish literature alasdair gray Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/bda7f9b4494e47d3829e1b824857bac8
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id	oai:doaj.org-article:bda7f9b4494e47d3829e1b824857bac8
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spelling	oai:doaj.org-article:bda7f9b4494e47d3829e1b824857bac82021-12-02T07:58:15Z“Scottish Question” and Its New Cultural Meanings in “Culture Capitalism” by Alasdair Gray2225-756X2227-129510.24224/2227-1295-2021-9-165-180https://doaj.org/article/bda7f9b4494e47d3829e1b824857bac82021-09-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/3156https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295An interpretation of the story “Culture Capitalism”, placed in the authoritative anthology “Every Short Story: from 1951 to 2012” of the classic of Scottish literature Alasdair Gray, in the context of the original interpretation by the patriotic writer of the “Scottish question «is offered in the article. It is noted that the problems of the story, written in 1990, are closely related to the establishment in the same year of the status of Glasgow as a cultural capital. Gray’s doubt about the declared cultural messages is analyzed through the prism of the concepts of P. Bourdieu and S. Žižek. It is proved that certain plots and images indicate the development in Gray’s work of ideas close to researchers of postcolonial literature, and in particular the idea of “internal colonization" of Scotland. An interpretation of a number of images that have an allegorical meaning in the light of criticism of English cultural, political and economic hegemony is offered in the article. In addition, based on the ideas of J. Homberg-Schramm about the nature of the nation’s ideas about its gender, class and linguistic identity, the author considers the representation of national auto-stereotypes and their consistent revision. The author concludes that Alasdair Gray sees the possible peaceful coexistence of England and Scotland beyond the boundaries of the model of exploitative colonialism.E. A. MartynenkoTsentr nauchnykh i obrazovatelnykh proektovarticlecultural capitalismpostcolonialismnational allegoriesscottish literaturealasdair graySlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 9, Pp 165-180 (2021)
institution	DOAJ
collection	DOAJ
language	RU
topic	cultural capitalism postcolonialism national allegories scottish literature alasdair gray Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	cultural capitalism postcolonialism national allegories scottish literature alasdair gray Slavic languages. Baltic languages. Albanian languages PG1-9665 E. A. Martynenko “Scottish Question” and Its New Cultural Meanings in “Culture Capitalism” by Alasdair Gray
description	An interpretation of the story “Culture Capitalism”, placed in the authoritative anthology “Every Short Story: from 1951 to 2012” of the classic of Scottish literature Alasdair Gray, in the context of the original interpretation by the patriotic writer of the “Scottish question «is offered in the article. It is noted that the problems of the story, written in 1990, are closely related to the establishment in the same year of the status of Glasgow as a cultural capital. Gray’s doubt about the declared cultural messages is analyzed through the prism of the concepts of P. Bourdieu and S. Žižek. It is proved that certain plots and images indicate the development in Gray’s work of ideas close to researchers of postcolonial literature, and in particular the idea of “internal colonization" of Scotland. An interpretation of a number of images that have an allegorical meaning in the light of criticism of English cultural, political and economic hegemony is offered in the article. In addition, based on the ideas of J. Homberg-Schramm about the nature of the nation’s ideas about its gender, class and linguistic identity, the author considers the representation of national auto-stereotypes and their consistent revision. The author concludes that Alasdair Gray sees the possible peaceful coexistence of England and Scotland beyond the boundaries of the model of exploitative colonialism.
format	article
author	E. A. Martynenko
author_facet	E. A. Martynenko
author_sort	E. A. Martynenko
title	“Scottish Question” and Its New Cultural Meanings in “Culture Capitalism” by Alasdair Gray
title_short	“Scottish Question” and Its New Cultural Meanings in “Culture Capitalism” by Alasdair Gray
title_full	“Scottish Question” and Its New Cultural Meanings in “Culture Capitalism” by Alasdair Gray
title_fullStr	“Scottish Question” and Its New Cultural Meanings in “Culture Capitalism” by Alasdair Gray
title_full_unstemmed	“Scottish Question” and Its New Cultural Meanings in “Culture Capitalism” by Alasdair Gray
title_sort	“scottish question” and its new cultural meanings in “culture capitalism” by alasdair gray
publisher	Tsentr nauchnykh i obrazovatelnykh proektov
publishDate	2021
url	https://doaj.org/article/bda7f9b4494e47d3829e1b824857bac8
work_keys_str_mv	AT eamartynenko scottishquestionanditsnewculturalmeaningsinculturecapitalismbyalasdairgray
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“Scottish Question” and Its New Cultural Meanings in “Culture Capitalism” by Alasdair Gray

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