Estética post-humana en la obra gráfica de Claudio Romo

This paper considers the graphic work of the Chilean artist Claudio Romo from a post-human perspective. Romo's work realizes an opening of imaginaries, above all, new configurations of human being, in order to reconsider the boundaries of human nature and propose a new humanism in relation to...

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Autor principal: Claire Mercier
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Publicado: Università degli Studi di Milano 2021
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Acceso en línea:https://doaj.org/article/bde3eccee0154c24a61ad413c4a753e1
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spelling oai:doaj.org-article:bde3eccee0154c24a61ad413c4a753e12021-11-30T09:18:52ZEstética post-humana en la obra gráfica de Claudio Romo10.54103/2035-7680/168052035-7680https://doaj.org/article/bde3eccee0154c24a61ad413c4a753e12021-11-01T00:00:00Zhttps://riviste.unimi.it/index.php/AMonline/article/view/16805https://doaj.org/toc/2035-7680 This paper considers the graphic work of the Chilean artist Claudio Romo from a post-human perspective. Romo's work realizes an opening of imaginaries, above all, new configurations of human being, in order to reconsider the boundaries of human nature and propose a new humanism in relation to a new understanding of modernity. After a theoretical tour of post-humanism, especially of Rosi Braidotti's philosophical nomadism, the paper will approach the post-human bestiary that elaborates Romo, on the one hand, as a questioning of access to empirical realities and, on the other hand, as a presentation of potential life forms. The paper will conclude on the presence, in Romo’s work, of a new affirmative humanism, that is, the experimentation of new modes of subjectivization, as well as the approach of new modes of knowledge. Claire MercierUniversità degli Studi di MilanoarticleClaudio Romo; graphic work; post-humanism; modernity; bestiaryLanguage and LiteraturePLiterature (General)PN1-6790ENESFRITAltre Modernità, Iss 26 (2021)
institution DOAJ
collection DOAJ
language EN
ES
FR
IT
topic Claudio Romo; graphic work; post-humanism; modernity; bestiary
Language and Literature
P
Literature (General)
PN1-6790
spellingShingle Claudio Romo; graphic work; post-humanism; modernity; bestiary
Language and Literature
P
Literature (General)
PN1-6790
Claire Mercier
Estética post-humana en la obra gráfica de Claudio Romo
description This paper considers the graphic work of the Chilean artist Claudio Romo from a post-human perspective. Romo's work realizes an opening of imaginaries, above all, new configurations of human being, in order to reconsider the boundaries of human nature and propose a new humanism in relation to a new understanding of modernity. After a theoretical tour of post-humanism, especially of Rosi Braidotti's philosophical nomadism, the paper will approach the post-human bestiary that elaborates Romo, on the one hand, as a questioning of access to empirical realities and, on the other hand, as a presentation of potential life forms. The paper will conclude on the presence, in Romo’s work, of a new affirmative humanism, that is, the experimentation of new modes of subjectivization, as well as the approach of new modes of knowledge.
format article
author Claire Mercier
author_facet Claire Mercier
author_sort Claire Mercier
title Estética post-humana en la obra gráfica de Claudio Romo
title_short Estética post-humana en la obra gráfica de Claudio Romo
title_full Estética post-humana en la obra gráfica de Claudio Romo
title_fullStr Estética post-humana en la obra gráfica de Claudio Romo
title_full_unstemmed Estética post-humana en la obra gráfica de Claudio Romo
title_sort estética post-humana en la obra gráfica de claudio romo
publisher Università degli Studi di Milano
publishDate 2021
url https://doaj.org/article/bde3eccee0154c24a61ad413c4a753e1
work_keys_str_mv AT clairemercier esteticaposthumanaenlaobragraficadeclaudioromo
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