Estética post-humana en la obra gráfica de Claudio Romo
This paper considers the graphic work of the Chilean artist Claudio Romo from a post-human perspective. Romo's work realizes an opening of imaginaries, above all, new configurations of human being, in order to reconsider the boundaries of human nature and propose a new humanism in relation to...
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Università degli Studi di Milano
2021
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oai:doaj.org-article:bde3eccee0154c24a61ad413c4a753e12021-11-30T09:18:52ZEstética post-humana en la obra gráfica de Claudio Romo10.54103/2035-7680/168052035-7680https://doaj.org/article/bde3eccee0154c24a61ad413c4a753e12021-11-01T00:00:00Zhttps://riviste.unimi.it/index.php/AMonline/article/view/16805https://doaj.org/toc/2035-7680 This paper considers the graphic work of the Chilean artist Claudio Romo from a post-human perspective. Romo's work realizes an opening of imaginaries, above all, new configurations of human being, in order to reconsider the boundaries of human nature and propose a new humanism in relation to a new understanding of modernity. After a theoretical tour of post-humanism, especially of Rosi Braidotti's philosophical nomadism, the paper will approach the post-human bestiary that elaborates Romo, on the one hand, as a questioning of access to empirical realities and, on the other hand, as a presentation of potential life forms. The paper will conclude on the presence, in Romo’s work, of a new affirmative humanism, that is, the experimentation of new modes of subjectivization, as well as the approach of new modes of knowledge. Claire MercierUniversità degli Studi di MilanoarticleClaudio Romo; graphic work; post-humanism; modernity; bestiaryLanguage and LiteraturePLiterature (General)PN1-6790ENESFRITAltre Modernità, Iss 26 (2021) |
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Claudio Romo; graphic work; post-humanism; modernity; bestiary Language and Literature P Literature (General) PN1-6790 |
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Claudio Romo; graphic work; post-humanism; modernity; bestiary Language and Literature P Literature (General) PN1-6790 Claire Mercier Estética post-humana en la obra gráfica de Claudio Romo |
description |
This paper considers the graphic work of the Chilean artist Claudio Romo from a post-human perspective. Romo's work realizes an opening of imaginaries, above all, new configurations of human being, in order to reconsider the boundaries of human nature and propose a new humanism in relation to a new understanding of modernity. After a theoretical tour of post-humanism, especially of Rosi Braidotti's philosophical nomadism, the paper will approach the post-human bestiary that elaborates Romo, on the one hand, as a questioning of access to empirical realities and, on the other hand, as a presentation of potential life forms. The paper will conclude on the presence, in Romo’s work, of a new affirmative humanism, that is, the experimentation of new modes of subjectivization, as well as the approach of new modes of knowledge.
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format |
article |
author |
Claire Mercier |
author_facet |
Claire Mercier |
author_sort |
Claire Mercier |
title |
Estética post-humana en la obra gráfica de Claudio Romo |
title_short |
Estética post-humana en la obra gráfica de Claudio Romo |
title_full |
Estética post-humana en la obra gráfica de Claudio Romo |
title_fullStr |
Estética post-humana en la obra gráfica de Claudio Romo |
title_full_unstemmed |
Estética post-humana en la obra gráfica de Claudio Romo |
title_sort |
estética post-humana en la obra gráfica de claudio romo |
publisher |
Università degli Studi di Milano |
publishDate |
2021 |
url |
https://doaj.org/article/bde3eccee0154c24a61ad413c4a753e1 |
work_keys_str_mv |
AT clairemercier esteticaposthumanaenlaobragraficadeclaudioromo |
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1718406706292064256 |