A METODOLOGIA PHOTOVOICE COMO ARQUEOLOGIA DE OLHARES E SABERES INVISIBILIZADOS

This article aims to present theoretical and analytical contributions of how photography can be a methodology for the cultural “translation process”, related to the epistemological scope of the sociology of absences, proposed by the sociologist Boaventurade Sousa Santos and, as a consequence,...

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Autor principal: Maria Alice Nunes Costa
Formato: article
Lenguaje:EN
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PT
Publicado: TRF2 2020
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Acceso en línea:https://doi.org/10.30749/2594-8261.v4n3p36-56
https://doaj.org/article/be5d1851ef2f41519ba810a6cd036751
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spelling oai:doaj.org-article:be5d1851ef2f41519ba810a6cd0367512021-12-02T14:12:17ZA METODOLOGIA PHOTOVOICE COMO ARQUEOLOGIA DE OLHARES E SABERES INVISIBILIZADOShttps://doi.org/10.30749/2594-8261.v4n3p36-562595-67282594-8261https://doaj.org/article/be5d1851ef2f41519ba810a6cd0367512020-12-01T00:00:00Zhttp://lexcultccjf.trf2.jus.br/index.php/LexCult/article/view/377https://doaj.org/toc/2595-6728https://doaj.org/toc/2594-8261This article aims to present theoretical and analytical contributions of how photography can be a methodology for the cultural “translation process”, related to the epistemological scope of the sociology of absences, proposed by the sociologist Boaventurade Sousa Santos and, as a consequence, expand the photovoice methodology, created by Wang and Burris (1997). It is intended to expand the referred methodology making it more robust in the research field, by analyzing photography as a subjective expression, in a transdisciplinary way, from inflections connected with the epistemology of semiotics, of the “indiciary paradigm, as well as through the concepts of the "optical unconscious", the "indiciary paradigm" and the "photography-expression", so that they can collaborate to strengthen the methodological of dialogical practices and photography in the field of action researchMaria Alice Nunes CostaTRF2articlephotovoice methodologyvisual communicationecology of knowledgephotographydialogueEducationLLawKENESPTLexCult, Vol 4, Iss 3, Pp 36-56 (2020)
institution DOAJ
collection DOAJ
language EN
ES
PT
topic photovoice methodology
visual communication
ecology of knowledge
photography
dialogue
Education
L
Law
K
spellingShingle photovoice methodology
visual communication
ecology of knowledge
photography
dialogue
Education
L
Law
K
Maria Alice Nunes Costa
A METODOLOGIA PHOTOVOICE COMO ARQUEOLOGIA DE OLHARES E SABERES INVISIBILIZADOS
description This article aims to present theoretical and analytical contributions of how photography can be a methodology for the cultural “translation process”, related to the epistemological scope of the sociology of absences, proposed by the sociologist Boaventurade Sousa Santos and, as a consequence, expand the photovoice methodology, created by Wang and Burris (1997). It is intended to expand the referred methodology making it more robust in the research field, by analyzing photography as a subjective expression, in a transdisciplinary way, from inflections connected with the epistemology of semiotics, of the “indiciary paradigm, as well as through the concepts of the "optical unconscious", the "indiciary paradigm" and the "photography-expression", so that they can collaborate to strengthen the methodological of dialogical practices and photography in the field of action research
format article
author Maria Alice Nunes Costa
author_facet Maria Alice Nunes Costa
author_sort Maria Alice Nunes Costa
title A METODOLOGIA PHOTOVOICE COMO ARQUEOLOGIA DE OLHARES E SABERES INVISIBILIZADOS
title_short A METODOLOGIA PHOTOVOICE COMO ARQUEOLOGIA DE OLHARES E SABERES INVISIBILIZADOS
title_full A METODOLOGIA PHOTOVOICE COMO ARQUEOLOGIA DE OLHARES E SABERES INVISIBILIZADOS
title_fullStr A METODOLOGIA PHOTOVOICE COMO ARQUEOLOGIA DE OLHARES E SABERES INVISIBILIZADOS
title_full_unstemmed A METODOLOGIA PHOTOVOICE COMO ARQUEOLOGIA DE OLHARES E SABERES INVISIBILIZADOS
title_sort metodologia photovoice como arqueologia de olhares e saberes invisibilizados
publisher TRF2
publishDate 2020
url https://doi.org/10.30749/2594-8261.v4n3p36-56
https://doaj.org/article/be5d1851ef2f41519ba810a6cd036751
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AT mariaalicenunescosta metodologiaphotovoicecomoarqueologiadeolharesesaberesinvisibilizados
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