Anguish in Crime and Punishment
This article treats Dostoevskian toska, or spiritual anguish, as one of the moral emotions that links Raskolnikov and Sonya. Raskolnikov experiences an objectless anguish, whereas Sonya’s anguish is linked to her family. In Part Two of the Epilogue, however, Raskolnikov’s anguish takes Sonya for its...
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Russian Academy of Sciences. A.M. Gorky Institute of World Literature
2018
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oai:doaj.org-article:bec041e9dc6e4dc0a25b90a5ecc926262021-12-02T19:42:32ZAnguish in Crime and Punishment10.22455/2619-0311-2018-1-59-682619-03112712-8512https://doaj.org/article/bec041e9dc6e4dc0a25b90a5ecc926262018-06-01T00:00:00Zhttp://dostmirkult.ru/images/DOCT_2018-1a-59-68.pdfhttps://doaj.org/toc/2619-0311https://doaj.org/toc/2712-8512This article treats Dostoevskian toska, or spiritual anguish, as one of the moral emotions that links Raskolnikov and Sonya. Raskolnikov experiences an objectless anguish, whereas Sonya’s anguish is linked to her family. In Part Two of the Epilogue, however, Raskolnikov’s anguish takes Sonya for its object, a transformation that not only signals the healing of his divided self but also reinforces the novel’s message of love and faith.Deborah A. MartinsenRussian Academy of Sciences. A.M. Gorky Institute of World Literaturearticletoska / тоскатосковатьanguishmoral emotionsinterconnectionSlavic languages. Baltic languages. Albanian languagesPG1-9665ENRUДостоевский и мировая культура: Филологический журнал, Iss 1, Pp 59-68 (2018) |
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DOAJ |
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DOAJ |
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EN RU |
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toska / тоска тосковать anguish moral emotions interconnection Slavic languages. Baltic languages. Albanian languages PG1-9665 |
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toska / тоска тосковать anguish moral emotions interconnection Slavic languages. Baltic languages. Albanian languages PG1-9665 Deborah A. Martinsen Anguish in Crime and Punishment |
| description |
This article treats Dostoevskian toska, or spiritual anguish, as one of the moral emotions that links Raskolnikov and Sonya. Raskolnikov experiences an objectless anguish, whereas Sonya’s anguish is linked to her family. In Part Two of the Epilogue, however, Raskolnikov’s anguish takes Sonya for its object, a transformation that not only signals the healing of his divided self but also reinforces the novel’s message of love and faith. |
| format |
article |
| author |
Deborah A. Martinsen |
| author_facet |
Deborah A. Martinsen |
| author_sort |
Deborah A. Martinsen |
| title |
Anguish in Crime and Punishment |
| title_short |
Anguish in Crime and Punishment |
| title_full |
Anguish in Crime and Punishment |
| title_fullStr |
Anguish in Crime and Punishment |
| title_full_unstemmed |
Anguish in Crime and Punishment |
| title_sort |
anguish in crime and punishment |
| publisher |
Russian Academy of Sciences. A.M. Gorky Institute of World Literature |
| publishDate |
2018 |
| url |
https://doaj.org/article/bec041e9dc6e4dc0a25b90a5ecc92626 |
| work_keys_str_mv |
AT deborahamartinsen anguishincrimeandpunishment |
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1718376106598334464 |