The Classical Music Culture of South India

The paper sketches briefly the cultural and political context against which one may study the classical South Indian concert called the Kutcheri. It goes on to trace the development of the modern concert and then concentrates on the devotional poetry of Tyagaraja who is the foremost composer in the...

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Autor principal:	Mohan Ramanan
Formato:	article
Lenguaje:	EN ES
Publicado:	Universitat Autònoma de Barcelona 2014
Materias:	Kutcheri; Bharatanatyam; National discourse; Bhakti (devotion); Tyagaraja’s songs General Works A
Acceso en línea:	https://doaj.org/article/bf6e0559e66a4189952dd163b5443662
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spelling	oai:doaj.org-article:bf6e0559e66a4189952dd163b54436622021-12-02T06:52:04ZThe Classical Music Culture of South India2339-85232339-8523https://doaj.org/article/bf6e0559e66a4189952dd163b54436622014-04-01T00:00:00Zhttp://revistes.uab.cat/indialogs/article/view/v1-ramanan/pdfhttps://doaj.org/toc/2339-8523https://doaj.org/toc/2339-8523The paper sketches briefly the cultural and political context against which one may study the classical South Indian concert called the Kutcheri. It goes on to trace the development of the modern concert and then concentrates on the devotional poetry of Tyagaraja who is the foremost composer in the tradition. The paper demonstrates the centrality of Bhakti (devotion) as an emotion and its role in creating a link between the composer, the singer, the song and the audience.Mohan RamananUniversitat Autònoma de BarcelonaarticleKutcheri; Bharatanatyam; National discourse; Bhakti (devotion); Tyagaraja’s songsGeneral WorksAENESIndialogs: Spanish Journal of India Studies, Vol 1, Pp 134-145 (2014)
institution	DOAJ
collection	DOAJ
language	EN ES
topic	Kutcheri; Bharatanatyam; National discourse; Bhakti (devotion); Tyagaraja’s songs General Works A
spellingShingle	Kutcheri; Bharatanatyam; National discourse; Bhakti (devotion); Tyagaraja’s songs General Works A Mohan Ramanan The Classical Music Culture of South India
description	The paper sketches briefly the cultural and political context against which one may study the classical South Indian concert called the Kutcheri. It goes on to trace the development of the modern concert and then concentrates on the devotional poetry of Tyagaraja who is the foremost composer in the tradition. The paper demonstrates the centrality of Bhakti (devotion) as an emotion and its role in creating a link between the composer, the singer, the song and the audience.
format	article
author	Mohan Ramanan
author_facet	Mohan Ramanan
author_sort	Mohan Ramanan
title	The Classical Music Culture of South India
title_short	The Classical Music Culture of South India
title_full	The Classical Music Culture of South India
title_fullStr	The Classical Music Culture of South India
title_full_unstemmed	The Classical Music Culture of South India
title_sort	classical music culture of south india
publisher	Universitat Autònoma de Barcelona
publishDate	2014
url	https://doaj.org/article/bf6e0559e66a4189952dd163b5443662
work_keys_str_mv	AT mohanramanan theclassicalmusiccultureofsouthindia AT mohanramanan classicalmusiccultureofsouthindia
_version_	1718399717604327424

The Classical Music Culture of South India

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