“Golden heads” in Marina Tsvetaeva’s dramatic works and her unfulfilled translation of Paul Claudel’s “Tête d’or”

The message about unfulfilled translation of Paul Claudel’s drama “Tête d’or” by Marina Tsvetaeva appeared at the beginning of January 1921 in the socalled debate on “alterations” in the journal “Bulletin of the theatre”, published by the Theatre Department of Narkompros. In February 1921 Tsvetaeva...

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Autor principal:	Olga Shalygina
Formato:	article
Lenguaje:	EN RU
Publicado:	Russian Academy of Sciences. A.M. Gorky Institute of World Literature 2019
Materias:	marina tsvetaeva maximilian voloshin paul claudel “tête d’or” images of “golden heads” in m. tsvetaeva’s dramas of 1918–1919 Literature (General) PN1-6790 Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/c00e01f79131424aad546d7a9b5ee3c2
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spelling	oai:doaj.org-article:c00e01f79131424aad546d7a9b5ee3c22021-11-23T11:22:07Z“Golden heads” in Marina Tsvetaeva’s dramatic works and her unfulfilled translation of Paul Claudel’s “Tête d’or”10.22455/2541-8297-2019-13-270-2892541-82972542-2421https://doaj.org/article/c00e01f79131424aad546d7a9b5ee3c22019-09-01T00:00:00Zhttp://litfact.ru/images/2019-13/LF-2019-3-13_270-289_Shalygina.pdfhttps://doaj.org/toc/2541-8297https://doaj.org/toc/2542-2421The message about unfulfilled translation of Paul Claudel’s drama “Tête d’or” by Marina Tsvetaeva appeared at the beginning of January 1921 in the socalled debate on “alterations” in the journal “Bulletin of the theatre”, published by the Theatre Department of Narkompros. In February 1921 Tsvetaeva wrote a refutation to the editorial board. A decisive rejection of translation could be affected not only by considerations of personal safety associated with merging the Theatre Department of Narkompros and the Political administration of the Revolutionary Military Council, but also by deeply internal creative processes. In a series of dramatic works written in 1918–19 (later called “Romance”), Tsvetaeva appeals to the innovative experience of Claudel in reforming the European drama. The article highlights the motif complex of “golden head”, genetically related to the image of Maximilian Voloshin and his mediation in the comprehension of Paul Claudel’s works by Russian culture. The key texts to highlight the complex motifs of the “golden head” in Tsvetaeva’s dramatic works are monologue of Gold-headed during the assumption of power, dialogues of Gold-headed and Princess on top of the world from Claudel’s drama “Tête d’or”, and the story of the New Year fire in Koktebel from Tsvetaeva's essay “The Living about Living”. Consideration of neo-mythological connections allows to expand the subject of Tsvetaeva’s unfulfilled translation of Paul Claudel’s “Tête d’or” for a performance in the Theater I of the RSFSR under the leadership of V.E. Meyerhold to consider ways of transformation of Claudel’s drama in Russian literature.Olga ShalyginaRussian Academy of Sciences. A.M. Gorky Institute of World Literaturearticlemarina tsvetaevamaximilian voloshinpaul claudel“tête d’or”images of “golden heads” in m. tsvetaeva’s dramas of 1918–1919Literature (General)PN1-6790Slavic languages. Baltic languages. Albanian languagesPG1-9665ENRUЛитературный факт, Iss 3 (13), Pp 270-289 (2019)
institution	DOAJ
collection	DOAJ
language	EN RU
topic	marina tsvetaeva maximilian voloshin paul claudel “tête d’or” images of “golden heads” in m. tsvetaeva’s dramas of 1918–1919 Literature (General) PN1-6790 Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	marina tsvetaeva maximilian voloshin paul claudel “tête d’or” images of “golden heads” in m. tsvetaeva’s dramas of 1918–1919 Literature (General) PN1-6790 Slavic languages. Baltic languages. Albanian languages PG1-9665 Olga Shalygina “Golden heads” in Marina Tsvetaeva’s dramatic works and her unfulfilled translation of Paul Claudel’s “Tête d’or”
description	The message about unfulfilled translation of Paul Claudel’s drama “Tête d’or” by Marina Tsvetaeva appeared at the beginning of January 1921 in the socalled debate on “alterations” in the journal “Bulletin of the theatre”, published by the Theatre Department of Narkompros. In February 1921 Tsvetaeva wrote a refutation to the editorial board. A decisive rejection of translation could be affected not only by considerations of personal safety associated with merging the Theatre Department of Narkompros and the Political administration of the Revolutionary Military Council, but also by deeply internal creative processes. In a series of dramatic works written in 1918–19 (later called “Romance”), Tsvetaeva appeals to the innovative experience of Claudel in reforming the European drama. The article highlights the motif complex of “golden head”, genetically related to the image of Maximilian Voloshin and his mediation in the comprehension of Paul Claudel’s works by Russian culture. The key texts to highlight the complex motifs of the “golden head” in Tsvetaeva’s dramatic works are monologue of Gold-headed during the assumption of power, dialogues of Gold-headed and Princess on top of the world from Claudel’s drama “Tête d’or”, and the story of the New Year fire in Koktebel from Tsvetaeva's essay “The Living about Living”. Consideration of neo-mythological connections allows to expand the subject of Tsvetaeva’s unfulfilled translation of Paul Claudel’s “Tête d’or” for a performance in the Theater I of the RSFSR under the leadership of V.E. Meyerhold to consider ways of transformation of Claudel’s drama in Russian literature.
format	article
author	Olga Shalygina
author_facet	Olga Shalygina
author_sort	Olga Shalygina
title	“Golden heads” in Marina Tsvetaeva’s dramatic works and her unfulfilled translation of Paul Claudel’s “Tête d’or”
title_short	“Golden heads” in Marina Tsvetaeva’s dramatic works and her unfulfilled translation of Paul Claudel’s “Tête d’or”
title_full	“Golden heads” in Marina Tsvetaeva’s dramatic works and her unfulfilled translation of Paul Claudel’s “Tête d’or”
title_fullStr	“Golden heads” in Marina Tsvetaeva’s dramatic works and her unfulfilled translation of Paul Claudel’s “Tête d’or”
title_full_unstemmed	“Golden heads” in Marina Tsvetaeva’s dramatic works and her unfulfilled translation of Paul Claudel’s “Tête d’or”
title_sort	“golden heads” in marina tsvetaeva’s dramatic works and her unfulfilled translation of paul claudel’s “tête d’or”
publisher	Russian Academy of Sciences. A.M. Gorky Institute of World Literature
publishDate	2019
url	https://doaj.org/article/c00e01f79131424aad546d7a9b5ee3c2
work_keys_str_mv	AT olgashalygina goldenheadsinmarinatsvetaevasdramaticworksandherunfulfilledtranslationofpaulclaudelstetedor
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“Golden heads” in Marina Tsvetaeva’s dramatic works and her unfulfilled translation of Paul Claudel’s “Tête d’or”

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