Violencia simbólica, cuerpo y enfermedad: bosquejos de un contrapunto crítico en la fotografía de Gabriela Liffschitz

The present article contemplates the notions of the body and subjectivity in relation to the illness that prompted the photographic work of Gabriela Liffschitz. In Side Effects, the Argentinian photographer and journalist reproduces a series of self-portraits and texts from her experience with the c...

Descripción completa

Guardado en:

Detalles Bibliográficos
Autor principal:	Leila Martina Passerino
Formato:	article
Lenguaje:	EN FR PT
Publicado:	Centre de Recherches sur les Mondes Américains 2014
Materias:	cancer body subjectivity symbolic violence art Anthropology GN1-890 Latin America. Spanish America F1201-3799
Acceso en línea:	https://doaj.org/article/c06706dbcfbe4349999070c03308c72f
Etiquetas:	Agregar Etiqueta Sin Etiquetas, Sea el primero en etiquetar este registro!

id	oai:doaj.org-article:c06706dbcfbe4349999070c03308c72f
record_format	dspace
spelling	oai:doaj.org-article:c06706dbcfbe4349999070c03308c72f2021-12-02T10:31:31ZViolencia simbólica, cuerpo y enfermedad: bosquejos de un contrapunto crítico en la fotografía de Gabriela Liffschitz1626-025210.4000/nuevomundo.67483https://doaj.org/article/c06706dbcfbe4349999070c03308c72f2014-11-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/67483https://doaj.org/toc/1626-0252The present article contemplates the notions of the body and subjectivity in relation to the illness that prompted the photographic work of Gabriela Liffschitz. In Side Effects, the Argentinian photographer and journalist reproduces a series of self-portraits and texts from her experience with the cancer, explores the place of mastectomy, the body changes as the question of death. Liffschitz considers the interventions realized by the medical system departing from an exploration of herself, as attempt to narrate herself. From this place, slide a critique of symbolic violence that imposes and reproduces stealthily dominant senses about on female corporeality, illness body positioning and location of gaze. Liffschitz discussed in this territory with representation models that have dominated and the values, from the social and cultural analysis, from which she can rethink the place of the body. However, simultaneously, generates a proposal that acts as a counterpoint rather critical and self-transformation. Living her illness, in this sense, expresses the political dimension of the body and the place of subjectivity as a place of action and creative potential.Leila Martina PasserinoCentre de Recherches sur les Mondes Américainsarticlecancerbodysubjectivitysymbolic violenceartAnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2014)
institution	DOAJ
collection	DOAJ
language	EN FR PT
topic	cancer body subjectivity symbolic violence art Anthropology GN1-890 Latin America. Spanish America F1201-3799
spellingShingle	cancer body subjectivity symbolic violence art Anthropology GN1-890 Latin America. Spanish America F1201-3799 Leila Martina Passerino Violencia simbólica, cuerpo y enfermedad: bosquejos de un contrapunto crítico en la fotografía de Gabriela Liffschitz
description	The present article contemplates the notions of the body and subjectivity in relation to the illness that prompted the photographic work of Gabriela Liffschitz. In Side Effects, the Argentinian photographer and journalist reproduces a series of self-portraits and texts from her experience with the cancer, explores the place of mastectomy, the body changes as the question of death. Liffschitz considers the interventions realized by the medical system departing from an exploration of herself, as attempt to narrate herself. From this place, slide a critique of symbolic violence that imposes and reproduces stealthily dominant senses about on female corporeality, illness body positioning and location of gaze. Liffschitz discussed in this territory with representation models that have dominated and the values, from the social and cultural analysis, from which she can rethink the place of the body. However, simultaneously, generates a proposal that acts as a counterpoint rather critical and self-transformation. Living her illness, in this sense, expresses the political dimension of the body and the place of subjectivity as a place of action and creative potential.
format	article
author	Leila Martina Passerino
author_facet	Leila Martina Passerino
author_sort	Leila Martina Passerino
title	Violencia simbólica, cuerpo y enfermedad: bosquejos de un contrapunto crítico en la fotografía de Gabriela Liffschitz
title_short	Violencia simbólica, cuerpo y enfermedad: bosquejos de un contrapunto crítico en la fotografía de Gabriela Liffschitz
title_full	Violencia simbólica, cuerpo y enfermedad: bosquejos de un contrapunto crítico en la fotografía de Gabriela Liffschitz
title_fullStr	Violencia simbólica, cuerpo y enfermedad: bosquejos de un contrapunto crítico en la fotografía de Gabriela Liffschitz
title_full_unstemmed	Violencia simbólica, cuerpo y enfermedad: bosquejos de un contrapunto crítico en la fotografía de Gabriela Liffschitz
title_sort	violencia simbólica, cuerpo y enfermedad: bosquejos de un contrapunto crítico en la fotografía de gabriela liffschitz
publisher	Centre de Recherches sur les Mondes Américains
publishDate	2014
url	https://doaj.org/article/c06706dbcfbe4349999070c03308c72f
work_keys_str_mv	AT leilamartinapasserino violenciasimbolicacuerpoyenfermedadbosquejosdeuncontrapuntocriticoenlafotografiadegabrielaliffschitz
_version_	1718397140916502528

Violencia simbólica, cuerpo y enfermedad: bosquejos de un contrapunto crítico en la fotografía de Gabriela Liffschitz

Ejemplares similares