"MASKED HEROES" IN CONTEMPORARY TATAR LITERATURE

While contemporary Tatar literature science reflects social problems, author position in literary work, relationship between author and literary hero, lyric hero are considered as current issues. In particular, the lyric hero, who conveys the author's consciousness and thoughts in lyric works,...

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Autor principal:	Ramilya YARULLİNA YILDIRIM
Formato:	article
Lenguaje:	DE EN FR TR
Publicado:	Fırat University 2019
Materias:	tatar literature relationship between author and hero masked hero Social Sciences H Social sciences (General) H1-99
Acceso en línea:	https://doaj.org/article/c0fc400c196040e084d4eaf703337365
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id	oai:doaj.org-article:c0fc400c196040e084d4eaf703337365
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spelling	oai:doaj.org-article:c0fc400c196040e084d4eaf7033373652021-11-24T09:20:46Z"MASKED HEROES" IN CONTEMPORARY TATAR LITERATURE2148-416310.9761/JASSS7018https://doaj.org/article/c0fc400c196040e084d4eaf7033373652019-08-01T00:00:00Zhttps://jasstudies.com/index.jsp?mod=tammetin&makaleadi=1500899297_7-Prof.%20Dr.%20Ramilya%20Yarullina%20Y%C4%B1ld%C4%B1r%C4%B1m.pdf&key=28277https://doaj.org/toc/2148-4163While contemporary Tatar literature science reflects social problems, author position in literary work, relationship between author and literary hero, lyric hero are considered as current issues. In particular, the lyric hero, who conveys the author's consciousness and thoughts in lyric works, is also used as a literary mask by the author. Unlike pennames (Mahlas), or nicknames, a certain distance is placed between the literary mask and the author, while the heroes who are known by their nicknames carry mostly the characteristics of the author. The ideas that the author wants to convey in prose and drama forms are expressed through the heroes of the works, namely, from behind the mask of the hero. In some cases the author wears a clear mask and does not remove the mask until the end of the work. In some cases, depending on the main idea of the work, the author can often change his/her mask. Some masked heroes may be nameless, namely typified, generalized. Mythological, folkloric, religious images can also be used as author’s literary masks. From a different perspective, the literary heroes, who move away from the author's thoughts in the literary work and wear masks to hide their true faces in the text, form a separate system. Although the author shows some of these heroes as acting independently of their own ideas, a certain purpose of the author is still hiding behind them. In our work, the author and masked hero relationship will be evaluated from different dimensions in the example works of Fevziye Beyremova's Maska (mask) and Bolın (meadow), and Zülfet Hekim’s "Bit" (Face).Ramilya YARULLİNA YILDIRIMFırat Universityarticletatar literaturerelationship between author and heromasked heroSocial SciencesHSocial sciences (General)H1-99DEENFRTRJournal of Academic Social Science Studies , Vol 10, Iss 56, Pp 131-138 (2019)
institution	DOAJ
collection	DOAJ
language	DE EN FR TR
topic	tatar literature relationship between author and hero masked hero Social Sciences H Social sciences (General) H1-99
spellingShingle	tatar literature relationship between author and hero masked hero Social Sciences H Social sciences (General) H1-99 Ramilya YARULLİNA YILDIRIM "MASKED HEROES" IN CONTEMPORARY TATAR LITERATURE
description	While contemporary Tatar literature science reflects social problems, author position in literary work, relationship between author and literary hero, lyric hero are considered as current issues. In particular, the lyric hero, who conveys the author's consciousness and thoughts in lyric works, is also used as a literary mask by the author. Unlike pennames (Mahlas), or nicknames, a certain distance is placed between the literary mask and the author, while the heroes who are known by their nicknames carry mostly the characteristics of the author. The ideas that the author wants to convey in prose and drama forms are expressed through the heroes of the works, namely, from behind the mask of the hero. In some cases the author wears a clear mask and does not remove the mask until the end of the work. In some cases, depending on the main idea of the work, the author can often change his/her mask. Some masked heroes may be nameless, namely typified, generalized. Mythological, folkloric, religious images can also be used as author’s literary masks. From a different perspective, the literary heroes, who move away from the author's thoughts in the literary work and wear masks to hide their true faces in the text, form a separate system. Although the author shows some of these heroes as acting independently of their own ideas, a certain purpose of the author is still hiding behind them. In our work, the author and masked hero relationship will be evaluated from different dimensions in the example works of Fevziye Beyremova's Maska (mask) and Bolın (meadow), and Zülfet Hekim’s "Bit" (Face).
format	article
author	Ramilya YARULLİNA YILDIRIM
author_facet	Ramilya YARULLİNA YILDIRIM
author_sort	Ramilya YARULLİNA YILDIRIM
title	"MASKED HEROES" IN CONTEMPORARY TATAR LITERATURE
title_short	"MASKED HEROES" IN CONTEMPORARY TATAR LITERATURE
title_full	"MASKED HEROES" IN CONTEMPORARY TATAR LITERATURE
title_fullStr	"MASKED HEROES" IN CONTEMPORARY TATAR LITERATURE
title_full_unstemmed	"MASKED HEROES" IN CONTEMPORARY TATAR LITERATURE
title_sort	"masked heroes" in contemporary tatar literature
publisher	Fırat University
publishDate	2019
url	https://doaj.org/article/c0fc400c196040e084d4eaf703337365
work_keys_str_mv	AT ramilyayarullinayildirim maskedheroesincontemporarytatarliterature
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"MASKED HEROES" IN CONTEMPORARY TATAR LITERATURE

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